Cinematography in Galicia is in the main in Galician language, although there is also a minority done in Spanish [1] and sometimes Portuguese.
Cinematography in Galicia is in the main in Galician language, although there is also a minority done in Spanish [1] and sometimes Portuguese.
After the arrival to Galicia of the first film projectors, there were some pioneers that carried out filmings. It is the case of authors as Xosé Gil ( Miss Ledyia , 1916) or José Signo (La tragedia de Xirobio, 1930). In those years also Spanish films set in the Galicia as La Casa de la Troya are filmed and also works of foreign directors as Carmiña, flower of Galicia carried out by the Italian Rino Lupo although the interiors were carried out in Porto, appear.
There are documentaries of the emigration and of the exile (rescued some of them at the end of the 20th century). The more distinguished figure is Carlos Velo (1909–1988). Before being exiled during the Spanish Civil War, he made documentary shorts for afterwards pass to Mexico where they consider him a director of Mexican cinema. In the eighties it was a center of mass of tributes and considered a pioneer. Some of his titles are Torero, 1956 and Pedro Páramo, 1967.
The importance of the fiction in television can be noticed by the economic development that some of the companies of production acquire through series. Unfortunately the economic strength does not mean that the production reflects a line of creation towards a cinema (or in this audio-visual case) characteristic of Galicia, stereotyped products, which they escape of any type of incorrect aspect, take place frequently -as it happens in most of the commercial televisions of the world-, and they follow an interchangeable model to any place of the world.
Among the films done in Galicia it is remarkable for the quantity of people that it saw O bosque animado of 2001 (Dygra Films), according to data of the ICAA it was seen by 509.132 spectators (05/10/2004). Several other animated films have been produced in the region.
The Blind Sunflowers was filmed in Ourense. Lost in Galicia also features the region.
Since the early 2020s animation has become a important part of the Galician film industry. [2]
Dubbing is a post-production process used in filmmaking and video production, often in concert with sound design, in which additional or supplementary recordings (doubles) are lip-synced and "mixed" with original production sound to create the finished soundtrack.
Galicia is an autonomous community of Spain and historic nationality under Spanish law. Located in the northwest Iberian Peninsula, it includes the provinces of A Coruña, Lugo, Ourense, and Pontevedra.
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Ourense is a province of Spain, in the southeastern part of the autonomous community of Galicia. It is bordered by the provinces of Pontevedra to the west, Lugo to the north, León and Zamora, to the east, and by Portugal to the south. With an area of 7,278 square km., it is the only landlocked province in Galicia. The provincial capital, Ourense, is the largest population centre, with the rest of the province being predominantly rural.
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Castrapo is a term used in the region of Galicia to refer to a local variety of the Castilian language that uses a lot of code-switching, vocabulary, syntax and expressions directly taken from the Galician language, although they don't exist or have equivalents in Standard Castilian. This way of speaking is mainly prevalent in the densely-populated urban areas of Galicia, and sometimes it's stereotyped as "the way Galician politicians speak".
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Galician, also known as Galego, is a Western Ibero-Romance language. Around 2.4 million people have at least some degree of competence in the language, mainly in Galicia, an autonomous community located in northwestern Spain, where it has official status along with Spanish. The language is also spoken in some border zones of the neighbouring Spanish regions of Asturias and Castile and León, as well as by Galician migrant communities in the rest of Spain, in Latin America including Puerto Rico, the United States, Switzerland and elsewhere in Europe.
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Os Renovadores or Os Novos was a group of artists who wanted to renew the visual Galician arts from the 1920s.
