Anatomy of Monotony

Last updated

"Anatomy of Monotony" is a poem from the second edition (1931) of Wallace Stevens's first book of poetry, Harmonium . Unlike most of the poems in this collection, it was first published in 1931, [1] so it is restricted by copyright until 2025 in America and similar jurisdictions, because of legislation like the Sonny Bono Copyright Term Extension Act. However, it is quoted here in full, as justified by fair use for the purpose of scholarly commentary.

Contents

Anatomy of Monotony
I

 If from the earth we came, it was an earth
 That bore us as a part of all things
 It breeds and that was lewder than it is.
 Our nature is her nature. Hence it comes,
 Since by our nature we grow old, earth grows
 The same. We parallel the mother's death.
 She walks an autumn ampler than the wind
 Cries up for us and colder than the frost
 Pricks in our spirits at the summer's end,
 And over the bare spaces of our skies
 She sees a barer sky that does not bend.

II

 The body walks forth naked in the sun
 And, out of tenderness or grief, the sun
 Gives comfort, so that other bodies come,
 Twinning our phantasy and our device,
 And apt in versatile motion, touch and sound
 To make the body covetous in desire
 Of the still finer, more implacable chords.
 So be it. Yet the spaciousness and light
 In which the body walks and is deceived,
 Falls from that fatal and barer sky,
 And this the spirit sees and is aggrieved.

Interpretation

The poet conceives us as evolving and increasingly civilized products of an earthly process. Indeed the earth itself is growing and growing old, while we sport our complex bodies and venture ever more sophisticated desires. Human experience is a kind of illusion engendered by our evolved sense organs, vulnerable to "the mother's death" and the cold death of the universe. The spirit sees this and is aggrieved, for it would harbor experience in some place that transcends nature, free from the contingencies of earth and universe.

The poem can be read as ironic, as calling into question the pretension of 'the spirit'. This reading is supported by the naturalistic tenor of the Harmonium collection as a whole, and specifically by the parallel of "Invective Against Swans".

Notes

  1. Stevens, H. p. 260

Related Research Articles

<span class="mw-page-title-main">Wallace Stevens</span> American poet

Wallace Stevens was an American modernist poet. He was born in Reading, Pennsylvania, educated at Harvard and then New York Law School, and spent most of his life working as an executive for an insurance company in Hartford, Connecticut. He won the Pulitzer Prize for Poetry for his Collected Poems in 1955.

<span class="mw-page-title-main">Rosicrucian Fellowship</span> Association of Christian mystics

The Rosicrucian Fellowship (TRF) was founded in 1909 by Max Heindel with the aim of heralding the Aquarian Age and promulgating "the true Philosophy" of the Rosicrucians. It claims to present Esoteric Christian mysteries or esoteric knowledge, alluded to in Matthew 13:11 and Luke 8:10, to establish a meeting ground for art, religion, and science and to prepare the individual through harmonious development of the mind and the heart for selfless service of humanity.

<i>Harmonium</i> (poetry collection) Book by Wallace Stevens

Harmonium is a book of poetry by American poet Wallace Stevens. His first book at the age of forty-four, it was published in 1923 by Knopf in an edition of 1500 copies. This collection comprises 85 poems, ranging in length from just a few lines to several hundred. Harmonium was reissued in 1931 with three poems omitted and fourteen new poems added.

"The Worms at Heaven's Gate" is a poem from Wallace Stevens' first book of poetry, Harmonium (1923). It was first published in 1916 and is therefore in the public domain.

"The Emperor of Ice-Cream" is a poem from Wallace Stevens's first collection of poetry, Harmonium. It was first published in 1922, and is in the public domain. Stevens' biographer, Paul Mariani, identifies the poem as one of Stevens' personal favorites from the Harmonium collection. The poem "wears a deliberately commonplace costume", he wrote in a letter, "and yet seems to me to contain something of the essential gaudiness of poetry; that is the reason why I like it".

"Peter Quince at the Clavier" is a poem from Wallace Stevens's first book of poetry, Harmonium. The poem was first published in 1915 in the "little magazine" Others: A Magazine of the New Verse, edited by Alfred Kreymborg.

"Le Monocle de Mon Oncle" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in 1918.

"Ploughing on Sunday" is a poem from Wallace Stevens's first book of poetry, Harmonium (1923). First published in 1919, it is now in the public domain.

"Invective Against Swans" is a poem by Wallace Stevens from his first book of poetry, Harmonium (1923).

"The Comedian as the Letter C" is a poem from Wallace Stevens's first book of poetry, Harmonium (1923). It was one of the few poems first published in that collection and the last written for it. John Gould Fletcher frames the poem as expressing Stevens's view "that the artist can do nothing else but select out of life the elements to form a 'fictive' or fictitious reality."

"The Apostrophe to Vincentine" is a poem from Wallace Stevens's first book of poetry, Harmonium (1923). It was first published before 1923 and is therefore in the public domain according to Librivox.

"Anecdote of the Prince of Peacocks" is a poem from Wallace Stevens's first book of poetry, Harmonium (1923). It was one of the few Harmonium poems first published in that volume, so it is still under copyright. However, it is quoted here as justified by Fair use to facilitate scholarly commentary.

"Sunday Morning" is a poem from Wallace Stevens' first book of poetry, Harmonium. Published in part in the November 1915 issue of Poetry, then in full in 1923 in Harmonium, it is now in the public domain. The first published version can be read at the Poetry web site: The literary critic Yvor Winters considered "Sunday Morning" "the greatest American poem of the twentieth century and... certainly one of the greatest contemplative poems in English".

"The Curtains in the House of the Metaphysician" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was originally published in 1919, so it is in the public domain.

"Banal Sojourn" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was originally published in 1919, therefore it is in the public domain.

"Stars at Tallapoosa" is a poem from Wallace Stevens's first book of poetry, Harmonium. It was first published in 1922, so it is in the public domain.

"Cortege for Rosenbloom" is a poem from Wallace Stevens's first book, Harmonium. First published in 1921, it is in the public domain in the United States and similar jurisdictions.

"To the One of Fictive Music" is a poem from Wallace Stevens's first book of poetry, Harmonium. First published in 1922, it is in the public domain.

"The Death of a Soldier" is a poem from Wallace Stevens's first book of poetry, Harmonium. The poem uses free verse to describe the death of a soldier.

"Lunar Paraphrase" is a poem from the second (1931) edition of Wallace Stevens's first book of poetry, Harmonium. One of Stevens's "war poems" from "Lettres d'un Soldat" (1918), it is in the public domain.

References