Fugazi is an American post-hardcore band that formed in Washington, D.C. in 1986. The band consists of guitarists and vocalists Ian MacKaye and Guy Picciotto, bassist Joe Lally, and drummer Brendan Canty. They are noted for their style-transcending music, DIY ethical stance, manner of business practice, and contempt for the music industry.
Senses Fail is an American post-hardcore band that formed in Ridgewood, New Jersey, United States, in 2001. Formed by vocalist James "Buddy" Nielsen, drummer Dan Trapp, guitarists Garrett Zablocki and Dave Miller, and bassist James Gill ; the band has seen many lineup changes, with Nielsen being the only consistent member.
The Drones were an Australian rock band, formed in Perth by mainstay lead vocalist and guitarist Gareth Liddiard in 1997. Fiona Kitschin, his domestic partner, joined on bass guitar and vocals in 2002. Other long-term members include Rui Pereira on bass guitar and then lead guitar; Mike Noga on drums, vocals, harmonica and percussion; and Dan Luscombe on lead guitar, vocals and keyboards. Their second album, Wait Long by the River and the Bodies of Your Enemies Will Float By, won the inaugural Australian Music Prize. In October 2010 their third studio album, Gala Mill was listed at No. 21 in the book, 100 Best Australian Albums. Two of their albums have reached the top 20 on the ARIA Albums Chart, I See Seaweed and Feelin Kinda Free. The group went on hiatus in December 2016 with Kitschin and Liddiard forming a new group, Tropical Fuck Storm, in the following year.
Breaking Things is the fifth studio album by the American punk rock band All, released August 16, 1993 through Cruz Records. It was the band's first album with singer Chad Price and their last released through Cruz. The songs "Shreen" and "Guilty" were both released as singles from the album, the former supported by a music video.
All Roads Lead to Ausfahrt is the tenth and final studio album by Vancouver punk rock band Nomeansno. It was released by the band's own Wrong Records imprint, in conjunction with AntAcidAudio in North America and Southern Records in Europe, making it their first record not to be released by the Alternative Tentacles imprint since Mama in 1982. The album marked a return to shorter and more conventional songs than their previous efforts, Dance of the Headless Bourgeoisie (1998) and One (2000).
Gala Mill is the third studio album by Australian band the Drones, which was released in September 2006. Recorded in an abandoned mill in Tasmania, it was their last album to feature founding member Rui Pereira and the first to feature Mike Noga on drums. The music, which makes "an epic leap beyond garage rock", adds influences from folk rock and contemporary folk music to their usual punk blues style. Gareth Liddiard's lyrics for the album are centered more on Australia's colonial and recent history, evident in tracks such as "Jezebel", "Words From The Executioner To Alexander Pearce" and "Sixteen Straws".
Wait Long by the River and the Bodies of Your Enemies Will Float By is the second album released by the Drones. Recorded "100% live", the album draws influence from the likes of Neil Young and Rowland S. Howard, though it has been described by lead singer/guitarist Gareth Liddiard himself as a punk rock album. The lyrics, penned by Liddiard, deal with issues such as death, depression and alcoholism in its depiction of Australian working class life.
Gareth Liddiard is an Australian musician, best known as a founding member of both The Drones and Tropical Fuck Storm. Musically active since 1997, he has also released a solo album titled Strange Tourist in 2010.
Here Come the Lies is the debut album released by Perth band The Drones.
"Shark Fin Blues" is a double A-side single taken from Australian rockers, the Drones' second studio album, Wait Long by the River and the Bodies of Your Enemies Will Float By. The single was released on 25 September 2006. It also appeared as a limited edition, 7" picture disc, together with the band's fourth album, Gala Mill.
Spaceland Presents – The Drones , or Live in Spaceland, is the first live album by Australian alternative rockers, the Drones, which was released in February 2007 via the American label, Spaceland Recordings. Its ten tracks were recorded at Spaceland, an alternative rock/indie rock nightclub in the Silver Lake neighbourhood of Los Angeles, on 15 November 2006, as part of NME's Wednesday night concert series. The band performed without a setlist.
The Drones performed for two nights at the Annandale Hotel in Sydney, Australia in October 2007. Both nights were recorded with the intention of releasing a limited live album. Live at the Annandale Hotel 18th, 19th October 2007 is the first in a series of live albums produced by the Annandale Hotel music venue. This vinyl-exclusive release was limited to 250 hand-numbered, autographed copies.
Havilah is the fourth studio album by Australian alternative rockers, the Drones, which was released by ATP Recordings/MGM Distribution in September 2008. It was co-produced by the group with Burke Reid and issued in February 2009 for the United Kingdom and United States markets. The title refers to a biblical town of the same name – "a Shangri-La-esque place with an abundance of gold" – and is the valley 20 kilometres (12 mi) from Myrtleford, where they recorded.
What The Fuck Will Change? is the first studio album by A Global Threat. It was originally released in 1999 by Step 1 Records and was re-released in 2002 by Punk Core Records with two more tracks.
Black Out the Sun is the ninth studio album by American metal band Sevendust, released on March 26, 2013.
I See Seaweed is the fifth studio album by Australian band The Drones, released in March 2013. The album marked the first appearance of Steve Hesketh on keyboards and the last appearance of drummer Mike Noga. Recorded by the band themselves inside a "demountable classroom from the '60s", the music on the album is more dynamic, darker and "expansive" in comparison to previous albums, while Liddiard's poetic lyrics were regarded as being more "universal" & humorous in exploring topics such as climate change, free will, conservative politics, socioeconomic issues, existentialism and the human condition in general. The song "How to See Through Fog" was released as the album's only single in early 2013.
Feelin Kinda Free is the sixth studio album from Australian band The Drones, and their final one before going on hiatus. Having grown tired with the more rock-oriented sound of the band up until that point, frontman Gareth Liddiard became fascinated with both vintage and modern electronic equipment - ranging from drum machines and samplers to the Teenage Engineering OP-1 synthesizer - in conceiving the album's sound. Its genre-defying musical style has been described as visceral and ominous, featuring a relative absence of guitars and a prominent use of electronic textures. Its sessions also marked the first appearance of drummer Christian Strybosch since 2005's Wait Long by the River and the Bodies of Your Enemies Will Float By.
Tropical Fuck Storm are an Australian band from Melbourne, Victoria, formed by Gareth Liddiard and Fiona Kitschin while on hiatus from the blues punk band The Drones. Lauren Hammel, from the band High Tension, plays drums, and Erica Dunn, from the bands MOD CON, Harmony, and Palm Springs, plays guitars, keyboards, and other instruments. Their sound is characterized by elements of art punk, noise rock and experimental rock.
A Laughing Death in Meatspace is the debut album of Melbourne-based supergroup Tropical Fuck Storm, formed by members of The Drones, Palm Springs and High Tension. The band, wishing to step away from the more rock-centric sound that The Drones were known for prior to their final pre-hiatus album Feelin Kinda Free, utilized a range of obscure digital guitar effects, synthesizers, drum machines, and DAW software such as ProTools to create the music. Finished less than eight months after their first few live performances, the speed at which the album was recorded also had a heavy influence on its idiosyncratic sound, which combines genres such as punk blues, art punk, psychedelic rock and noise rock with influences from pop and electronic music. Written by Liddiard with contributions from other members, the lyrics have been described as apocalyptic and darkly humorous; tackling subjects such as technological advancement, political polarization, socioeconomic inequality, xenophobia, culture wars and many others. The album title links a Silicon Valley slang for the physical world with the neurodegenerative disorder of kuru found in the Fore people of Papua New Guinea.
Strange Tourist is the debut studio album from The Drones and Tropical Fuck Storm frontman Gareth Liddiard. The album was recorded inside Blackburn Castle in New South Wales over the first half of 2010, and was produced with the help of Burke Reid. Its minimal, "austere" and "meandering" acoustic songs instrumentally consist entirely of Liddiard's guitar-playing, and are topped with his versatile and heavily-accented vocals. Exploring themes such as isolation, jealousy, guilt, colonialism, wartime collaborationism, radicalism and many others, its detailed, narrative-based lyrics have been characterized as "dark and grinding", and are set in various periods of time as well as locations.
