Alexandra Suda

Last updated

Alexandra Suda
Suda portrait.jpg
Alexandra "Sasha" Suda in 2022
Born1981 (1981)
Ontario, Canada
EducationPrinceton University (BA)
Williams College (MA)
New York University (PhD)
Known forArt history
CEO of the Philadelphia Museum of Art

Alexandra Suda (born 1981) is a Canadian art historian who was formerly the director of the National Gallery of Canada. [1] In June 2022, she was appointed to be the director and chief executive officer (CEO) of the Philadelphia Museum of Art, which is among the largest art museums in the United States. [2]

Contents

Suda is often known as Sasha Suda. [3]

Early life and education

Suda was born in 1981 in Toronto, Ontario, [lower-alpha 1] to parents who were immigrants from Czechoslovakia. [5] She completed a BA at Princeton University, an MA at Williams College, before earning her PhD at The Institute of Fine Arts at New York University. [6] Suda's doctoral dissertation is entitled "The Making of Girona Martyrology and the Cult of Saints in Late Medieval Bohemia" and was published in 2016. [7]

Career

Suda's career as a professional art historian started at the Metropolitan Museum of Art in New York City. She had a variety of roles at the museum, all in the Medieval Department. These roles were in the time period 2003 to 2011. [5]

While at the Metropolitan Museum of Art, Suda received an Andrew W. Mellon Fellowship to continue her doctoral research. [8]

In 2011, Suda became an assistant curator at the Art Gallery of Ontario in Toronto. [5] She later became the Curator of European Art at the gallery. [9]

According to the Governor General's Canadian Leadership Conference, her Small Wonders: Gothic Boxwood Miniatures exhibition, held in Ontario, New York and Amsterdam, "received extensive positive press for its high level of scholarship which is driven by the public's curiosity about these wondrous works of art." [6]

During her time at the gallery, Suda re-worked the European art collection and its presentation to better engage broad audiences. [10]

In April 2019, Suda was named director and CEO of the National Gallery of Canada. [1] At the time of her appointment at age 38, she was the youngest person to hold this post at the gallery in more than a century. [11]

As director and CEO, Suda was credited with developing a strategic plan for the National Gallery of Canada, expanding the organization's diversity and inclusion, and enhancing the general reputation of the gallery. These accomplishments occurred despite the additional difficulties resulting from the COVID-19 pandemic. [11] The strategic plan for organizational change at the National Gallery of Canada was referred to by the term "ankosé", from the Ojibwe language meaning that everything is connected. [12]

Critics have argued that Suda was relatively inexperienced for the position at the National Gallery, and did not speak French as well as English. Some of her actions (and those of her interim successor, Angela Cassie) in support of the strategic plan and “decolonization”, [13] were described as being directed by "dogma". [14] Restructuring and significant staff dismissals were criticized as creating an unstable environment and losing key institutional knowledge from the institution. [15]

In 2020, Suda was part of a jury that chose Canadian artist Stan Douglas to represent Canada at the Venice Biennale annual exhibition in Italy. [16]

Philadelphia Museum of Art

In June 2022, the Philadelphia Museum of Art announced that Suda would assume the role of director at the Museum in September of that year. [17] The title of the position is the George D. Widener Director and CEO. [18]

In September 2022, workers at that museum held a strike over wages and working conditions [19] which lasted 19 days. [20] The strike started within days of Suda's being officially installed in the directorship, and the labor dispute had been ongoing well before Suda's time at the museum. [21] She stayed publicly silent on the matter with a museum spokesperson saying she would not be part of the negotiations. [22] Later, Suda stated that the labor settlement "laid a solid foundation." [21]

In her previous position at the Art Gallery of Ontario, Suda had been a labor union member. [3]

During Suda's tenure at the Philadelphia Museum of Art, the museum has created the Brind Center for African and African Diasporic Art, with its own curators, who are responsible for maintaining the collection and developing programing. The Brind Center is the museum's first African-oriented department, with an intent to appeal to a broad audience. At the time the Brind Center was established, Suda stated that its curators should work with curators across the various departments within the museum, rather than limiting their efforts to their own collections, to overcome organizational stovepiping. [23]

Selected publications

External media
Media links for Alexandra (Sasha) Suda
Audio
Nuvola apps arts.svg 2023 Suda interview by novelist and journalist Alain Elkann
Video
Nuvola apps kaboodle.svg 2023 overview of the Philadelphia Museum of Art by Suda

Notes

  1. Another source states that Suda was born in Orillia, Ontario. [4]

Related Research Articles

<span class="mw-page-title-main">Philadelphia Museum of Art</span> Art museum in Pennsylvania, United States

The Philadelphia Museum of Art (PMoA) is an art museum originally chartered in 1876 for the Centennial Exposition in Philadelphia. The main museum building was completed in 1928 on Fairmount, a hill located at the northwest end of the Benjamin Franklin Parkway at Eakins Oval. The museum administers collections containing over 240,000 objects including major holdings of European, American and Asian origin. The various classes of artwork include sculpture, paintings, prints, drawings, photographs, armor, and decorative arts.

<span class="mw-page-title-main">National Gallery of Canada</span> National art museum in Ottawa, Canada

The National Gallery of Canada, located in the capital city of Ottawa, Ontario, is Canada's national art museum. The museum's building takes up 46,621 square metres (501,820 sq ft), with 12,400 square metres (133,000 sq ft) of space used for exhibiting art. It is one of the largest art museums in North America by exhibition space.

<span class="mw-page-title-main">Jean Sutherland Boggs</span>

Jean Sutherland Boggs was a Canadian academic, art historian and civil servant. She was the first female Director of both the National Gallery of Canada and the Philadelphia Museum of Art. She was also a specialist in the work of Edgar Degas and Picasso.

Anne Julie d'Harnoncourt was an American curator, museum director, and art historian specializing in modern art. She was the director and CEO of the Philadelphia Museum of Art (PMA), a post she held from 1982 until her sudden death in 2008. She was also an expert scholar on the works of French artist Marcel Duchamp.

Marc Daniel Mayer is a Canadian arts manager and curator. He was formerly the strategic adviser at the Museum of Contemporary Art Toronto.

Daina Augaitis is a Canadian curator whose work focuses on contemporary art. From 1996 to 2017, she was the chief curator and associate director of the Vancouver Art Gallery in British Columbia.

Lorna Brown is a Canadian artist, curator and writer. Her work focuses on public space, social phenomena such as boredom, and institutional structures and systems.

Art Canada Institute is a bilingual, non-profit research organization. Through a variety of programs, such as the Massey Art Lecture Series and the Canadian Online Art Book Project, the Institute aims to promote and support the study of Canadian art history.

<span class="mw-page-title-main">Gothic boxwood miniature</span> Early 16th-century wood carving of the Low Countries

Gothic boxwood miniatures are very small Christian-themed wood sculptures produced during the 15th and 16th centuries in the Low Countries, at the end of the Gothic period and during the emerging Northern Renaissance. They consist of highly intricate layers of reliefs, often rendered to nearly microscopic level, and are made from boxwood, which has a fine grain and high density suitable for detailed micro-carving. There are around 150 surviving examples; most are spherical rosary beads, statuettes, skulls, or coffins; some 20 are in the form of polyptychs, including triptych and diptych altarpieces, tabernacles and monstrances. The polyptychs are typically 10–13 cm in height. Most of the beads are 10–15 cm in diameter and designed so they could be held in the palm of a hand, hung from necklaces or belts, or worn as fashionable accessories.

<span class="mw-page-title-main">Prayer nut</span> 16th-century rosary bead, generally made of carved boxwood, sometimes enclosed in metal casing

Prayer nuts or Prayer beads are very small 16th century small Gothic boxwood miniature sculptures, mostly originating from the north of today's Holland. They are typically detachable and open into halves of highly detailed and intricate Christian religious scenes. Their size varies between the size of a walnut and a golf ball. They are mostly the same shape, decorated with carved openwork Gothic tracery and flower-heads. Most are 2–5 cm in diameter and designed so they could be held in the palm of a hand during personal devotion or hung from necklaces or belts as fashionable accessories.

<span class="mw-page-title-main">Miniature Altarpiece with the Crucifixion</span>

Miniature Altarpiece with the Crucifixion is a very small and complex early 16th century Netherlandish microcarved miniature sculpture in boxwood, now in The Cloisters, New York. The central carvings of the upper triptych show the Crucifixion and Resurrection of Jesus, each outer wing contains two scenes from the biblical Old Testament. The complex base contains a round carving which opens like a boxwood prayer nut.

<span class="mw-page-title-main">Adam Dircksz</span>

Adam Dircksz is the name ascribed by some art historians to a highly influential Dutch sculptor whose workshop is often attributed with the creation of around 60 of the c. 150 extant Gothic boxwood miniature micro-carvings. Other historians prefer to attribute various unrelated artists who are given individual or grouped notnames. It may be that the master was the innovator in this style of sculpture, and that similar works were directly inspired. According to the British Museum, Dircksz may have served "elite patrons in the circle of the Holy Roman Emperor Charles V, with a strong link to Delft."

<i>Half of a Prayer Bead with the Lamentation</i>

Half of a Prayer Bead with the Lamentation refers to a pair of Gothic boxwood miniature medallions originating from Flanders around the early 16th century, probably between 1490-1530. Made from boxwood and silver, they were originally the interiors of a prayer nut.

Georgiana Uhlyarik-Nicolae, also known as Georgiana Uhlyarik is a Romanian-born Canadian art curator, art historian, and teacher. She is currently the Fredrik S. Eaton Curator of Canadian Art at the Art Gallery of Ontario (AGO). She has been part of the team or led teams that created numerous exhibitions, on subjects such as Betty Goodwin, Michael Snow, and Kathleen Munn among others and collaborated with art organizations such as the Tate Modern, and the Jewish Museum, New York.

<i>Miniature altarpiece</i> (WB.232)

The miniature altarpiece in the British Museum, London, is a very small portable Gothic boxwood miniature sculpture completed in 1511 by the Northern Netherlands master sometimes identified as Adam Dircksz, and members of his workshop. At 25.1 cm (9.9 in) high, it is built from a series of architectural layers or registers, which culminate at an upper triptych, whose center panel contains a minutely detailed and intricate Crucifixion scene filled with multitudes of figures in relief. Its outer wings show Christ Carrying the Cross on the left, and the Resurrection on the right.

Nancy Dillow was a Canadian museum director, curator and writer.

Lee-Ann Martin is a Mohawk art curator and writer.

Pierre Théberge was a museum director, curator and art historian, who was an advocate for Canadian art.

Jean-François Bélisle is the director and CEO of the National Gallery of Canada, appointed in 2023. When he was appointed, La Presse newspaper in Montreal praised his "broad expertise, his contagious dynamism and his knowledge of the Canadian museum environment". The Minister of Canadian Heritage, Pablo Rodriguez, praised his "wealth of experience as a curator and director of arts organizations at home and abroad".

References

  1. 1 2 Minister Rodriguez Announces Appointment of New Director of National Gallery of Canada Department of Canadian Heritage. Retrieved 13 February 2019
  2. Pogrebin, Robin (7 June 2022). "Philadelphia Museum of Art Names a New Director". The New York Times. Retrieved 23 September 2023.
  3. 1 2 Crimmins, Peter (10 June 2022). "Five Things You should Know about Philly Art Museum's Incoming Director". WHYY. Retrieved 23 September 2023.
  4. Robb, Peter. "New director of the National Gallery is AGO curator Alexandra Suda". artsfile.ca. Artsfile. Retrieved 26 September 2023.
  5. 1 2 3 "Art and the Institution: Three Philadelphia Voices". thephiladelphiashow.com. The Philadelphia Show. Retrieved 25 September 2023.
  6. 1 2 "Governor General's Canadian Leadership Conference". Retrieved 12 December 2018
  7. "Art History Dissertations and Abstracts from North American Institutions". openpublishing.psu.edu. Penn State University Libraries. Retrieved 23 September 2023.
  8. “Internships, Fellowships, and Professional Travel Grants.” Annual Report of the Trustees of the Metropolitan Museum of Art, no. 141, 2010, pp. 33–37. JSTOR. Accessed 27 Sept. 2023.
  9. "Dr. Alexandra Suda". CODART. Retrieved 12 December 2018
  10. "Philadelphia Museum of Art Appoints Sasha Suda as CEO". CityBiz. citybiz.co. 8 June 2022. Retrieved 27 September 2023.
  11. 1 2 Saxberg, Lynn (8 June 2022). "Trailblazing Director and CEO, Sasha Suda leaving National Gallery after just 3 Years". Ottawa Citizen. Retrieved 27 September 2023.
  12. "National Gallery of Canada Announce Foundational Change through Ankosé". art-critique.com. Art Critique. Retrieved 28 September 2023.
  13. Cohen, Andrew (29 June 2023). "National Gallery of Canada just can't quit anti-art 'decolonization' plan". National Post.
  14. Cohen, Andrew. "Canada's National Gallery has become a woke national disgrace". nationalpost. Retrieved 27 December 2022.
  15. Laucius, Joanne (14 October 2022). "National Gallery 'never met any of the basic employment equity obligations,' says Interim Director". Ottawa Citizen. Retrieved 28 September 2023.
  16. Alex Greenberger (January 15, 2020), Stan Douglas, Leading Video Artist with an Eye Toward the Marginalized, Will Represent Canada at 2021 Venice Biennale ARTnews .
  17. Kinsella, Eileen (7 June 2022). "National Gallery of Ontario Director Sasha Suda Will Leave to Helm the Philadelphia Museum of Art". Artnet News. Retrieved 8 June 2022.
  18. "Philadelphia Museum of Art names Sasha Suda as new director and CEO". The Trentonian. 27 June 2022. Retrieved 24 September 2023.
  19. "Art Museum workers continue strike into second week". WHYY. Retrieved 6 October 2022.
  20. Velie, Elaine (24 October 2022). "Philadelphia Museum Strikers Open Up on "Tense" Return to Work".
  21. 1 2 Stevens, Matt (14 October 2022). "Philadelphia Museum of Art Reaches Tentative Deal to End Strike". The New York Times. Retrieved 28 September 2023.
  22. Crimmins, Peter (3 October 2022). "Art Museum workers continue strike into second week". WHYY PBS.
  23. Crimmins, Peter (27 February 2023). "Philadelphia Museum of Art Creates a new Department for Black and African Art". The Philadelphia Tribune. Retrieved 27 September 2023.