John Northcote Nash was a British painter of landscapes and still-lives, and a wood engraver and illustrator, particularly of botanic works. He was the younger brother of the artist Paul Nash.
Marianne North was a prolific English Victorian biologist and botanical artist, notable for her plant and landscape paintings, her extensive foreign travels, her writings, her plant discoveries and the creation of her gallery at the Royal Botanic Gardens, Kew.
Dame Elizabeth Violet Blackadder, Mrs Houston, was a Scottish painter and printmaker. She was the first woman to be elected to both the Royal Scottish Academy and the Royal Academy.
Charles Williams is a British artist. He is a founding member of the Stuckist art group and a member of the New English Art Club.
Mildred Anne Butler was an Irish artist, who worked in watercolour and oil of landscape, genre and animal subjects. Butler was born and spent most of her life in Kilmurry, Thomastown, County Kilkenny and was associated with the Newlyn School of painters.
Barbara Mary Steyning Everard was a botanical illustrator whose work encompassed books, private commissions, botanical publications, gardening magazines, greetings cards and commemorative plates.
Augusta Hanna Elizabeth Innes Withers, was an English natural history illustrator, known for her illustrating of John Lindley's Pomological Magazine and her collaboration with Sarah Drake on the monumental Orchidaceae of Mexico and Guatemala by James Bateman. She was appointed "Flower Painter in Ordinary" to Queen Adelaide and later to Queen Victoria. She also produced illustrations for Benjamin Maund's Botanis, the Transactions of the Horticultural Society of London, the Illustrated Bouquet (1857-1863) and Curtis's Botanical Magazine.
Margaret Olrog Stoddart was a New Zealand artist.
Alexander Marshal was an English entomologist, gardener and botanical artist, noted for four albums of paintings, including the florilegium he compiled, consisting of some 160 folios of plants cultivated in English gardens, and finally presented to George IV in the 1820s.
Carl Randall is a British figurative painter, whose work is based on images of modern Japan and London.
Mary Newbery Sturrock, née Mary Arbuckle Newbery was a Scottish artist who worked across various media. She is best known as an embroiderer and watercolour artist of flowers.
Lilian Snelling (1879–1972) was "probably the most important British botanical artist of the first half of the 20th century". She was the principal artist and lithographer to Curtis's Botanical Magazine between 1921 and 1952 and "was considered one of the greatest botanical artists of her time" – "her paintings were both detailed and accurate and immensely beautiful". She was appointed MBE in 1954 and was awarded the Victoria Medal in 1955. The standard author abbreviation Snelling is used to indicate this person as the author when citing a botanical name.
Marian Emma Chase (1844–1905) was a British painter, water colour artist and draftsperson. She is best known for her flower, fruit and still-life watercolour paintings. The Victoria and Albert Museum holds one of her works.
Moyra Barry was an Irish artist, most noted for her paintings of flowers.
Jessica Rosemary Shepherd FLS is a painter, artist, publisher and botanist who works under the names of Úrsula Romero and Inky Leaves.
Bessie (Elizabeth) Downes (1860–1920) was a botanical artist, especially of the plants found around Southport on the Sefton coast of Lancashire, UK.
Frances Caroline Fairman was a British watercolourist, a painter in oils, and an illustrator. In her lifetime she was best known for her canine portraits, some of which were commissioned by royalty and aristocracy. She was known as "the Lady Landseer" for the quality of her work. She travelled to the Americas, France, and Switzerland, returning with watercolour landscape sketches.
Dorothy Catherine Wentworth Jenkin was a New Zealand watercolorist, botanical illustrator and printmaker. She was a founding member of the Invercargill Art Society and participated in campaigning for a public art gallery in Invercargill. She was involved in ensuring the acquisition of Anderson Park and the establishment of the Invercargill Art Gallery at that location. Many of her works are held at the Rakiura Museum and have been reproduced as prints and postcards.
Margaret Rebecca Dickinson (1821–1918) was a botanical artist who lived in north-east England and the Scottish Borders. Her watercolour paintings of plants collected around her homes, and other parts of the British Isles are in the archives of the Royal Horticultural Society and the Great North Museum: Hancock. As well as their artistic quality they provide information on how land use in the region has changed since her time.
Lilian Stannard (1877-1944) was an English illustrator and painter, primarily of watercolours. She was one of the select group of 'garden painters' that included George Samuel Elgood and Helen Allingham whose primary subject was the English garden. A prolific artist, whose work became widely known through reproductions, first showed at the Royal Society of British Artists in 1898 and exhibited twenty-eight watercolours of garden scenes at the Royal Academy of Arts between 1902 and 1930. She also exhibited at the Society of Women Artists, Royal Birmingham Society of Artists, Walker Art Gallery, Royal Cambrian Academy and held a large number of solo shows, especially at the galleries of Arthur Ackermann & Son and the Mendoza gallery in London. Illustrations of her work were used for a series of postcards and were included in Horace and Walter Wright's popular gardening volumes: The Perfect Garden (1908), Beautiful Flowers and How to Grow Them (1909) and Popular Garden Flowers (1911)
