Blind stamp

Last updated
Giorgio Sommer's blind stamp Giorgio Sommer's blind stamp.jpg
Giorgio Sommer's blind stamp
Blind stamp of Printsellers' Association Printsellers' Association00.jpg
Blind stamp of Printsellers' Association

A blind stamp ('blind' meaning uncoloured) is an image, design or lettering on an art print or book formed by creating a depression in the paper or other material. It is the opposite of embossing which refers to a design created by raising the paper above the surrounding area. It is also distinct from foil stamping, which is a depression that is filled with a thin layer of metal, usually gold.

A blind stamp is often unobtrusive, and careful inspection may be necessary to establish its presence. Occasionally seen on the covers and spines of older books, blind stamps may be quite decorative. [1] Libraries or book owners often make use of a blind stamp to mark their copies in the same way that a bookplate denotes ownership, and legal firms have taken to marking their documents in such a way.

In 1838 the guild of the Printsellers' Association was set up, later known as the Fine Art Trade Guild, and one of its aims was to regulate the number of proofs printed before commencing the main run of a plate. The presence of their blind stamp is therefore clear evidence that a print is a proof. [2] Blind stamps were not part of the printing process, but were added on completion of the run and consequently vary in their placing on the prints.

Manufacturers of leather goods, such as handbags, often make use of blind stamps on their products to discourage fakes, and to indicate the provenance and date of manufacture. Since it is technically simple to forge a blind stamp, the system has little deterrent value.[ citation needed ]

Related Research Articles

<span class="mw-page-title-main">Book</span> Medium for recording information in the form of writing or images

A book is a medium for recording information in the form of writing or images, typically composed of many pages bound together and protected by a cover. The technical term for this physical arrangement is codex. In the history of hand-held physical supports for extended written compositions or records, the codex replaces its predecessor, the scroll. A single sheet in a codex is a leaf and each side of a leaf is a page.

<span class="mw-page-title-main">Watermark</span> Identification on paper to prevent counterfeiting

A watermark is an identifying image or pattern in paper that appears as various shades of lightness/darkness when viewed by transmitted light, caused by thickness or density variations in the paper. Watermarks have been used on postage stamps, currency, and other government documents to discourage counterfeiting. There are two main ways of producing watermarks in paper; the dandy roll process, and the more complex cylinder mould process.

<span class="mw-page-title-main">Printmaking</span> Process of creating artworks by printing, normally on paper

Printmaking is the process of creating artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand processed technique, rather than a photographic reproduction of a visual artwork which would be printed using an electronic machine ; however, there is some cross-over between traditional and digital printmaking, including risograph. Except in the case of monotyping, all printmaking processes have the capacity to produce identical multiples of the same artwork, which is called a print. Each print produced is considered an "original" work of art, and is correctly referred to as an "impression", not a "copy". However, impressions can vary considerably, whether intentionally or not. Master printmakers are technicians who are capable of printing identical "impressions" by hand. Historically, many printed images were created as a preparatory study, such as a drawing. A print that copies another work of art, especially a painting, is known as a "reproductive print".

<span class="mw-page-title-main">Printing</span> Process for reproducing text and images

Printing is a process for mass reproducing text and images using a master form or template. The earliest non-paper products involving printing include cylinder seals and objects such as the Cyrus Cylinder and the Cylinders of Nabonidus. The earliest known form of printing as applied to paper was woodblock printing, which appeared in China before 220 AD for cloth printing. However, it would not be applied to paper until the seventh century. Later developments in printing technology include the movable type invented by Bi Sheng around 1040 AD and the printing press invented by Johannes Gutenberg in the 15th century. The technology of printing played a key role in the development of the Renaissance and the Scientific Revolution and laid the material basis for the modern knowledge-based economy and the spread of learning to the masses.

<span class="mw-page-title-main">Handicraft</span> Item production made completely by hand or with simple tools

A handicraft, sometimes more precisely expressed as artisanal handicraft or handmade, is any of a wide variety of types of work where useful and decorative objects are made completely by one’s hand or by using only simple, non-automated related tools like scissors, carving implements, or hooks. It is a traditional main sector of craft making and applies to a wide range of creative and design activities that are related to making things with one's hands and skill, including work with textiles, moldable and rigid materials, paper, plant fibers, clay, etc. One of the oldest handicraft is Dhokra; this is a sort of metal casting that has been used in India for over 4,000 years and is still used. In Iranian Baluchistan, women still make red ware hand-made pottery with dotted ornaments, much similar to the 5000-year-old pottery tradition of Kalpurgan, an archaeological site near the village. Usually, the term is applied to traditional techniques of creating items that are both practical and aesthetic. Handicraft industries are those that produce things with hands to meet the needs of the people in their locality without using machines.

<span class="mw-page-title-main">Engraving</span> Incising designs by cutting into a surface

Engraving is the practice of incising a design onto a hard, usually flat surface by cutting grooves into it with a burin. The result may be a decorated object in itself, as when silver, gold, steel, or glass are engraved, or may provide an intaglio printing plate, of copper or another metal, for printing images on paper as prints or illustrations; these images are also called "engravings". Engraving is one of the oldest and most important techniques in printmaking.

<span class="mw-page-title-main">Drypoint</span> Intaglio printmaking technique

Drypoint is a printmaking technique of the intaglio family, in which an image is incised into a plate with a hard-pointed "needle" of sharp metal or diamond point. In principle, the method is practically identical to engraving. The difference is in the use of tools, and that the raised ridge along the furrow is not scraped or filed away as in engraving. Traditionally the plate was copper, but now acetate, zinc, or plexiglas are also commonly used. Like etching, drypoint is easier to master than engraving for an artist trained in drawing because the technique of using the needle is closer to using a pencil than the engraver's burin.

<span class="mw-page-title-main">Illustration</span> Depiction made by an artist

An illustration is a decoration, interpretation, or visual explanation of a text, concept, or process, designed for integration in print and digitally published media, such as posters, flyers, magazines, books, teaching materials, animations, video games and films. An illustration is typically created by an illustrator. Digital illustrations are often used to make websites and apps more user-friendly, such as the use of emojis to accompany digital type. Illustration also means providing an example; either in writing or in picture form.

<span class="mw-page-title-main">Paper embossing</span> Process of creating either raised or recessed relief images and designs in paper and other materials

Embossing and debossing are the processes of creating either raised or recessed relief images and designs in paper and other materials. An embossed pattern is raised against the background, while a debossed pattern is sunken into the surface of the material but might protrude somewhat on the reverse side.

The bibliographical definition of an edition is all copies of a book printed from substantially the same setting of type, including all minor typographical variants.

<span class="mw-page-title-main">Letterpress printing</span> Technique of relief printing using a printing press

Letterpress printing is a technique of relief printing for producing many copies by repeated direct impression of an inked, raised surface against individual sheets of paper or a continuous roll of paper. A worker composes and locks movable type into the "bed" or "chase" of a press, inks it, and presses paper against it to transfer the ink from the type, which creates an impression on the paper.

<span class="mw-page-title-main">Chromolithography</span> Method for making multi-colour prints

Chromolithography is a method for making multi-colour prints. This type of colour printing stemmed from the process of lithography, and includes all types of lithography that are printed in colour. When chromolithography is used to reproduce photographs, the term photochrome is frequently used. Lithographers sought to find a way to print on flat surfaces with the use of chemicals instead of raised relief or recessed intaglio techniques. A chromolithograph is also known as an oleograph.

<span class="mw-page-title-main">Kelmscott Press</span> Private press founded by designer William Morris in 1891

The Kelmscott Press, founded by William Morris and Emery Walker, published 53 books in 66 volumes between 1891 and 1898. Each book was designed and ornamented by Morris and printed by hand in limited editions of around 300. Many books were illustrated by Edward Burne-Jones. Kelmscott Press books sought to replicate the style of 15th-century printing and were part of the Gothic revival movement. Kelmscott Press started the contemporary fine press movement, which focuses on the craft and design of bookmaking, often using hand presses. While their most famous books are richly decorated, most Kelmscott Press books did not have elaborate decoration, but were published simply.

<span class="mw-page-title-main">Wedding invitation</span>

A wedding invitation is a letter asking the recipient to attend a wedding. It is typically written in the formal, third-person language and mailed five to eight weeks before the wedding date.

<span class="mw-page-title-main">History of books</span> Aspect of history

The history of books became an acknowledged academic discipline in the 1980s. Contributors to the discipline include specialists from the fields of textual scholarship, codicology, bibliography, philology, palaeography, art history, social history and cultural history. Its key purpose is to demonstrate that the book as an object, not just the text contained within it, is a conduit of interaction between readers and words.

<span class="mw-page-title-main">Page layout</span> Part of graphic design that deals in the arrangement of visual elements on a page

In graphic design, page layout is the arrangement of visual elements on a page. It generally involves organizational principles of composition to achieve specific communication objectives.

<span class="mw-page-title-main">Line engraving</span> Engraved images printed on paper

Line engraving is a term for engraved images printed on paper to be used as prints or illustrations. The term is mainly used in connection with 18th- or 19th-century commercial illustrations for magazines and books or reproductions of paintings. It is not a technical term in printmaking, and can cover a variety of techniques, giving similar results.

<span class="mw-page-title-main">Galley proof</span> First proofs printed from type, usually before breaking into pages

In printing and publishing, proofs are the preliminary versions of publications meant for review by authors, editors, and proofreaders, often with extra-wide margins. Galley proofs may be uncut and unbound, or in some cases electronically transmitted. They are created for proofreading and copyediting purposes, but may also be used for promotional and review purposes.

<span class="mw-page-title-main">Bookbinding</span> Process of assembling a book

Bookbinding is the process of physically assembling a book of codex format from an ordered stack of signatures, sheets of paper folded together, which are bound along one edge with a thick needle and strong thread. Less permanent methods for binding books include loose-leaf rings, binding posts, and twin-loop spine coils, plastic spiral coils, and plastic spine combs. For protection, the bound stack of signatures is enclosed in a flexible cover or a cover of stiffened boards. Finally, an attractive cover is placed onto the boards, and features the publisher's information and artistic decorations.

<span class="mw-page-title-main">Postage stamp paper</span>

Postage stamp paper is the foundation or substrate of the postage stamp to which the ink for the stamp's design is applied to one side and the adhesive is applied to the other. The paper is not only the foundation of the stamp but it has also been incorporated into the stamp's design, has provided security against fraud and has aided in the automation of the postal delivery system.

References

  1. "What Is A Blind Stamp ?". Fine Rare Prints Antique Prints and Maps. Retrieved August 18, 2019.
  2. Prints and Printmaking - Antony Griffiths (1996)

Commons-logo.svg Media related to Blind stamps at Wikimedia Commons