A white label record is a vinyl record with white labels attached. There are several variations each with a different purpose. Variations include test pressings, white label promos, and plain white labels.
A white label record is a vinyl record with white labels attached. There are several variations each with a different purpose. Variations include test pressings, white label promos, and plain white labels.
Test pressings, usually with test pressing written on the label, with catalogue number, artist and recording time or date, are the first vinyl discs made at the factory. Such discs are produced in very small quantities (usually no more than 5 or 6 copies) to evaluate the quality of the disc before mass production begins. A review of the test pressing may expose problems with the tape to disc transfer (mastering) and helps to ensure that the defective discs do not reach the public.
In the United States, the term white label promo (often abbreviated as WLP) refers to a promotional pressing with a label that has mostly the same text and label logo/artwork as the commercial label, but with a white background instead of the color label or artwork found on commercial pressings. These are usually pressed in quantities of only a few thousand per title. Such copies may also contain biographies or pictures of the musical artists. Promotional copies are for distribution to journalists, music distributors or radio stations in order to assess consumer opinion.
White label discs can be used to anonymously promote new artists or upcoming albums by veteran artists. In some cases plain white labels are issued to conceal artist identities (examples of this include songs by Traci Lords and La Toya Jackson), whose record companies issued white labels so that DJs would have no pre-conceived notions about the music from the artist name. Many dance music producers press copies of white labels in order to test crowd response in dance clubs to their own musical productions. [1]
Today, white labels are usually produced in small amounts (fewer than 300) by small record companies or DJs and are most popular with house music and hip-hop music DJs. In the early 1990s, hardcore techno and house artists created tracks in home or local studios and had five-hundred or a few thousand singles pressed on 12" white labels, which were easy to sell at dance music record stores. [2]
Steve Beckett of Warp Records recalls that "shops would take fifty white labels off you for five pounds each, no problem. Dance music was all imports, then people in Britain started doing it for themselves, and their tracks started to get better than the tunes in America." [2] Record labels like Warp, and Shut Up and Dance, were begun as white-label enterprises, providing cutting-edge dance music to pirate radio stations and music stores. [2] [3] [4]
Some white labels may contain unauthorized remixes or other recordings which are not licensed for release. Recordings not authorized by the artist or label are often called "bootlegs". White labels are referred to as "promos" (short for "promotional copies") that many top-name DJs receive and play weeks or months prior to the day of general release to the public. As artists using samples pay high fees for the privilege of such, they must be able to gauge the market potential of their tracks prior to approval. Recently, smaller promo services offer record companies a more economical means of distribution although these companies may not have the means to properly protect releases from illegal copying.
The industry itself seems to be aware of this necessity and white labels are commonly accepted as a necessary evil within the industry, which has only prosecuted a small number of those artists using white labeled pressings of uncleared samples and compositions.[ citation needed ]
A disc jockey, more commonly abbreviated as DJ, is a person who plays recorded music for an audience. Types of DJs include radio DJs, club DJs, mobile DJs, and turntablists. Originally, the "disc" in "disc jockey" referred to shellac and later vinyl records, but nowadays DJ is used as an all-encompassing term to also describe persons who mix music from other recording media such as cassettes, CDs or digital audio files on a CDJ, controller, or even a laptop. DJs may adopt the title "DJ" in front of their real names, adopted pseudonyms, or stage names.
In music, a single is a type of release, typically a song recording of fewer tracks than an LP record or an album. One can be released for sale to the public in a variety of formats. In most cases, a single is a song that is released separately from an album, although it usually also appears on an album. In other cases a recording released as a single may not appear on an album.
Warp Records is a British independent record label founded in Sheffield in 1989 by record store employees Steve Beckett and Rob Mitchell and record producer Robert Gordon. It is currently based in London.
Endless Summer is a compilation album by American rock band the Beach Boys, released on June 24, 1974. A collection of hits from the band's 1962–65 period, Endless Summer was compiled by their old label, Capitol Records, following the success of the film American Graffiti, in which several songs were featured. It revitalized the band's popularity after years of lukewarm sales, but also inspired nostalgia for the Beach Boys' early surfing and hot rod-themed music, repositioning the group as an oldies act.
The twelve-inch single is a type of vinyl gramophone record that has wider groove spacing and shorter playing time with a "single" or a few related sound tracks on each surface, compared to LPs which have several songs on each side. It is named for its 12-inch (300 mm) diameter. This allows for louder levels to be cut on the disc by the mastering engineer, which in turn gives a wider dynamic range, and thus better sound quality. This record type is commonly used in disco and dance music genres, where DJs use them to play in clubs. They are played at either 33+1⁄3 or 45 rpm. The conventional 7-inch single usually holds three or four minutes of music at full volume. The 12-inch LP sacrifices volume for extended playing time.
Selected Ambient Works Volume II is the second studio album by Aphex Twin, the pseudonym of British electronic musician Richard D. James. It was released by Warp in March 1994. Billed as a follow-up to James' debut Selected Ambient Works 85–92, the album differs in sound by being largely beatless ambient music. James claimed that it was inspired by lucid dreaming, and likened the music to "standing in a power station on acid."
Parental Advisory is a voluntary warning label placed on audio recordings in recognition of inappropriate references, such as violence, sexual content or profanity, with the intention of alerting parents of material potentially unsuitable for children. It was introduced by the Recording Industry Association of America (RIAA) in 1987 and adopted by the British Phonographic Industry (BPI) in 2011. The label was first affixed on physical 33 1/3 rpm records, compact discs and cassette tapes, and it has been included on digital listings offered by online music stores. In PAL-region territories, some video games featuring licensed music were affixed with the label in the late 1990s and early 2000s.
An acetate disc is a type of phonograph record generally used from the 1930s to the late 1950s for recording and broadcast purposes and sees limited use as of 2009. Despite their name, "acetate" discs do not contain any acetate.
The overwhelming majority of records manufactured have been of certain sizes, playback speeds, and appearance. However, since the commercial adoption of the gramophone record, a wide variety of records have also been produced that do not fall into these categories, and they have served a variety of purposes.
Picture discs are gramophone (phonograph) records that show images on their playing surface, rather than being of plain black or colored vinyl. Collectors traditionally reserve the term picture disc for records with graphics that extend at least partly into the actual playable grooved area, distinguishing them from picture label discs, which have a specially illustrated and sometimes very large label, and picture back discs, which are illustrated on one unplayable side only.
Twoism is the debut EP by Scottish electronic duo Boards of Canada, self-financed and released through their own Music70 record label in August 1995. Initially limited to 100 copies and released privately, the EP was reissued by Warp Records on November 25, 2002.
A bootleg recording is an audio or video recording of a performance not officially released by the artist or under other legal authority. Making and distributing such recordings is known as bootlegging. Recordings may be copied and traded among fans without financial exchange, but some bootleggers have sold recordings for profit, sometimes by adding professional-quality sound engineering and packaging to the raw material. Bootlegs usually consist of unreleased studio recordings, live performances or interviews without the quality control of official releases.
Record collecting is the hobby of collecting sound recordings, usually of music, but sometimes poetry, reading, historical speeches, and ambient noises. Although the typical focus is on vinyl records, all formats of recorded music can be collected.
Third Man Records is an eclectic, vinyl-focused independent record label founded and owned by Jack White, Ben Blackwell, and Ben Swank. The company operates out of three locations—Nashville, Detroit, and Soho in London—with multiple entities expanding upon the offerings of a traditional record label, including multiple live music venues, vinyl pressing plant, film studio and dark room, guitar pedal and gear company, mastering studio, vinyl subscription service, and a publishing arm.
A promotional recording, promo, or plug copy is an audio or video recording distributed free, usually in order to promote a recording that is or soon will be commercially available. Promos are normally sent directly to broadcasters, such as music radio and television stations, and to tastemakers, such as DJs, music journalists, and critics, in advance of the release of commercial editions, in the hope that airplay, reviews, and other forms of exposure will result and stimulate the public's interest in the commercial release.
B12 are a British electronic music duo consisting of Mike Golding and Steve Rutter. First appearing in the early 1990s under a variety of monikers, including Musicology, Redcell and Cmetric, the duo were often mistaken as hailing from Detroit, their sound being comparable to the so-called second wave of Detroit techno. This was compounded by the signature style of their initial releases on their own imprint B12 Records, limited editions on coloured 12" vinyl with cryptic messages etched into the run-out grooves, and the fact that Golding and Rutter tended to shy away from the press, and rarely gave interviews, which added to the mystery of their identities.
A matrix number is an alphanumeric code stamped or handwritten into the run-out groove area of a phonograph record. This is the non-grooved area between the end of the final band on a record's side and the label, also known as the run-off groove area, end-groove area, matrix area, or "dead wax".
In the recording industry, a cut-out refers to a deeply discounted or remaindered copy of an LP, 45 RPM single, cassette tape, compact disc or other item.
A music pool or DJ record pool is a regionalized and centralized method of music distribution that allows DJs to receive promotional music to play in nightclubs and other events such as weddings, festivals and on the radio. Record labels worldwide send their newest releases to the pool of DJs; in exchange, the pool provides feedback on each release as well as exposure in the clubs and other venues they play in. DJs typically pay a monthly subscription to join the service provided by these record pools. Music pools originated as vinyl record pools in 1974 New York City, evolved into CD distribution networks, and later online music distribution between DJs. A music pool may have a "brick and mortar" office or may be entirely virtualized.
In the production of phonograph records – discs that were commonly made of shellac, and later, vinyl – sound was recorded directly onto a master disc at the recording studio. From about 1950 on it became usual to have the performance first recorded on audio tape, which could then be processed and/or edited, and then dubbed on to the master disc.
