Asian American Theater Company

Last updated

The Asian American Theater Company(AATC) is a non-profit theatre performance company based in San Francisco. Its stated mission is "To connect people to Asian American culture through Theatre". The company's main stage productions are new plays and revivals of classics by Asian Pacific Islander American playwrights, directed, performed, and designed by local talent. Most scripts are developed at AATC and each are presented at various venues around the Bay Area with full-production runs.

Contents

Background

The Asian American Theater Company was established in 1973 by playwrights Frank Chin and Melvyn Escueta, among others, to develop and present original works of theatre about Americans of Asian and Pacific Islander descent. AATC is credited as a progenitor of the Asian-American theater movement alongside East West Players and Pan Asian Repertory Theatre. [1]

In addition to being a producing company, AATC is a workshop where Asian Pacific Islander writers, actors and directors can explore ideas and create works that carry with them the AATC's purpose, which is to explore who Asian Pacific Islander Americans are as a people and as a community.

For many years, the Asian American Theater Company was housed in The Asian American Theater Center located near the corner of Arguello and Clement Streets in San Francisco's ethnically diverse Richmond district. The Theater Center suffered much damage from the 1989 Loma Prieta earthquake, but was able to re-open its doors a year later. However, the costly repairs created a heavy economic burden and in 1996 the Asian American Theater Company moved its administrative offices to Japantown, and produced its plays in various theater venues throughout the city such as the Off-Market Theater and the Thick House. Today the administrative offices reside in San Francisco's Potrero Hill neighborhood at 1695 18th Street.

Programs and Activities

Under its Emerging Artists Project, young actors, many of whom are making their acting debut, perform plays by new playwrights or revivals of classics by established artists.

A training program consisting of two semesters a year of courses in acting, scene study, voice and movement and playwright's workshops, conducted by professional artists is also offered.

The group also hosts staged readings, where scripts under development are directed, rehearsed and presented, followed by discussion and critique.

Alumni

Many well known Asian American actors and playwrights have been associated with AATC productions in the past. Notable alumni include:

Actors

Playwrights

See also

Related Research Articles

<span class="mw-page-title-main">David Henry Hwang</span> American playwright

David Henry Hwang is an American playwright, librettist, screenwriter, and theater professor at Columbia University in New York City. He has won three Obie Awards for his plays FOB, Golden Child, and Yellow Face. Three of his works have been finalists for the Pulitzer Prize for Drama.

<span class="mw-page-title-main">San Jose Repertory Theatre</span>

The San Jose Repertory Theatre was the first resident professional theatre company in San Jose, California. It was founded in 1980 by James P. Reber. In 2008, after the demise of the American Musical Theatre of San Jose, the San Jose Rep became the largest non-profit, professional theatre company in the South Bay with an annual operating budget of $5 million. In 2006, it was saved from impending insolvency by a $2 million bailout loan from the city of San Jose; this was later restructured into a long-term loan similar to a mortgage.

<span class="mw-page-title-main">Culture of San Francisco</span>

The culture of San Francisco is major and diverse in terms of arts, music, cuisine, festivals, museums, and architecture but also is influenced heavily by Mexican culture due to its large Hispanic population, and its history as part of Spanish America and Mexico. San Francisco's diversity of cultures along with its eccentricities are so great that they have greatly influenced the country and the world at large over the years. In 2012, Bloomberg Businessweek voted San Francisco as America's Best City.

<span class="mw-page-title-main">American Conservatory Theater</span> Theater company and historic place in San Francisco, California

The American Conservatory Theater (ACT) is a nonprofit theater company in San Francisco, California, United States, that offers both classical and contemporary theater productions. It also has an attached acting school.

<span class="mw-page-title-main">Frank Chin</span> American author and playwright

Frank Chin is an American author and playwright. He is considered to be one of the pioneers of Asian-American theatre.

<span class="mw-page-title-main">Luis Valdez</span> American writer and director

Luis Miguel Valdez is an American playwright, screenwriter, film director and actor. Regarded as the father of Chicano film and playwriting, Valdez is best known for his play Zoot Suit, his movie La Bamba, and his creation of El Teatro Campesino. A pioneer in the Chicano Movement, Valdez broadened the scope of theatre and arts of the Chicano community.

<span class="mw-page-title-main">Forest Theater</span> Historic theater in California, U.S.

The Forest Theater is an historic amphitheater in Carmel-by-the-Sea, California. Founded in 1910, it is one of the oldest outdoor theaters west of the Rockies. Actor/director Herbert Heron is generally cited as the founder and driving force, and poet/novelist Mary Austin is often credited with suggesting the idea. As first envisioned, original works by California authors, children's theatre, and the plays of Shakespeare were the primary focus. Since its inception, a variety of artists and theatre groups have presented plays, pageants, musical offerings and other performances on the outdoor stage, and the facility's smaller indoor theatre and school.

<span class="mw-page-title-main">East West Players</span> Asian-American theatre company

East West Players is an Asian American theatre organization in Los Angeles, founded in 1965. As the nation's first professional Asian American theatre organization, East West Players continues to produce works and educational programs that give voice to the Asian Pacific American experience today.

Prince Gomolvilas is a Thai American playwright. He has written many plays which have been produced in the United States and won several distinctive awards, including a PEN Center USA West Literary Award for Drama.

<span class="mw-page-title-main">Cedar Grove Productions</span>

Cedar Grove Productions is an independent production company based in Los Angeles, California, specializing in media and theatre arts representing the Asian Pacific American community. Media projects are educational, with Visual Communications (VC) serving as a non-profit fiscal sponsor.

<span class="mw-page-title-main">Philip Kan Gotanda</span> American dramatist

Philip Kan Gotanda is an American playwright and filmmaker and a third generation Japanese American. Much of his work deals with Asian American issues and experiences.

Robey Theatre Company is a Los Angeles-based non-profit theatre company.

<span class="mw-page-title-main">Kearny Street Workshop</span>

Kearny Street Workshop (KSW) in San Francisco, California, is the oldest multidisciplinary arts nonprofit addressing Asian Pacific American issues. The organization's mission is to produce and present art that enriches and empowers Asian Pacific American communities. Notable participants include author and Asian American studies scholar Russell Leong, playwright and author Jessica Hagedorn, author Janice Mirikitani, poet and historian Al Robles, and actor and filmmaker Lane Nishikawa.

Asian American theatre is theatre written, directed or acted by Asian Americans. From initial efforts by four theatre companies in the 1960s, Asian-American theatre has grown to around forty groups today. Early productions often had Asian themes or settings; "yellowface" was a common medium for displaying the perceived exoticism of the East in American performance. With the growing establishment of second-generation Asian-Americans in the 21st century, it is becoming more common today to see Asian-Americans in roles that defy historical stereotypes in the United States.

<span class="mw-page-title-main">Rick Shiomi</span> Japanese-Canadian playwright, stage director, artistic director and taiko artist

Rick Shiomi is an internationally recognized, award-winning Japanese Canadian playwright, stage director, artistic director and taiko artist, and a major player in the Asian American/Canadian theatre movement. He is best known for his groundbreaking play Yellow Fever, which earned him the Bay Area Theater Circle Critics Award and “Bernie” Award. Over the last couple decades, Shiomi has also become a notable artistic and stage director. He directed the world premiere of the play Caught by Christopher Chen for which he received the Philadelphia Barrymore Award Nomination for Outstanding Direction. He is currently the Co-Artistic Director of Full Circle Theater Company.

<span class="mw-page-title-main">California Shakespeare Theater</span>

California Shakespeare Theater is a regional theater located in the San Francisco Bay Area of California. Its performance space, the Lt. G. H. Bruns III Memorial Amphitheater, is located in Orinda, while the administrative offices, rehearsal hall, costume and prop shop are located in Berkeley.

The Actor's Workshop was a theatre company founded in San Francisco in 1952. It was the first professional theatre on the west coast to premiere many of the modern American classics such as Arthur Miller's Death of a Salesman and The Crucible, and the world dramas of Samuel Beckett, Bertolt Brecht, Jean Genet and Harold Pinter. For the 1953–1954 season, the Workshop offered six plays: Lysistrata, by Aristophanes; Venus Observed, by Christopher Fry; Death of a Salesman, by Arthur Miller; a revival of Playboy; The Cherry Orchard, by Anton Chekhov; and Tonight at 8.30, by Noël Coward. On April 15, 1955, the Actor's Workshop signed the first Off-Broadway Equity contract to be awarded outside New York City.

<span class="mw-page-title-main">Feodor Chin</span> American actor, producer, director and writer

Feodor Chin is an American actor, writer, and comedian from San Francisco, CA. As an actor, he was classically trained at UCLA, the American Conservatory Theater, and has studied with renowned acting coach, Larry Moss. He was a Maude Night performer at Upright Citizens Brigade Theatre for three seasons. TV credits include Big Little Lies, Good Trouble, American Auto, Pam & Tommy, Medical Police, Lethal Weapon, Jane the Virgin, The Affair, Speechless, and New Girl. Animation credits include the title role in Netflix's Uncle from Another World, Futurama, Marvel's Hit-Monkey and What If...?, and Cartoon Network's Regular Show. He is the voice of Zenyatta and Lee Sin in the hit video games, Overwatch / Overwatch 2 and League of Legends. He was a performer for the ABC Discovers Talent Showcase and a writer for the CBS Diversity Comedy Showcase.

<span class="mw-page-title-main">Wood Moy</span>


Wood Moy was an American film and theater actor from New York City. He developed an interest in acting while attending St. John's University, Shanghai. He was an early member of the Asian American Theater Company in San Francisco. He is best known for a lead role in Chan Is Missing, the debut film by Wayne Wang.

<span class="mw-page-title-main">Momoko Iko</span> Japanese-American playwright (1940–2020)

Momoko Iko (1940–2020) was a Japanese-American playwright, best known for her 1972 play Gold Watch. She was also a founding member of the Asian Liberation Organization and the Pacific Asian American Women Writers West.

References

  1. Houston, Velina Hasu. "Currents: Out of the Margins: A National Theatre Conference in Los Angeles Galvanizes Asian-American Forces." American Theatre 10 2006: 132–7