The Romance of Chastisement

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The Romance of Chastisement is a Victorian pornographic collection on the theme of flagellation by St George Stock (a probable pseudonym, also credited with The Whippingham Papers ) and published by John Camden Hotten in 1866. It was reprinted by William Lazenby in 1883 and again by Charles Carrington in 1902 as The Magnetism of the Rod or the Revelations of Miss Darcy.

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The role of sadism and masochism in fiction has attracted serious scholarly attention. Anthony Storr has commented that the volume of sadomasochist pornography shows that sadomasochistic interest is widespread in Western society; John Kucich has noted the importance of masochism in late-19th-century British colonial fiction. This article presents appearances of sadomasochism in literature and works of fiction in the various media.

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Erotic literature comprises fictional and factual stories and accounts of eros intended to arouse similar feelings in readers. This contrasts erotica, which focuses more specifically on sexual feelings. Other common elements are satire and social criticism. Much erotic literature features erotic art, illustrating the text.

<span class="mw-page-title-main">Henry Spencer Ashbee</span> Book collector and writer (1834–1900)

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The Romance of Lust, or Early Experiences is a Victorian erotic novel written anonymously in four volumes during the years 1873–1876 and published by William Lazenby. Henry Spencer Ashbee discusses this novel in one of his bibliographies of erotic literature. In addition the compilers of British Museum General Catalogue of Printed Books list this book.

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Charles Carrington (1857–1921) was a leading British publisher of erotica in late-19th- and early-20th-century Europe. Born Paul Harry Ferdinando in Bethnal Green, England on 11 November 1867, he moved in 1895 from London to Paris where he published and sold books in the rue Faubourg Montmartre and rue de Chateaudun; for a short period he moved his activities to Brussels. Carrington also published works of classical literature, including the first English translation of Aristophanes' "Comedies," and books by famous authors such as Oscar Wilde and Anatole France, in order to hide his "undercover" erotica publications under a veil of legitimacy. His books featured the erotic art of Martin van Maële. He published a French series La Flagellation a Travers le Monde mainly on English flagellation, identifying it as an English predilection.

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James Campbell Reddie was a 19th-century British solicitor, collector and author of pornography, who, writing as "James Campbell", worked for the publisher William Dugdale. According to Henry Spencer Ashbee, Reddie was self-taught and viewed his works from a philosophical point of view.

The Whippingham Papers is a Victorian work of sado-masochistic pornography by St George Stock and published by Edward Avery in December 1887. It consists of a collection of pieces on flagellation, some of which were contributed anonymously by Algernon Charles Swinburne, including his 94-stanza poem "Reginald's Flogging".

William Lazenby was an English publisher of pornography active in the 1870s and 1880s. He used the aliases Duncan Cameron and Thomas Judd. His notable publications include magazines The Pearl, which published poems thought to have been written by Algernon Charles Swinburne, The Oyster, The Boudoir and The Cremorne He also published such books as The Romance of Lust, Randiana, or Excitable Tales, The Birchen Bouquet (1881), The Romance of Chastisement (1883), The Pleasures of Cruelty (1886) and The Sins of the Cities of the Plain. He was an associate of Edward Avery and Leonard Smithers. He was prosecuted in 1871 and again in 1881.

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The Birchen Bouquet is a work of pornography first published around 1770, reprinted in 1826 by George Cannon, in 1860 by William Dugdale and again in 1881 by William Lazenby. It consists of a compilation of flagellation stories, mainly of women by women, some taken from The Englishwoman's Domestic Magazine. Henry Spencer Ashbee described it as "very ordinary and insipid", expressing surprise at its frequent reprinting.

The Library Illustrative of Social Progress was a series of pornographic books published by John Camden Hotten around 1872. They were mainly reprints of eighteenth-century pornographic works on flagellation. Hotten claimed to have found them in the library of Henry Thomas Buckle (1821–1862) but Henry Spencer Ashbee counterclaimed that they were in fact from his collection.

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James Andrew Secord is an American-born historian. He is a professor of history and philosophy of science within the Department of History and Philosophy of Science at the University of Cambridge, and a fellow of Christ's College. He is also the director of the project to publish the complete Correspondence of Charles Darwin. Secord is especially well known for his award-winning work on the reception of the anonymous Vestiges of the Natural History of Creation, a pioneering evolutionary book first published in 1844.

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