Boys in the Sand

Last updated

Boys in the Sand
Bits ad.gif
Original newspaper ad
Directed by Wakefield Poole
Written byWakefield Poole
Produced byWakefield Poole
Marvin Shulman
Starring Casey Donovan
Peter Fisk
Danny Di Cioccio
Tommy Moore
Distributed byPoolemar
Release date
  • December 29, 1971 (1971-12-29)
Running time
90 minutes
CountryUnited States
LanguageEnglish
Budget$8,000 USD (estimated)

Boys in the Sand is a landmark [1] American gay pornographic film, released early in the Golden Age of Porn. The 1971 [2] film was directed by Wakefield Poole and stars Casey Donovan. [3] It was the first gay porn film to include credits and to be reviewed by the film industry journal Variety , [4] and one of the earliest porn films – after Andy Warhol's 1969 film Blue Movie, [5] [6] [7] [8] but preceding 1972's Deep Throat – to gain mainstream credibility.

Contents

Produced on a budget of about $8,000, [3] the film collects three segments depicting Donovan's sexual adventures at a gay beach resort. Promoted by Poole with an advertising campaign unprecedented for a pornographic feature, it premiered in 1971 at the 253-seat [9] 55th Street Playhouse in Manhattan, [10] [9] where it was an immediate critical and commercial success. [3] The film brought Donovan international recognition. A sequel Boys in the Sand II was eventually released in 1986, but in the much-changed film and porn markets did not match the success of the original.

The film's title is a parodic reference to the 1968 Mart Crowley play The Boys in the Band , which had been adapted into a 1970 film of the same name. [11]

Plot

Boys in the Sand is composed of three segments set on Fire Island. [3]

Production

Poole was inspired to make the film after he went with some friends to see a film called Highway Hustler. [3] [12] After watching the film, he said to a friend, "This is the worst, ugliest movie I've ever seen! Somebody oughta be able to do something better than this." [11] Poole was convinced that he was that somebody; "I wanted [to make] a film that gay people could look at and say, 'I don't mind being gay - it's beautiful to see those people do what they're doing.'" [13] Having enlisted the help of his lover Peter Fisk and another man, Poole first shot a 10-minute segment titled Bayside. [14]

The success of that initial shoot convinced Poole to plan two more segments and seek theatrical distribution for the completed work. He hired Tommy Moore and Casey Donovan for the third segment, Inside. When Fisk's scene partner from Bayside heard about the potential distribution deal, he refused to sign release forms until he was guaranteed 20% of the profits. [15] Instead, Poole decided to scrap the segment and re-shoot with Fisk and Donovan. [16] The resulting footage was so good that Poole decided to use Donovan for the second segment as well, titled Poolside, and he constructed the loose storyline around him. The three segments were filmed on a budget of $8,000 over three successive weekends in August 1971 in the gay resort area of Cherry Grove, New York. [17]

Boys in the Sand had its theatrical debut on December 29, 1971, at the 55th Street Playhouse in New York City. [3] [18] Poole engaged in an unprecedented pre-release publicity campaign, including screening parties and full-page ads in The New York Times and Variety.

The line, for the first showing, reached 7th Avenue. The film made back most of its production and promotions budget the day it opened, grossing close to $6,000 in the first hour, [19] and nearly $25,000 during its first week, landing it on Variety's list of the week's 50 top-grossing films. [20] Positive word of mouth spread and the film was favorably reviewed in Variety ("There are no more closets!"), [21] The Advocate ("Everyone will fall in love with this philandering fellator"), [22] and other outlets, which previously had completely ignored the genre. While some critics were less impressed, others saw the film as akin to the avant-garde work of directors like Kenneth Anger and Andy Warhol. [11] [16] Within six months the film had grossed $140,000 and was continuing to open in theatres across the United States and around the world. [20]

The film's mainstream popularity helped usher in the era of "porno chic," [21] a brief period of mainstream cultural acceptability afforded hardcore pornographic film, having been cited as "very much a precursor" to the following year's crossover success of Deep Throat. [23] [24] The film attracted critical and scholarly attention from pornography historians and researchers for years after its release. [25] The film is credited with beginning the trend of giving pornographic films titles that spoof the names of non-porn films. [11]

With the success of Boys in the Sand, Casey Donovan became an underground celebrity. While he never achieved the mainstream film career for which he had hoped, he continued his career in pornography and translated his fame into some appearances on the legitimate stage, including a successful national tour in the gay-themed play Tubstrip [26] and an unsuccessful attempt to produce a revival of The Ritz . [27] His fame also allowed him success as a high-priced prostitute. [28] He remained a bankable commodity in the adult industry, making films for the next 15 years [29] until his death from AIDS-related illness in 1987.

Legacy

Poole and Donovan had wanted to make a sequel to Boys in the Sand. In 1984, they shot Boys in the Sand II. [30] Also filmed on Fire Island, the film featured Donovan, the only cast member from the original to return. The original opening sequence, Bayside, was recreated for the sequel, with Pat Allen performing the run from the water. Litigation tied up the release of Boys in the Sand II until 1986 and with the advent of the home video market, there was a glut of gay porn titles available. Boys in the Sand II did not distinguish itself from the competition and was not particularly successful. [31]

In 2002, TLA Releasing released The Wakefield Poole Collection. The two-DVD set includes Boys in the Sand and Boys in the Sand II along with Bijou (1972), a third Poole/Donovan collaboration, and other shorts and material shot by Poole. [32] The collection won a 2003 GayVN Award for Best Classic Gay DVD. [33]

In May 2014, filmmaker and writer Jim Tushinski's full-length documentary I Always Said Yes: The Many Lives of Wakefield Poole, which features extensive interviews with Poole, producer Marvin Schulman, and many contemporaries, began playing at film festivals. [34] In June 2014, the DVD company Vinegar Syndrome restored Boys in the Sand from the remaining film elements and released this new version on DVD along with early short films by Wakefield Poole and several documentary shorts about the filming and reception of Boys in the Sand. [35]

See also

Related Research Articles

<span class="mw-page-title-main">Pornographic film</span> Films that present sexually explicit subject matter in order to arouse and satisfy the viewer

Pornographic films (pornos), erotic films, sex films, 18+ films, or also known as blue movie or blue film are films that present sexually explicit subject matter in order to arouse, fascinate, or satisfy the viewer. Pornographic films present sexual fantasies and usually include erotically stimulating material such as nudity (softcore) and sexual intercourse (hardcore). A distinction is sometimes made between "erotic" and "pornographic" films on the basis that the latter category contains more explicit sexuality, and focuses more on arousal than storytelling; the distinction is highly subjective.

<i>The Opening of Misty Beethoven</i> 1976 pornographic film directed by Radley Metzger

The Opening of Misty Beethoven is an American pornographic comedy film released in 1976. It was produced with a relatively high budget and filmed on elaborate locations in Paris, New York City and Rome with a musical score, and owes much to its director Radley Metzger. According to author Toni Bentley, The Opening of Misty Beethoven is considered the "crown jewel" of the Golden Age of Porn (1969–1984).

<span class="mw-page-title-main">Casey Donovan (actor)</span> American pornographic actor (1943–1987)

John Calvin Culver, better known under his stage name Casey Donovan, was an American male pornographic film actor from the late 1960s until the mid-1980s, appearing primarily in adult films and videos catering to gay male audiences, during the Golden Age of Porn. Following a brief career as a Latin teacher and a stint as a highly-paid male model, Donovan appeared in Boys in the Sand (1971), the film that would cement his status as a gay icon. Attempts to build on his notoriety to achieve mainstream crossover success failed, but Donovan continued to be a bankable star in the adult industry for the next 15 years. He was briefly a mainstream actor, who appeared on stage, as well as a theatre producer and manager, and appeared as himself in TV series Emerald City.

Kip Noll, also Kip Knoll, is an American gay pornographic film actor-magazine model, active in the 1970s and 1980s.

Walter Wakefield Poole III was an American dancer, choreographer, theatrical director, and pioneering film director in the gay pornography industry during the 1970s and 1980s.

<i>Blue Movie</i> 1969 film by Andy Warhol

Blue Movie is a 1969 American erotic film written, produced and directed by Andy Warhol. It is the first adult erotic film depicting explicit sex to receive wide theatrical release in the United States, and is regarded as a seminal film in the Golden Age of Porn. It helped inaugurate the "porno chic" phenomenon, in which porn was publicly discussed by celebrities and taken seriously by film critics, in modern American culture, and later, in many other countries throughout the world. According to Warhol, Blue Movie was a major influence in the making of Last Tango in Paris, an internationally controversial erotic drama film starring Marlon Brando and released a few years after Blue Movie was made. Viva and Louis Waldon, playing themselves, starred in Blue Movie.

<span class="mw-page-title-main">Golden Age of Porn</span> Era of mainstream success for sexually explicit films (1969–1984)

The term "Golden Age of Porn", or "porno chic", refers to a 15-year period (1969–1984) in commercial American pornography, in which sexually explicit films experienced positive attention from mainstream cinemas, movie critics, and the general public. This American period, which had subsequently spread internationally, and that began before the legalization of pornography in Denmark on July 1, 1969, started on June 12, 1969, with the theatrical release of the film Blue Movie directed by Andy Warhol, and, somewhat later, with the release of the 1970 film Mona produced by Bill Osco. These films were the first adult erotic films depicting explicit sex to receive wide theatrical release in the United States. Both influenced the making of films such as 1972's Deep Throat starring Linda Lovelace and directed by Gerard Damiano, Behind the Green Door starring Marilyn Chambers and directed by the Mitchell brothers, 1973's The Devil in Miss Jones also by Damiano, and 1976's The Opening of Misty Beethoven by Radley Metzger. According to Warhol, Blue Movie was a major influence in the making of Last Tango in Paris, an internationally controversial erotic drama film, starring Marlon Brando, and released a few years after Blue Movie was shown in theaters.

<span class="mw-page-title-main">Paul Barresi</span> American pornographic actor

Paul Barresi is an American pornographic actor, pornographic film director, and media personality.

<span class="mw-page-title-main">Gay pornography</span> Pornography depicting sex acts between males

Gay pornography is the representation of sexual activity between males. Its primary goal is sexual arousal in its audience. Softcore gay pornography also exists; which at one time constituted the genre, and may be produced as beefcake pornography directed toward heterosexual female, homosexual male and bisexual audiences of any gender.

<span class="mw-page-title-main">Jon Vincent</span> American gay pornographic actor

Jon Vincent was an American pornographic actor who appeared in gay and bisexual pornography.

CockyBoys is a New York City-based producer of gay internet pornography. Managed by CEO Jake Jaxson and his two partners, RJ Sebastian and Benny Morecock, the site has drawn attention from both inside and outside the adult industry for blending arthouse erotica and experimental film with mainstream-style genre films. The 2012 reality television feature film Project GoGo Boy is considered the studio's breakout hit.

<span class="mw-page-title-main">Kurt Marshall</span> American actor and model

Kurt Marshall was a model and an actor who performed in gay pornographic films in the mid-1980s. Although he appeared in only four films, the gay pornographic industry trade publication Unzipped named him one of the top 100 gay porn stars of all time in 2006, author Leigh Rutledge listed him as the ninth most influential gay porn star of all time in 2000, and adult film magazine editor John Erich called him one of the "most beautiful" gay adult film stars of the 1980s.

<span class="mw-page-title-main">Sex in film</span> Sex in mainstream film

Sex in film, the presentation of aspects of sexuality in film, specially human sexuality, has been controversial since the development of the medium. Films which display or suggest sexual behavior have been criticized by religious groups or have been banned or censored by governments, although attitudes have changed much along the years and a more permissive social environment has developed in certain parts of the world, notably in Europe, North America, Australia and New Zealand. In countries with a film rating system, films which contain explicit sex scenes typically receive a restricted classification. Nudity in film may be regarded as sexual or as non-sexual.

George Payne is an American actor and retired pornographic film actor. He found early success as a swimsuit model and was featured in Physique Pictorial. Payne began work in the adult film industry in The Back Row in 1973 opposite actor Casey Donovan. He was featured on the cover of the LGBT magazine The Advocate the same year. He later starred with Jack Wrangler in Navy Blue in 1979, and in Centurians of Rome in 1981. Payne later transitioned to straight roles in the adult industry; his work is considered part of the Golden Age of Porn. He was inducted into the X-Rated Critics Organization Hall of Fame in 1999.

<span class="mw-page-title-main">55th Street Playhouse</span> Former theater in Manhattan, New York

The 55th Street Playhouse—periodically referred to as the 55th Street Cinema and Europa Theatre—was a 253-seat movie house at 154 West 55th Street, Midtown Manhattan, New York City, that opened on May 20, 1927. Many classic art and foreign-language films, including those by Jean Cocteau, Sergei Eisenstein, Federico Fellini, Abel Gance, Fritz Lang, and Orson Welles, were featured at the theater. Later, Andy Warhol presented many of his notable films in this building in the late 1960s. Other notable films were also shown at the theater, including Boys in the Sand (1971) and Him (1974).

<i>The Other Side of Aspen</i> 1978 American gay pornographic film

The Other Side of Aspen is a 1978 American gay pornographic film produced by Falcon Studios, directed by Matt Sterling, starring Casey Donovan, Al Parker, and Dick Fisk. The film consists of sex scenes filmed in Lake Tahoe, California, interspersed with dialogue scenes shot in San Francisco. The Other Side of Aspen was Falcon's first feature-length release, notable as one of the first adult films distributed on videocassette.

<i>Wakefield Pooles Bible</i> 1973 American film

Wakefield Poole's Bible is an 1973 American softcore pornographic anthology film written and directed by Wakefield Poole. The film presents the biblical stories of Adam and Eve, David and Bathsheba, and Samson and Delilah in the form of pornographic vignettes, and stars Bo White, Caprice Couselle, Georgina Spelvin, Nicholas Flammel, Brahm van Zetten, and Gloria Grant. It is the only straight pornographic film to be directed by Poole, who was primarily a director of gay pornography.

<i>Bijou</i> (film) 1972 film

Bijou is an 1972 American gay pornographic film directed and edited by Wakefield Poole and starring Bill Harrison as a construction worker who witnesses a car accident and discovers an invitation to a club called Bijou in the purse of the victim.

Hand in Hand Films was a New York-based gay pornographic film studio that was founded in the early 1970s, as the Golden Age of Porn took shape. The company released more than 40 titles. It became known for producing avant-garde sex films with high production values, strong narrative throughlines and scenes that often pushed the boundaries of sexuality captured on film.

References

  1. Powell, Mimi; Scott Dagostino; Bhisham Kinha. "The Porn Power List". FAB magazine. Archived from the original on February 22, 2008. Retrieved March 6, 2008.
  2. "40 Years of Gay History: the Early Seventies". Advocate.com. Archived from the original on October 11, 2007. Retrieved November 5, 2007.
  3. 1 2 3 4 5 6 'Wakefield Poole: Theater, Dance, and Porn' Archived January 31, 2014, at the Wayback Machine , The Rialto Report, audio interview with Wakefield Poole
  4. Jeffrey Escoffier, "Beefcake to Hardcore: Gay Pornography and the Sexual Revolution," in Sex Scene. Media and the Sexual Revolution, ed. Eric Schaefer, Duke University Press, 2014, ISBN   9780822356424, pp. 319-347, at p. 319.
  5. Canby, Vincent (July 22, 1969). "Movie Review - Blue Movie (1968) Screen: Andy Warhol's 'Blue Movie'". The New York Times. Retrieved December 29, 2015.
  6. Canby, Vincent (August 10, 1969). "Warhol's Red Hot and 'Blue' Movie. D1. Print. (behind paywall)". The New York Times. Retrieved December 29, 2015.
  7. Comenas, Gary (1969). "July 21, 1969: Andy Warhol's Blue Movie Opens". WarholStars.org. Retrieved January 20, 2016.
  8. Haggerty, George E. (2015). A Companion to Lesbian, Gay, Bisexual, Transgender, and Queer Studies. John Wiley & Sons. p. 339. ISBN   9781119000853 . Retrieved January 20, 2016.
  9. 1 2 Staff (2004). "55th Street Playhouse - 154 E. 55th Street, New York, New York 10022". CinemaTreasures.org. Retrieved March 29, 2018.
  10. Lassen, Amos (April 20, 2014). ""Boys in the Sand"— One of the Most Successful Gay Films of All Time". GLBT Film. Retrieved March 29, 2018.
  11. 1 2 3 4 Halter, Ed (June 18, 2002). "Return to Paradise". Village Voice . Retrieved November 10, 2017.
  12. Edmonson p. 1
  13. Teal, D. "No Degradation": Wakefield Poole Adds New Dimension to Porn, 1972-03-01, The Advocate p. 16-17; quoted in Capino, Jose B., Seminal Fantasies: Wakefield Poole, pornography, independent cinema and the avante-garde, collected in Holmlund, Chris and Wyatt, Justins (eds.), Contemporary American Independent Film: From The Margins To The Mainstream, Routledge, 2004, p. 133 ISBN   0-415-25486-8
  14. Edmonson p. 74
  15. Edmonson p. 75
  16. 1 2 Rutledge (1989) p. 229
  17. Edmonson p. 2
  18. Rutledge (1989) p. 63
  19. Rutledge (1992) p. 1
  20. 1 2 Burger p. 16
  21. 1 2 Stevenson p. 113
  22. Saint Ives, Jesse (January 5, 1972). "Casey's bat scores in 'Boys in the Sand'". Advocate.
  23. Bailey, Cameron (February 10, 2005). "Blow-by-blow accounts". NOW Toronto. Archived from the original on February 7, 2008. Retrieved March 18, 2008.
  24. Weitzer p. 52
  25. Jennings, Luke (March 26, 2006). "Rebirth of Poole". The Guardian UK. Retrieved March 18, 2008.
  26. Taylor, Robert (August 29, 1974). "Tub be or not tub be". Oakland Tribune.
  27. "The Ritz". Internet Broadway Database. Retrieved November 6, 2007.
  28. Edmonson p. 171
  29. "Calvin Culver (I)". Internet Movie Database. Retrieved November 5, 2007.
  30. "Boys in the Sand II". Internet Movie Database. Retrieved November 6, 2007.
  31. Edmonson p. 218
  32. "Recommended DVDs". E-Newsletter Vol. II no. 49. Calumus Bookstore. November 4, 2002. Archived from the original on November 5, 2006. Retrieved November 5, 2007.
  33. "2003 GayVN Award Winners Announced". ManNet.com. May 8, 2003. Retrieved March 6, 2008.
  34. "I Always Said Yes". Internet Movie Database. Retrieved April 2, 2015.
  35. "Review". DocTerror.com. June 6, 2014. Archived from the original on April 4, 2015. Retrieved April 2, 2015.

Further reading