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Torben Betts | |
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| Born | 10 February 1968 |
| Occupation | Dramatist |
Torben Betts (born 10 February 1968, in Stamford, Lincolnshire) is an English playwright, screenwriter and actor.
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Torben Betts | |
|---|---|
| | |
| Born | 10 February 1968 |
| Occupation | Dramatist |
Torben Betts (born 10 February 1968, in Stamford, Lincolnshire) is an English playwright, screenwriter and actor.
Betts attended the University of Liverpool, where he read English Literature and English Language, and originally trained to become an actor but later changed course to begin writing plays. [1] Betts stated that part of the reason for this transition was the difficulty he faced as an actor without an agent and that playwriting allowed him to "exercise all my instincts as an actor without actually having to live the life". [2] In 1999 Alan Ayckbourn invited him to be the resident dramatist at Scarborough's Stephen Joseph Theatre.
A Listening Heaven premiered there that year before a second production took place at the Edinburgh Royal Lyceum in 2001. The play was nominated as the TMA Best New play that year. During this period Betts was enjoying success on the London fringe at the Battersea Arts Centre with plays like Incarcerator, a drama in rhyming couplets and The Biggleswades at the White Bear Theatre Club. Also in that year (2001), his play Clockwatching initiated a series of co-productions between the Orange Tree Theatre in Richmond and The Stephen Joseph Theatre, producing theatre in the round. Betts works in two very distinct styles: a darkly comic social realism, reminiscent of the plays of Ayckbourn or Mike Leigh, and a more tragic, poetic style of a kind associated with dramatists such as Howard Barker.
His brutal anti-Blair satire The Unconquered , in a touring production by Scotland's Stellar Quines Theatre Company, won the 2007 Best New Play award at the Critics' Awards for Theatre in Scotland.
Critical reception for Betts's plays has been mostly very positive: The Daily Telegraph claims he has a "profound and highly original theatrical voice", while Liz Lochhead (the former makar or national poet of Scotland) suggests he "is just about the most original and extraordinary writer of drama we have." [3] Michael Billington in his **** Guardian review of Invincible commented that "Torben Betts should be a bigger name." [4]
Invincible played at the Orange Tree Theatre March/April 2014 to great critical and popular acclaim and is the fourth of his plays to premiere at that theatre, following Clockwatching (2001), The Company Man (2010) and Muswell Hill (2012). The production transferred to London's St. James Theatre in July 2014, again receiving glowing reviews across the board (see the review in the London Evening Standard, Paul Taylor's review and Alice Jones' interview with the playwright also in the Independent).
He also wrote the screenplay for the British independent feature film Downhill , which was released in cinemas nationwide on 30 May 2014. The Independent said "his screenplay for this engaging, quintessentially British road/rambling movie combines knockabout comedy with surprisingly bleak observations." [5]
A revival of his acclaimed 2012 play Muswell Hill transferred to London's Park Theatre in February 2015, while his political tragedy, centring on the 2015 General Election, (What Falls Apart) opened at Newcastle's Live Theatre in April of that year. A production of his version of Anton Chekhov's The Seagull opened at Regent's Park Open Air Theatre on 24 June 2015, directed by Matthew Dunster. (See the review in Time Out.) He has also adapted Get Carter for Northern Stage, Newcastle, where it opened in February 2016, garnering 4- and 5-star reviews. See Betts' article about adapting the Ted Lewis novel in the Independent and the Guardian review.
The Original Theatre Company embarked on a four-month UK tour of Invincible in 2016, which it remounted in 2017. His political tragi-comedy (The National Joke), directed by Henry Bell, played in rep at the Stephen Joseph Theatre over the summer of 2016. See the BBC's interview with the playwright, June 2016.
A major tour of Invincible (in Spanish Invencible) took place throughout Spain over 2016/17, including runs at the Teatro Arriaga in Bilbao and at the Teatros del Canal in Madrid. The production starred Maribel Verdú and Pilar Castro and was directed by Daniel Veronese. The play was remounted in September 2019 with the same cast.
In 2017 the play was produced in New York, Argentina and the Czech Republic. On 3 December 2017 a major production opened at the Teatr 6.pietro in Warsaw, directed by Eugeniusz Korin. Another production opened in Gdansk in the summer of 2019.
Further productions of the play in 2020 took place in Athens, Ostrava, Lima, Buenos Aires and Gdansk.
In November/December 2017 the off-Broadway company the Barrow Group produced the US premiere of his 2012 play Muswell Hill.
His most recent play Monogamy toured the UK before a five-week run at London's Park Theatre in June/July 2018. It starred Janie Dee, Patrick Ryecart, Jack Archer, Charlie Brooks and Genevieve Gaunt. A second UK tour of the play (revised and retitled as Caroline's Kitchen) took place in the first half of 2019 before taking part in the Brits-off-Broadway Festival. The remount starred Caroline Langrishe, Aden Gillett, James Sutton and Jasmyn Banks.
The play opened at Teatr Wzpolczesny in Warsaw on 18 January 2020.
His online play Apollo 13: The Dark Side of the Moon, starring Tom Chambers, began streaming in October 2020.
He plays Oliver in the film version of Invincible, alongside Laura Howard, Samantha Seager and Daniel Copeland. The film is scheduled for release in late 2023.
His latest play, Murder in the Dark , is touring the UK from September 2023 for six months and stars Tom Chambers.
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The Seagull is a play by Russian dramatist Anton Chekhov, written in 1895 and first produced in 1896. The Seagull is generally considered to be the first of his four major plays. It dramatizes the romantic and artistic conflicts between four characters: the famous middlebrow story writer Boris Trigorin, the ingenue Nina, the fading actress Irina Arkadina, and her son the symbolist playwright Konstantin Treplev.
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