An Incident in the Rebellion of 1745

An Incident in the Rebellion of 1745
A Skirmish between some Highlanders and English Infantry, The Battle of Culloden
Artist	David Morier
Year	1746–1765
Medium	Oil-on-canvas
Subject	A battle between Jacobite and government soldiers.
Dimensions	60.5 cm× 99.5 cm(23.8 in× 39.2 in)
Location	Palace of Holyroodhouse, Edinburgh
Owner	Royal Collection
Accession	RCIN 401243

An Incident in the Rebellion of 1745 is an oil painting painted by Swiss-born artist David Morier which was made between 1746 and 1765. It currently forms part of the art collection of the British royal family. The painting depicts a scene during the 1746 Battle of Culloden, in which a group of Jacobite Army troops charge against a line of government soldiers.

Background

Main article: Battle of Culloden

The Battle of Culloden was the last battle of the Jacobite rising of 1745. This rising was an attempt by Charles Edward Stuart to overthrow George II of the House of Hanover, and replace him with his father, James Francis Edward Stuart of the House of Stuart. The battle was fought on 16 April 1746, on Drummossie Moor near Inverness in the Scottish Highlands. The Jacobite Army was commanded by Charles Stuart and the government army led by Prince William, Duke of Cumberland, the son of George II. The battle lasted around an hour and resulted in a decisive defeat for the Jacobites.

Painting

Swiss-born artist David Morier began working for the Duke of Cumberland in 1747, and continued to receive payments from him until 1767. ^[1] At an unknown date before 1765 he completed An Incident in the Rebellion of 1745. ^{[Note 1]} The painting is thought to be one of a set of four he painted for Cumberland that depict battle scenes. ^{[4] [Note 2]}

Morier may have been present at the Battle of Culloden. ^[7] Many sources state he used Jacobite prisoners as models, ^{[7] [8]} but this is disputed, and claimed to be a legend that arose in the 19th century. ^[2]

The Jacobite soldiers

The eight Jacobite soldiers wear 20 different tartans between them. ^[9] This served as a reflection of the diverse amounts of Scottish clans which contributed troops, many of whom were conscripted, towards the Jacobite cause. ^[10] The wearing of tartans would go on to be proscribed in the Dress Act 1746, though this was poorly enforced. ^{[Note 3]} They also wear white cockades in their bonnets, which show their allegiance to the Stuart cause. ^[13] The Jacobite troops depicted are armed with outdate weaponry – none carry firearms, instead being armed with broadswords, dirks, and targes. ^[7] Some are carrying Lochaber axes, an obsolete type of Scottish polearm. ^[14] This may reflect Hanoverian anti-Jacobite propaganda, which sought to portray the Jacobite Highlanders as barbaric, backwards and savage. ^{[15] [14] [16]}

The Jacobites had been poorly armed at the start of the rising, due to the Disarming Act 1715. But by the time of Culloden, France and Spain had supplied them with around 5,000 modern muskets and bayonets. ^[17] Some Jacobite troops carried captured Brown Bess muskets or Scottish-made pistols. ^[15] It is known that all Jacobite Army soldiers were eventually armed with muskets, ^[17] but some employed the tactic of firing one shot, then dropping their firearm to engage in hand-to-hand combat with their broadswords and dirks. ^[18] James Ray, who was present during the battle on the government side, notes in his later book that this happened in the fighting the painting depicts. ^[19]

The government soldiers

A painting by Morier made c. 1751, illustrating the uniforms of grenadiers from different regiments. A soldier from The King's Own regiment is on the left.

The government troops depicted are grenadiers of The King's Own regiment. ^{[4] [Note 4]} The regiment fought on the left flank of the government army, at the southern end of the battlefield, and took the brunt of the Jacobite charge –it suffered the heaviest casualties on the government side, with 18 dead and 108 wounded out of 373. ^[20] The regiment's commander, Sir Robert Rich, 5th Baronet, was among the wounded, losing his left hand. ^{[21] [22]}

The soldiers can be identified as grenadiers by the mitre caps they wear, ^[23] and would be the regiment's tallest, strongest and most experienced men. ^[24] The most prominent soldier, nearest the viewer, wears a red sash that indicates he's an officer. ^[25] He is armed with a fusil –a smaller, lighter version of the muskets carried by his men. ^[26] This was usual for grenadier officers; other officers carried a short pike or spontoon. ^{[27] [25]} Lord Robert Kerr was Captain of The King's Own grenadier company and was killed during the battle. ^{[22] [28] [19]} This officer, in a prominent and heroic pose, may be intended as a depiction of him.

Behind the unit, drummers, another officer and more soldiers can be seen, as well as part of the King's Colour, one of the regiment's flags. ^{[Note 5]}

Background

Two walled farm enclosures were features of the southern end of the battlefield, where The King's Own regiment fought. ^[30] A small part of a stone structure may be seen in the left of the painting, which may be part of one of the enclosures.

Location

The painting now hangs in the lobby of the Palace of Holyroodhouse. ^[4] The room contains a number of items associated with the 1745 rising. These include portraits of James Francis Edward Stuart ^[31] and the Duke of Cumberland. ^[32] There is a late-19th century, historical painting of Charles Edward Stuart, ^[33] a knife and fork that belonged to him, ^[34] and a sword and pistols that were traditionally said to have belonged to him. ^{[35] [36]}

A later engraving based on the painting is the collections of the Scottish National Gallery. ^[37]

Notes

1. Many sources state the painting was completed soon after the battle. But details of the soldiers' uniforms suggest the painting was done in the 1750s. Possibly in 1753 when the regiment depicted was stationed near London. ^[2] The painting is listed in a 1765 inventory of Cumberland's paintings, described as A Skirmish between some Highlanders and English Infantry ^[3]
2. The other paintings in the group are Hussars Attacking a Baggage Wagon c. 1755–65, ^[5] A Skirmish between English and French Cavalry c. 1760, ^[1] and An Engagement between French Troops and a Detachment of the Dutch "Free Company" c. 1760. ^[6] All are owned by the Royal Collection.
3. Tartan clothing was not confined to Jacobites. Some government regiments, such as Loudon's Highlanders, included tartans in their uniforms. Government troops also included units of Independent Highland Companies, who were not given uniforms and wore traditional Highland clothing similar to their Jacobite counterparts. ^[11] Likewise, some soldiers in the Jacobite Army, such as the Irish picquets, wore red-coated uniforms similar to those worn by government soldiers. ^[12]
4. In accounts of the battle, both contemporary and modern, the unit is often referred to as "Barrell's" or "Barrell's Regiment" as Lieutenant-General William Barrell had the honoury position of colonel of the regiment. He was not present at Culloden.
5. The flag depicted still survives and is part of the collection of the National Museum of Scotland ^[29]

References

Citations

1. "David Morier (1705?–70) – A Skirmish between English and French Cavalry".
2. Reid (2006), p. 53
3. Reid (2012) p. 40
4. "David Morier (1705?–70) – An Incident in the Rebellion of 1745". www.rct.uk. Retrieved 11 November 2021.
5. "David Morier (1705?–70) – Hussars Attacking a Baggage Wagon". www.rct.uk. Retrieved 11 November 2021.
6. "David Morier (1705?–70) – An Engagement between French Troops and a Detachment of the Dutch Free Company". www.rct.uk. Retrieved 11 November 2021.
7. Pittock (2016), p. 121
8. Martin (2009) p. 26
9. Banks, Jeffrey; de la Chapelle, Doria (2007). Tartan: Romancing the Plaid. New York: Rizzoli. p. 84. ISBN   978-0847829828.
10. Pittock (2016), pg 40
11. Reid (2012), p. 40
12. Reid (2006), p. 63
13. Prebble, John (1967). Culloden. Harmondsworth: Penguin. p. 67. ISBN   0140025766. OCLC   222810224.
14. Pittock (2009), p. 16
15. Pittock (2016), pp. 40–47
16. Royle (2006), p. 16
17. Reid (2006), pp. 46–49
18. Reid (2006), p. 50
19. Ray, James (1747). A Compleat History of the Rebellion: From Its First Rise in 1745, to Its Total Suppression at the Glorious Battle of Culloden, in April 1746. Manchester: Printed for the Author by R. Whitworth. pp. 367–368. OCLC   51037793. Then they threw away their Muskets, and engaged Barrell's Sword in Hand, in a confus'd, tumultous Manner, and pressed so hard, that they made a small Breach in Barrell's first Line. They killed Lord Robert Kerr, and seventeen of our Men there
20. Reid (2012), p. 40
21. "Regimental History Colonels of the King's Own Royal Regiment Colonel Robert Rich". www.kingsownmuseum.com. King's Own Royal Regiment Museum. Retrieved 18 November 2021.
22. Pittock (2016), p. 90
23. Reid (1995), p. 24
24. Reid (1996), p. 16
25. Barthorp (1982), p. 34
26. Barthorp (1982), p. 23
27. The Living Age. Littell, Son and Company. 1894. p. 672. The ordinary company officers carried swords or espontoons, which were light halberds with battle-axe heads. Officers of the Grenadier company, in addition to swords, were armed with light muskets called fusils or fusees.
28. Home, John (1802). The History of the Rebellion in the Year 1745. A. Strahan. pp. 237–238. OCLC   470557538. Lord Robert Ker (second son of the Marquis of Lothian), Captain of grenadiers in Burrel's regiment.... when the Highlanders broke into Burrel's, he received (it is said) the foremost man upon his spontoon, and was killed instantly, with many wounds
29. "King's colour". National Museums Scotland. Retrieved 12 December 2021.
30. Geier, Clarence Raymond; Babits, Lawrence E.; Scott, Douglas Dowell; Orr, David G. (2010). The Historical Archaeology of Military Sites: Method and Topic. Texas A&M University Press. p. 107. ISBN   978-1603442077.
31. "Alexis-Simon Belle (1674–1734) – Prince James Francis Edward Stuart (1688–1746)". www.rct.uk. Retrieved 14 November 2021.
32. "John Wootton (c. 1682–1764) – William Augustus, Duke of Cumberland (1721–1765)". www.rct.uk. Retrieved 14 November 2021.
33. "John Pettie (1834–93) – Bonnie Prince Charlie Entering the Ballroom at Holyroodhouse". www.rct.uk. Retrieved 14 November 2021.
34. "British - Knife and fork". www.rct.uk. Retrieved 14 November 2021.
35. "Claude Coignet (fl. 1780) – Pair of pistols". www.rct.uk. Retrieved 14 November 2021.
36. "British – Sword". www.rct.uk. Retrieved 14 November 2021.
37. "An Incident in the Scotch Rebellion 1745. A battle scene between Jacobite and Government troops". National Galleries Scotland. Retrieved 17 November 2021.

Bibliography

• Barthorp, Michael (1982). The Jacobite rebellions, 1689–1745. Osprey Pub. ISBN   0850454328. OCLC   13042065.
• Martin, Maureen. Mighty Scot, The: Nation, Gender, and the Nineteenth-Century Mystique of Scottish Masculinity. SUNY Press. ISBN   978-0791477304. OCLC   230056387.
• Pittock, Murray (2009). The myth of the Jacobite clans : the Jacobite Army in 1745 (2 ed.). Edinburgh: Edinburgh University Press. ISBN   978-0748631599. OCLC   768351887.
• Pittock, Murray (2016). Culloden : (Cùil Lodair). Oxford. ISBN   978-0191640681. OCLC   953456230.
• Reid, Stuart (1995). King George's Army 1740–93. London: Osprey. ISBN   1855325152. OCLC   32937078.
• Reid, Stuart (1996). British Redcoat : 1740–1793. London: Osprey Military. ISBN   1855325543. OCLC   38590224.

• Reid, Stuart (2002). Culloden Moor 1746 : the death of the Jacobite cause. Oxford: Osprey. ISBN   1-84176-412-4. OCLC   49871926.

• Reid, Stuart (2006). The Scottish Jacobite Army 1745–46. Oxford: Osprey Pub. ISBN   978-1846030734. OCLC   77476784.
• Reid, Stuart (2012). Cumberland's Culloden Army, 1745–46. Oxford. ISBN   978-1849088466. OCLC   775415588.
• Royle, Trevor (2016). Culloden : Scotland's last battle and the forging of the British Empire. London. ISBN   978-1408704011. OCLC   920728736.