Barnum (musical)

Last updated
Barnum
Music Cy Coleman
Lyrics Michael Stewart
Book Mark Bramble
BasisThe life of P. T. Barnum
PremiereApril 30, 1980: St. James Theatre, New York City
Productions1980 Broadway
1981 West End
1984 Madrid
1984 UK Tour
2013 Chichester
2014 UK Tour
2017 Off-West End

Barnum is an American musical with a book by Mark Bramble, lyrics by Michael Stewart, and music by Cy Coleman. It is based on the life of showman P. T. Barnum, covering the period from 1835 through 1880 in America and major cities of the world where Barnum took his performing companies. The production combines elements of traditional musical theater with the spectacle of the circus. The characters include jugglers, trapeze artists and clowns, as well as such real-life personalities as Jenny Lind and General Tom Thumb.

Contents

The original Broadway production ran for 854 performances and was followed by a London production, among others.

Synopsis

In the middle of the 19th century, Phineas Taylor (P.T.) Barnum introduces his circus acts as he stands in front of a tent, proclaiming ("There Is a Sucker Born Ev'ry Minute"). He loves spectacle and excitement, using hype and "humbug" to promote his exhibits. His wife Charity disagrees with his use of "humbug" but loves him and aims to keep him grounded. Barnum then introduces the oldest woman alive, Joice Heth, and thanks to some Barnum humbug she becomes a success ("Thank God I'm Old"). His wife Charity ("Chairy") urges him to get a job in a factory, but Barnum refuses ("The Colors of My Life [Part One]") and Charity wryly admits and accepts the disparity between their views ("The Colors of My Life [Part Two]"). Barnum enlists clowns to help in building a museum to house his attractions (with expected comical results) and it's up to Charity to encourage him to keep going ("One Brick at a Time"), with the result that "everything about [his] museum was spectacular" ("Museum Song"); however, the museum burns down accidentally. Barnum finds two new star attractions, Tom Thumb, who appears to advise that "Bigger Isn't Better", and Jumbo the elephant. Barnum then becomes manager of the famous Swedish opera singer Jenny Lind ("Love Makes Such Fools of Us All"). Barnum becomes enamored of her and sees the attraction of going on tour with her ("Out There"). He accompanies Jenny on tour, leaving Charity behind, as a marching band greets them ("Come Follow the Band"). Although all seems to be going well for Barnum, he finds that without Charity in his life he is miserable, and he decides to break ties with Jenny and return home to the woman he loves ("Love Makes Such Fools of Us All [Reprise]"). Upon his return to Charity, he promises to live the more sedate life she desires for him, in "Black and White." After a failed stint running a clockworks factory and a failed attempt to build his own city, he turns to politics; when his campaign looks doomed to fail due to lack of interest, Charity realizes how important his talents and passion are in his life and allows him to inject color and life into his campaign. He is elected Mayor of Bridgeport, and the two of them recognize the value in each other's approach to life and how they complement one another ("The Colors of My Life [Reprise]"). Barnum is prepared to run for Senator, but his beloved Charity dies suddenly, leaving Barnum bereft and alone. When Barnum finds himself cheated of the Senatortial nomination by his political party, he laments his position, realizes that his talent for Humbug will never leave him and wishes to "make it right, shoot a rocket, shine a light" ("Prince of Humbug"). James Anthony Bailey arrives and offers him the chance to "Join the Circus". Initially resisting, he relents (thanks in part to Charity's two-headed coin, which she has used to humbug him throughout the show) and joins Bailey, and they form the famous circus Barnum and Bailey.

In "a princely final attraction", Barnum appears before the audience ("The Final Event: There is a Sucker Born Ev'ry Minute" [Reprise]") and reflects on his past:

Of course, that was a long time ago...and Joice Heth is gone and forgotten. And so's the American Museum...and the Living Whale...and Jennie Lind...and my poor Tom Thumb. And them reubens that came over on the Mayflower have gone to dust...and Tom Jefferson's a memory...and old Franklin's flown his last kite. So my kind of Humbug's disappeared. Pity.

Musical numbers

The following list was used for the Chichester and UK tour productions, although many of the chases were still used:

Act One

Act Two

Cast

CharacterBroadwayLondonChichesterUK tourLondon revival
19801981201320142017
Phineas Taylor Barnum Jim Dale Michael Crawford Christopher Fitzgerald Brian Conley Marcus Brigstocke
Charity (Chairy) Barnum Glenn Close Deborah Grant Tamsin Carroll Linzi Hateley Laura Pitt-Pulford
RingmasterWilliam C. WitterJames O’ConnellJohn StaceyDominic Owen
Joice Heith Terri White Jennie McGustieAretha AyehLandi Oshinowo Tupele Dorgu
Jenny Lind Marianne Tatum Sarah Payne Anna O’Byrne Kimberly Blake Celinde Schoenmaker
General Tom Thumb Leonard John Crofoot Christopher BeckJack NorthMikey Jay-HeathHarry Francis
Amos ScudderKelly WaltersGrant SmithMax ParkerEdward WadeDanny Collins
James Bailey William C. WitterJames O’ConnellJohn StaceyDominic Owen
Chester Lyman Terrence Mann Tony KempRachael ArcherNick ButcherLucie-Mae Summer
Mr. StrattonDirk LumbardNick ButcherAinsley Hall Ricketts
Mrs. Stratton Sophie Schwab Christine CartwrightTrina HillLucy Thatcher

Production history

Original Broadway Production (1980-82)

The original production opened at the St. James Theatre on Broadway, on April 30, 1980, and closed on May 16, 1982, after 854 performances and 26 previews. It was directed and choreographed by Joe Layton, with scenic design by David Mitchell, costume design by Theoni V. Aldredge, and lighting design by Craig Miller. The musical starred Jim Dale as P.T. Barnum, Glenn Close as Charity Barnum, Marianne Tatum as Jenny Lind, Terri White as Joice Heth, and Terrence Mann as Chester Lyman (he also understudied Dale as Barnum). During Jim Dale's vacation in May 1981, the part of Barnum was played by Tony Orlando, and when Dale left the production in October 1981, Mike Burstyn assumed the role for the remainder of the show's run.

Original London Production and UK tours (1981-86)

The show made its West End debut on June 11, 1981, at the London Palladium, where it ran for 655 performances. The London cast included Michael Crawford as P.T. Barnum, Deborah Grant as Charity Barnum and Sarah Payne as Jenny Lind. Crawford reprised his role opposite Eileen Battye in a UK Tour of the show which ran between 1984 and 1986, stopping off at various venues including the Manchester Opera House and a West End revival at the Victoria Palace Theatre. The tour was recorded for television and broadcast by the BBC in 1986. It was later released on VHS and DVD.

There was a further revival in London at the Dominion Theatre, starring Paul Nicholas and another in a circus tent in Battersea Park (where circuses run by David Smart had previously been held) starring Blue Peter presenter Peter Duncan. Another UK tour ran from 1995 to 1996 starring Andrew O'Connor in the title role.

Chichester revival (2013) and UK tour (2014-15)

Two-time Tony Award-nominee Christopher Fitzgerald starred in Cameron Mackintosh's new production of the show at the Chichester Festival Theatre from 15 July to 31 August 2013. The show was not performed at the Festival Theatre due to its refurbishment. Instead, it was performed in the Theatre in the Park, which is near the Festival Theatre. It was directed by Timothy Sheader, co-directed and choreographed by Liam Steel and co-choreographed by Andrew Wright, set design by Scott Pask, costume design by Paul Wills, lighting design by Paule Constable, sound design by Mick Potter and circus consultancy by Vicki Amedume. Alongside Christopher Fitzgerald as P. T. Barnum was Tamsin Carroll as Charity Barnum, Anna O'Byrne as Jenny Lind, Aretha Ayeh as Joice Heth and Jack North as Tom Thumb.

The production was revised by Cameron Mackintosh and Mark Bramble with a new number, "Barnum's Lament", replacing "The Prince of Humbug", slight revisions elsewhere and new orchestrations by William David Brohn.

The national tour of Cameron Mackintosh and Chichester Festival Theatre's production opened at Curve, Leicester in September 2014 and ran until August 2015. The tour starred Brian Conley in the title role, alongside Linzi Hateley as Charity.

London revival (2017-18)

The show received a further London revival at the Menier Chocolate Factory from 5 December 2017, with previews from 25 November to 3 March 2018. Gordon Greenberg directed it, with choreography by Rebecca Howell, design by Paul Farnsworth and musical direction by Alex Parker. [1] The production starred Marcus Brigstocke in the title role, Laura Pitt-Pulford as Charity, Celinde Schoenmaker as Jenny Lind, Tupele Dorgu as Joice Heath and Harry Francis as Tom Thumb.

Newbury revival (2024)

A new production will open at the Watermill Theatre, Newbury, Berkshire from 2 July to 8 September 2024, directed by Jonathan O’Boyle and choreographed by Oti Mabuse. Cast and further creative team will be announced at a later date. [2]

Other Productions

Stacy Keach played Barnum in a June 1981 production at the Kennedy Center with Dee Hoty as Charity and Terri White reprising her Broadway role as Joice Heth.

Other productions were staged in France (1981) starring Jean-Luc Moreau, Australia (1982) starring Reg Livermore, Madrid (1984) starring Emilio Aragón, The Netherlands (1988) starring Mike Burstyn, Florida, USA (2008) starring Brad Oscar, and Melbourne, Australia (2019) starring Todd McKenney.

Recording

The Original Broadway Cast recording was released in 1980 and issued on CD in 1986. The London cast album Michael Crawford in Barnum was released on January 1, 1994, by Musicrama, Inc. The original Madrid cast album (starring Emilio Aragón) was released in 1984 by BAT Discos S.A. Now a collector's item, this Spanish language recording has never been released on CD. A French cast album (ZL 37467) starring Jean-Luc Moreau was released in 1981; it is unknown at this time if a CD version has been released.

An Australian cast recording was released starring Reg Livermore by RCA Victor.

Response

According to Don Wilmeth, Barnum "was blessed with a brilliant production by director-choreographer Joe Layton, who turned the theatre into a circus, and a memorable performance by Jim Dale." [3]

Thomas Hischak wrote: "Joe Layton directed and choreographed with inventive and colorful theatrics, and [Jim] Dale endeared himself to audiences by singing, dancing, walking a tightrope, clowning, and riding a unicycle, most of which had nothing to do with anything. Critics carped but playgoers knew a fun show when they saw one so the show ran for 854 performances." [4]

Awards and nominations

Original
Production
AwardCategoryNomineeResult
Broadway
1980
Tony Award Best Musical Nominated
Best Book of a Musical Mark Bramble Nominated
Best Original Score Cy Coleman and Michael Stewart Nominated
Best Performance by a Leading Actor in a Musical Jim Dale Won
Best Performance by a Featured Actress in a Musical Glenn Close Nominated
Best Direction of a Musical Joe Layton Nominated
Best Choreography Nominated
Best Scenic Design David MitchellWon
Best Costume Design Theoni V. Aldredge Won
Best Lighting Design Craig MillerNominated
Drama Desk Award Outstanding Musical Nominated
Outstanding Music Cy Coleman Nominated
Outstanding Actor in a Musical Jim Dale Won
Outstanding Director of a Musical Joe Layton Nominated
Outstanding Choreography Nominated
Outstanding Set Design David MitchellNominated
Theatre World Award Marianne TatumWon
London
1981
Laurence Olivier Award Best New Musical Nominated
Best Actor in a Musical Michael Crawford Won
Outstanding Achievement in a Musical The StagingNominated

See also

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References

  1. "Barnum to receive first major London revival at Menier Chocolate Factory". WhatsOnStage.com. Retrieved 2017-08-21.
  2. "Watermill Theatre announces revival of BARNUM as its summer musical". West End Best Friend. Retrieved 2024-02-07.
  3. Wilmeth, Don B. (2000, Volume 3). The Cambridge History of American Theatre. Cambridge University Press. ISBN   0-521-66959-6, p. 455
  4. Hischak, Thomas S. (2008). The Oxford Companion to the American Musical. Oxford University Press US. ISBN   0-19-533533-3, p. 51