"Danny Boy" is a song with lyrics written by English lawyer Frederic Weatherly in 1910, and set to the traditional Irish melody of "Londonderry Air" in 1913.
"There's No Business Like Show Business" is an Irving Berlin song, written for the 1946 musical Annie Get Your Gun and orchestrated by Ted Royal. The song, a slightly tongue-in-cheek salute to the glamour and excitement of a life in show business, is sung in the musical by members of Buffalo Bill's Wild West Show in an attempt to persuade Annie Oakley to join the production. It is reprised three times in the musical.
"Smile" is a song based on the theme song used in the soundtrack for Charlie Chaplin's 1936 film Modern Times.
"Carolina in the Morning" is a popular song with words by Gus Kahn and music by Walter Donaldson, first published in 1922 by Jerome H. Remick & Co.
"Blues in the Night" is a popular blues song which has become a pop standard and is generally considered to be part of the Great American Songbook. The music was written by Harold Arlen, the lyrics by Johnny Mercer, for a 1941 film begun with the working title Hot Nocturne, but finally released as Blues in the Night. The song is sung in the film by William Gillespie.
"That Old Black Magic" is a 1942 popular song written by Harold Arlen (music), with the lyrics by Johnny Mercer. They wrote it for the 1942 film Star Spangled Rhythm, when it was first sung by Johnny Johnston and danced by Vera Zorina. The song was nominated for the Academy Award for Best Original Song in 1943 but lost out to "You'll Never Know".
"Lullaby of Broadway" is a popular song with music written by Harry Warren and lyrics by Al Dubin, published in 1935. The lyrics salute the nightlife of Broadway and its denizens, who "don't sleep tight until the dawn."
"Shine On, Harvest Moon" is a popular early-1900s song credited to the married vaudeville team Nora Bayes and Jack Norworth. It was one of a series of moon-related Tin Pan Alley songs of the era. The song was debuted by Bayes and Norworth in the Ziegfeld Follies of 1908 to great acclaim. It became a pop standard, and continues to be performed and recorded in the 21st century.
"Pretty Baby" is a song written by Tony Jackson during the Ragtime era. The song was remembered as being prominent in Jackson's repertory before he left New Orleans in 1912, but was not published until 1916.
"Swanee" is an American popular song written in 1919 by George Gershwin, with lyrics by Irving Caesar. It is most often associated with singer Al Jolson.
"Almost Like Being in Love" is a show tune with music by Frederick Loewe and lyrics by Alan Jay Lerner. It was written for the score of their 1947 musical Brigadoon. The song was first sung by David Brooks and Marion Bell, in the Broadway production. It was later performed in the 1954 film version by Gene Kelly.
"April Showers" is a 1921 popular song composed by Louis Silvers with lyrics by B. G. De Sylva.
"How About You?" is a popular song composed by Burton Lane, with lyrics by Ralph Freed. It was introduced in the 1941 film Babes on Broadway by Judy Garland and Mickey Rooney.
"Am I Blue?" is a 1929 song composed by Harry Akst (music) and Grant Clarke (lyrics), then featured in four films that year, most notably with Ethel Waters in the movie On with the Show. It has appeared in 42 movies, most recently Funny Lady, The Cotton Club and Downton Abbey: A New Era, and has become a standard covered by numerous artists. As a work from 1929 with its copyright renewed it will enter the public domain on January 1, 2025.
"Me and My Shadow" is a 1927 popular song. Officially the credits show it as written by Al Jolson, Billy Rose, and Dave Dreyer, with Jolson and Dreyer being shown on the sheet music as being responsible for the music and Rose the lyrics. Al Jolson was often given credits on sheet music so he could earn more money by popularizing them, but he played no actual part in writing this song. Jolson never recorded the song although he did use it in the touring version of "Big Boy" in 1927.
"I'm Always Chasing Rainbows" is a popular Vaudeville song. The music is credited to Harry Carroll, but the melody is adapted from Fantaisie-Impromptu by Frédéric Chopin. The lyrics were written by Joseph McCarthy, and the song was published in 1917. It was introduced in the Broadway show Oh, Look! which opened in March 1918. The song was sung in the show by the Dolly Sisters. Judy Garland sang it in the 1941 film Ziegfeld Girl. It was subsequently sung by Jack Oakie in the 1944 film The Merry Monahans and was again featured in the 1945 film The Dolly Sisters, where it was sung by John Payne. It was also included for part of the run of the 1973 revival of Irene. Additionally, the pre-chorus would not have been included until later covers in the 1940s, where the song would gain it's iconic libretti.
"For Me and My Gal" is a 1917 popular standard song by George W. Meyer with lyrics by Edgar Leslie and E. Ray Goetz. Popular recordings of the song in 1917 were by Van and Schenck; Prince's Orchestra; Henry Burr and Albert Campbell; and by Billy Murray.
Liza (All the Clouds'll Roll Away)" is a song composed by George Gershwin with lyrics by Ira Gershwin and Gus Kahn. It was introduced in 1929 by Ruby Keeler (as Dixie Dugan) in Florenz Ziegfeld's musical Show Girl. The stage performances were accompanied by the Duke Ellington Orchestra. On the show's opening night in Boston on June 25, 1929, Keeler's husband and popular singer Al Jolson suddenly stood up from his seat in the third row and sang a chorus of the song, much to the surprise of the audience and Gershwin himself. Jolson recorded the song a few days later on July 6, 1929, and his rendition rose to number nine on the charts of the day.
"When the Red, Red Robin " is a popular song written, both words and music, by Harry Woods in 1926. The song became the signature song for singer and actress Lillian Roth, who performed it often during the height of her musical career from the late 1920s to the late 1930s.
"Dirty Hands, Dirty Face" is a song from the 1921 musical Bombo. The lyrics were written by Grant Clarke and Edgar Leslie; with music by James V. Monaco. Al Jolson is often credited as a lyricist; it was common for popular performers to take a cut of the popularity of a song by being listed as a lyricist. The song is about the love that a father has for his son.
