"I Heard It Through the Grapevine" is a song written by Norman Whitfield and Barrett Strong for Motown Records in 1966. The first recording of the song to be released was produced by Whitfield for Gladys Knight & the Pips and released as a single in September 1967. It went to number one on the Billboard R&B Singles chart and number two on the Billboard Pop Singles chart and shortly became the biggest selling Motown single up to that time.
The Andantes were an American female session group for the Motown record label during the 1960s. Composed of Jackie Hicks, Marlene Barrow, and Louvain Demps, the group sang background vocals on numerous Motown recordings, including songs by Martha Reeves & the Vandellas, the Temptations, Stevie Wonder, the Four Tops, Jimmy Ruffin, Edwin Starr, the Supremes, the Marvelettes, Marvin Gaye and the Isley Brothers, among others. It is estimated they appeared on 20,000 recordings.
"Ain't That Peculiar" is a 1965 song recorded by American soul musician Marvin Gaye for the Tamla (Motown) label.
"Too Busy Thinking About My Baby" is a Motown song written by Norman Whitfield, Barrett Strong, and Janie Bradford. The song was first recorded by The Temptations as a track on their 1966 album Gettin' Ready. Eddie Kendricks sings lead on the recording, which was produced by Whitfield. Jimmy Ruffin also recorded a version with The Temptations providing background vocals in 1966. It remained unreleased until 1997.
That's the Way Love Is is the tenth studio album by soul musician Marvin Gaye, released on January 8, 1970, on the Tamla (Motown) label. Built on the success of the title track originally taken from M.P.G., and much like Gaye's "I Heard It Through The Grapevine" after its success, was released with intent to sell albums based on the success of one particular single. Gaye was showing signs of disillusionment from the label's powers-that-be mentality but it didn't affect the singer's performance as he gave a powerful vocal in the title track and was especially impressive with his version of The Beatles' "Yesterday". He achieved some success with a cover version of "How Can I Forget?", which just missed out on the US Pop Top 40, making #41, and reached #18 on the R&B Charts. Its B-side, a cover of Jimmy Ruffin's "Gonna Give Her All the Love I've Got", made a separate chart entry, and peaked at #67 and #27 on the Pop and Soul Charts respectively. Gaye also recorded a version of Ruffin's "Don't You Miss Me a Little Bit Baby" for the album. The LP also features Gaye's rendition of the socially conscious tune "Abraham, Martin & John", which became a hit in the UK, peaking at #9 in June 1970. The single is widely regarded as a hint of what would follow a year later with his What's Going On. He also covered The Temptations' hits "I Wish It Would Rain" and "Cloud Nine".
"For Once in My Life" is a song written by Ron Miller and Orlando Murden for Motown Records' Stein & Van Stock publishing company, and first recorded in 1965.
This Old Heart of Mine is the fourth studio album released by The Isley Brothers in 1966, on the Tamla (Motown) label. The album, their first with the seminal Detroit-based music label, yielded the Isleys' biggest hit in their early period with the title track, "This Old Heart of Mine ". Other charted singles including "Take Some Time Out for Love" and "I Guess I'll Always Love You".
"One More Heartache" is a 1966 single recorded by Marvin Gaye for Motown Records' Tamla label. The single was written by the team of The Miracles members Bobby Rogers, Marv Tarplin, Pete Moore, Ronnie White and Smokey Robinson and produced by Robinson. The song was the third release and third consecutive Top 40 single from Gaye's Moods of Marvin Gaye album, and was produced with a similar sound to his hit "Ain't That Peculiar". "One More Heartache"was a Top 30 Pop hit, peaking at number 29 on the Billboard Hot 100, and a Top 10 R&B hit, peaking at number four on the US Billboard R&B chart.
"Little Darling (I Need You)" is a 1966 single written and produced by Holland-Dozier-Holland and recorded and released by Marvin Gaye on the Tamla label.
"All I Need" is a 1967 hit single recorded by The Temptations for the Gordy (Motown) label. It is the group's first single to be produced by Norman Whitfield's protégé Frank Wilson. Written by Wilson, Eddie Holland and R. Dean Taylor, the single was a Top 10 hit on the Billboard Hot 100, peaking at number 8; it was also a number-two hit on the Billboard R&B singles chart.
"It's Growing" is a 1965 hit single by The Temptations for the Gordy (Motown) label. Written by Miracles members Smokey Robinson and Pete Moore and produced by Robinson, the song was a top 20 pop single on the Billboard Hot 100 in the United States, on which it peaked at number 18. On Billboard's R&B singles chart, "It's Growing" peaked at number 3.
"What's Easy for Two Is Hard for One" is a song written and produced by Smokey Robinson and released as a single by singer Mary Wells for the Motown label.
"I Couldn't Cry If I Wanted To" is a 1962 Motown song written by Edward Holland, Jr. and Norman Whitfield. It would later be released as B-sides for singles by The Temptations and Holland himself, both of which were produced by Whitfield.
"Everybody Needs Love" is a 1964 Motown song by Norman Whitfield and Edward Holland, Jr. The first version released was by The Temptations for their album The Temptin' Temptations in 1965, but the most successful version was on a single by Gladys Knight & the Pips, which peaked at #39 on the Billboard Hot 100 chart, and #3 on the Billboard R&B singles chart, in 1967. Other Motown acts that recorded this song were Mary Wells, which featured Eddie Kendricks of The Temptations in the background, Jimmy Ruffin, The Velvelettes, and The Miracles. All versions of the song were produced by Whitfield.
"What Good Am I Without You" is a Motown duet between singers Marvin Gaye and Kim Weston. The song was released as a single in late 1964 and became the first duet Marvin and Kim recorded, a couple of years before the duo recorded the breakthrough hit, "It Takes Two". The song came after the departure of Mary Wells, who had left Motown that year shortly after releasing a successful duet album with Gaye. The single was featured on Gaye and Weston's only LP together, Take Two and peaked at number 61 on the Billboard Hot 100 when it was released. The single was co-written and produced by William "Mickey" Stevenson. The b-side, "I Want You 'Round", was also included on Take Two.
"Gonna Give Her All the Love I've Got" is a 1967 Soul song, originally recorded and made a hit by Jimmy Ruffin on Motown's Soul Label imprint. Ruffin's 1967 original version, from his album Jimmy Ruffin Sings Top Ten, reached the Pop Top 30, peaking at #29, and was a Top 20 R&B Hit as well, peaking at #14. It was also a hit in Britain, reaching #26 on the UK Singles Chart. The song has a social context: it depicts a man anticipating his release from prison on the morrow, when he'll return home on a train to "the girl that I left behind," promising himself that he will reward her steadfast love for him by "giv[ing] her all the love [he's] got." The song was written by Norman Whitfield and Barrett Strong and produced by Whitfield.
"How Can I Forget" was originally recorded as a love ballad by Motown group The Temptations in 1968 and was re-recorded in a psychedelic soul/funk styling by fellow Motown artist, Marvin Gaye in 1969. His version, released on Motown's first subsidiary, Tamla, became a modest hit that almost reached the Top 40 of the pop charts while peaking at number-eighteen on the Hot Selling Soul Singles chart in 1970. Marvin's recording was featured on his That's the Way Love Is album. The song is also notable for being one of the shortest recordings for both The Tempts and for Gaye; recorded when most songs are over three minutes, its length is just under two.
"Just One Last Look" is a 1966 song written and produced by Motown's main production team Holland–Dozier–Holland, and recorded by The Temptations for the Gordy (Motown) label, and The Four Tops for the main Motown label. Intended for release as a single for both, it was blocked from doing so and shelved.
"Just Another Lonely Night" is a 1965 song co-written and co-produced by William "Mickey" Stevenson and Ivy Jo Hunter. It was recorded by four Motown acts: The Temptations, Brenda Holloway, The Four Tops, and The Fantastic Four.
"Too Hurt to Cry, Too Much in Love to Say Goodbye" is a 1963 song and single written and composed by Motown's main production team Holland–Dozier–Holland. Credited to the Darnells, the performers on both sides of the single were in fact the Andantes, Holland–Dozier–Holland, Mary Wilson of the Supremes (B-side), and members of the Marvelettes, the Four Tops, and the Temptations. Nobody involved with the production on either side was pleased with the false credit. Whatever the reason it was done, it didn't work as the single only peaked at 17 on the Billboard Bubbling Under Hot 100 charts.
