A coffer (or coffering) in architecture is a series of sunken panels in the shape of a square, rectangle, or octagon in a ceiling, soffit or vault. [1] A series of these sunken panels was often used as decoration for a ceiling or a vault, also called caissons ("boxes"), or lacunaria ("spaces, openings"), [2] so that a coffered ceiling can be called a lacunar ceiling: the strength of the structure is in the framework of the coffers.
The stone coffers of the ancient Greeks [3] and Romans [4] are the earliest surviving examples, but a seventh-century BC Etruscan chamber tomb in the necropolis of San Giuliano, which is cut in soft tufa-like stone reproduces a ceiling with beams and cross-beams lying on them, with flat panels filling the lacunae. [5] For centuries, it was thought that wooden coffers were first made by crossing the wooden beams of a ceiling in the Loire Valley châteaux of the early Renaissance. [6] In 2012, however, archaeologists working under the Packard Humanities Institute at the House of the Telephus in Herculaneum discovered that wooden coffered ceilings were constructed in Roman times. [7] Experimentation with the possible shapes in coffering, which solve problems of mathematical tiling, or tessellation, were a feature of Islamic as well as Renaissance architecture. The more complicated problems of diminishing the scale of the individual coffers were presented by the requirements of curved surfaces of vaults and domes.
A prominent example of Roman coffering, employed to lighten the weight of the dome, can be found in the ceiling of the rotunda dome in the Pantheon, Rome.
In ancient Chinese wooden architecture, coffering is known as zaojing (Chinese :藻井; pinyin :zǎojǐng). [8]
Buried by Vesuvius nearly 2,000 years ago, archaeologists at Herculaneum have excavated and carried out the first-ever full reconstruction of the timber roof of a Roman villa
Renaissance architecture is the European architecture of the period between the early 15th and early 16th centuries in different regions, demonstrating a conscious revival and development of certain elements of ancient Greek and Roman thought and material culture. Stylistically, Renaissance architecture followed Gothic architecture and was succeeded by Baroque architecture. Developed first in Florence, with Filippo Brunelleschi as one of its innovators, the Renaissance style quickly spread to other Italian cities. The style was carried to other parts of Europe at different dates and with varying degrees of impact.
Ancient Roman architecture adopted the external language of classical ancient Greek architecture for the purposes of the ancient Romans, but was different from Greek buildings, becoming a new architectural style. The two styles are often considered one body of classical architecture. Roman architecture flourished in the Roman Republic and to an even greater extent under the Empire, when the great majority of surviving buildings were constructed. It used new materials, particularly Roman concrete, and newer technologies such as the arch and the dome to make buildings that were typically strong and well engineered. Large numbers remain in some form across the former empire, sometimes complete and still in use today.
Romanesque architecture is an architectural style of medieval Europe that was predominant in the 11th and 12th centuries. The style eventually developed into the Gothic style with the shape of the arches providing a simple distinction: the Romanesque is characterized by semicircular arches, while the Gothic is marked by the pointed arches. The Romanesque emerged nearly simultaneously in multiple countries ; its examples can be found across the continent, making it the first pan-European architectural style since Imperial Roman architecture. Similarly to Gothic, the name of the style was transferred onto the contemporary Romanesque art.
Filippo di ser Brunellesco di Lippo Lapi, commonly known as Filippo Brunelleschi and also nicknamed Pippo by Leon Battista Alberti, was an Italian architect, designer, goldsmith and sculptor. He is considered to be a founding father of Renaissance architecture. He is recognized as the first modern engineer, planner, and sole construction supervisor. In 1421, Brunelleschi became the first person to receive a patent in the Western world. He is most famous for designing the dome of the Florence Cathedral, and for the mathematical technique of linear perspective in art which governed pictorial depictions of space until the late 19th century and influenced the rise of modern science. His accomplishments also include other architectural works, sculpture, mathematics, engineering, and ship design. Most surviving works can be found in Florence.
A dome is an architectural element similar to the hollow upper half of a sphere. There is significant overlap with the term cupola, which may also refer to a dome or a structure on top of a dome. The precise definition of a dome has been a matter of controversy and there are a wide variety of forms and specialized terms to describe them.
The Pantheon is a former Roman temple and, since AD 609, a Catholic church in Rome, Italy. It was built on the site of an earlier temple commissioned by Marcus Agrippa during the reign of Augustus, then after that burnt down, the present building was ordered by the emperor Hadrian and probably dedicated c. AD 126. Its date of construction is uncertain, because Hadrian chose not to inscribe the new temple but rather to retain the inscription of Agrippa's older temple.
A triumphal arch is a free-standing monumental structure in the shape of an archway with one or more arched passageways, often designed to span a road, and usually standing alone, unconnected to other buildings. In its simplest form, a triumphal arch consists of two massive piers connected by an arch, typically crowned with a flat entablature or attic on which a statue might be mounted or which bears commemorative inscriptions. The main structure is often decorated with carvings, sculpted reliefs, and dedications. More elaborate triumphal arches may have multiple archways, or in a tetrapylon, passages leading in four directions.
A keystone is the wedge-shaped stone at the apex of a masonry arch or typically round-shaped one at the apex of a vault. In both cases it is the final piece placed during construction and locks all the stones into position, allowing the arch or vault to bear weight. In arches and vaults keystones are often enlarged beyond the structural requirements and decorated. A variant in domes and crowning vaults is a lantern. A portion of the arch surrounding the keystone is called a crown.
A rib vault or ribbed vault is an architectural feature for covering a wide space, such as a church nave, composed of a framework of crossed or diagonal arched ribs. Variations were used in Roman architecture, Byzantine architecture, Islamic architecture, Romanesque architecture, and especially Gothic architecture. Thin stone panels fill the space between the ribs. This greatly reduced the weight and thus the outward thrust of the vault. The ribs transmit the load downward and outward to specific points, usually rows of columns or piers. This feature allowed architects of Gothic cathedrals to make higher and thinner walls and much larger windows.
This page is a glossary of architecture.
Santa Maria dei Miracoli is a church in the sestiere of Cannaregio, in Venice, Italy.
In architecture, a vault is a self-supporting arched form, usually of stone or brick, serving to cover a space with a ceiling or roof. As in building an arch, a temporary support is needed while rings of voussoirs are constructed and the rings placed in position. Until the topmost voussoir, the keystone, is positioned, the vault is not self-supporting. Where timber is easily obtained, this temporary support is provided by centering consisting of a framed truss with a semicircular or segmental head, which supports the voussoirs until the ring of the whole arch is completed.
The caisson, also referred to as a caisson ceiling, or spider web ceiling, in Chinese architecture is an architectural feature typically found in the ceiling of temples and palaces, usually at the centre and directly above the main throne, seat, or religious figure. The caisson is generally a sunken panel set into the ceiling. It is often layered and richly decorated. Common shapes include squares, octagons, hexagons, circles, and a combination of these.
The history of construction traces the changes in building tools, methods, techniques and systems used in the field of construction. It explains the evolution of how humans created shelter and other structures that comprises the entire built environment. It covers several fields including structural engineering, civil engineering, city growth and population growth, which are relatives to branches of technology, science, history, and architecture. The fields allow both modern and ancient construction to be analyzed, as well as the structures, building materials, and tools used.
Ancient Chinese wooden architecture is a style of Chinese architecture. In the West it has been studied less than other architectural styles. Although Chinese architectural history reaches far back in time, descriptions of Chinese architecture are often confined to the well known Forbidden City with little else explored by the West. Although common features of Chinese architecture have been unified into a vocabulary illustrating uniquely Chinese forms and methods, until recently data has not been available. Because of the lack of knowledge of the roots of Chinese architecture, the descriptions of its elements are often translated into Western terms and architectural theory, losing their unique Chinese meanings. A cause of this deficiency is that the two most important Chinese government architecture manuals, the Song dynasty Yingzao Fashi and Qing Architecture Standards have never been translated into any Western language.
Domes were a characteristic element of the architecture of Ancient Rome and of its medieval continuation, the Byzantine Empire. They had widespread influence on contemporary and later styles, from Russian and Ottoman architecture to the Italian Renaissance and modern revivals. The domes were customarily hemispherical, although octagonal and segmented shapes are also known, and they developed in form, use, and structure over the centuries. Early examples rested directly on the rotunda walls of round rooms and featured a central oculus for ventilation and light. Pendentives became common in the Byzantine period, provided support for domes over square spaces.
The early domes of the Middle Ages, particularly in those areas recently under Byzantine control, were an extension of earlier Roman architecture. The domed church architecture of Italy from the sixth to the eighth centuries followed that of the Byzantine provinces and, although this influence diminishes under Charlemagne, it continued on in Venice, Southern Italy, and Sicily. Charlemagne's Palatine Chapel is a notable exception, being influenced by Byzantine models from Ravenna and Constantinople. The Dome of the Rock, an Umayyad Muslim religious shrine built in Jerusalem, was designed similarly to nearby Byzantine martyria and Christian churches. Domes were also built as part of Muslim palaces, throne halls, pavilions, and baths, and blended elements of both Byzantine and Persian architecture, using both pendentives and squinches. The origin of the crossed-arch dome type is debated, but the earliest known example is from the tenth century at the Great Mosque of Córdoba. In Egypt, a "keel" shaped dome profile was characteristic of Fatimid architecture. The use of squinches became widespread in the Islamic world by the tenth and eleventh centuries. Bulbous domes were used to cover large buildings in Syria after the eleventh century, following an architectural revival there, and the present shape of the Dome of the Rock's dome likely dates from this time.
Italian Renaissance domes were designed during the Renaissance period of the fifteenth and sixteenth centuries in Italy. Beginning in Florence, the style spread to Rome and Venice and made the combination of dome, drum, and barrel vaults standard structural forms.
Domes built in the 16th, 17th, and 18th centuries relied primarily on empirical techniques and oral traditions rather than the architectural treatises of the time, but the study of dome structures changed radically due to developments in mathematics and the study of statics. Analytical approaches were developed and the ideal shape for a dome was debated, but these approaches were often considered too theoretical to be used in construction.
This is an alphabetical index of articles related to architecture.