Daniel Lind-Ramos

Last updated
Daniel Lind-Ramos
Born1953
Loíza, Puerto Rico
Other namesDaniel Lind Ramos
Alma mater Universidad de Puerto Rico, New York University

Daniel Lind-Ramos (born 1953) is an African-Puerto Rican painter and sculptor who lives and works in Puerto Rico. [1] [2]

Contents

Biography

Lind-Ramos was born in 1953 in Loíza, a coastal town in Puerto Rico. He studied painting at the University of Puerto Rico in 1975 and in 1980 he graduated from NYU with a master’s of art degree. [3] [4] In addition to his studio practice, Lind-Ramos also currently teaches in the Humanities Department at the University of Puerto Rico at Humacao. [5]

Work

Figura De Poder (2016-2022) at the National Gallery of Art's exhibition of Afro-Atlantic Histories in 2022 Figura de Poder 2016-2022.jpg
Figura De Poder (2016-2022) at the National Gallery of Art's exhibition of Afro-Atlantic Histories in 2022

Lind-Ramos paints on canvas with oil using traditional and uncommon applications techniques from brushes to spatulas. [1] He also works with recycled or reused materials such as cardboard, wire screen, discarded appliances, car parts, the foliage of coconut palm trees, broken musical instruments and other used items. [1]

He was described as the "breakout star" or highlight of the 2019 Whitney Biennial by multiple reviewers, [6] [7] [8] [9] with the New York Times writing that his sculpture Maria Maria exemplified the pieces in the Biennial that "reassert the power of spirituality." [10] Critic Holland Cotter elaborated on the sculpture, explaining how Lind-Ramos "creat[ed] from wood, beads, coconuts and a blue FEMA tarp, a figure that is both the Virgin Mary and personification of the hurricane that devastated the island in 2017 ... the piece looks presidingly majestic." [10] [11]

Exhibitions (selection)

In 2023, the artist presented the solo show “Daniel Lind-Ramos: El Viejo Griot — Una Historia de Todos Nosotros (The Elder Storyteller — A Story of All of Us),” at MoMA PS1, Queens. The exhibition commented on the destruction of Hurricane Maria through large scale installations. [12] About the show, Pulitzer Prize winner and the New York Times co-chief art critic, Holland Cotter states

The title of a third work, “María de los Sustentos (Mary of Nourishment),” seems to allude to the Mother of Jesus. But the sculptural image Lind-Ramos has come up with feels far less a Spanish Catholic import than a local domestic invention, meticulously assembled, as it is, from pots and pans, fish nets, farming tools, sustaining instruments of daily life in the Loíza community. [13]

In 2022, Lind-Ramos participated in the North American iteration of the international exhibition Afro-Atlantic Histories and his artwork was on view in the display at the National Gallery of Art in Washington D.C. [14]

Lind-Ramos's work is being featured in the 35th São Paulo Biennial titled Coreographies of the Impossible, taking place at the São Paulo Biennial Foundation building in the city of São Paulo in the fall of 2023. [15]

Permanent Collections

His works are in the permanent collections of several museum institutions in the United States and abroad such as the Whitney Museum of American Art, [16] the Pérez Art Museum Miami, [17] the Museum of Latin American Art, [18] El Museo del Barrio, and the Puerto Rico Museum of Contemporary Art. [19] [ better source needed ]

Exhibitions

Some of Lind-Ramos' exhibitions include:

Awards

In 2021, Lind-Ramos was awarded the MacArthur Fellowship. [22]

Lind-Ramos is the recipient of the 2020 Pérez Prize awarded by the Pérez Art Museum Miami. According to the jurors, the award was conceived in honor of the artist's achievements and commitment to Afro-Caribbean and Afro-Latin American identities. [23]

Related Research Articles

<span class="mw-page-title-main">São Paulo Art Biennial</span> Art biennial

The São Paulo Art Biennial was founded in 1951 and has been held every two years since. It is the second oldest art biennial in the world after the Venice Biennale, which serves as its role model.

<span class="mw-page-title-main">Rodolfo Abularach</span> Guatemalan painter and printmaker (1933–2020)

Rodolfo Abularach was a Guatemalan painter and printmaker of Palestinian descent.

<span class="mw-page-title-main">Carybé</span> Argentine-Brazilian artist and historian (1911–1997)

Héctor Julio Páride Bernabó was an Argentine-Brazilian artist, researcher, writer, historian and journalist. His nickname and artistic name, Carybé, a type of piranha, comes from his time in the scouts. He died of heart failure after the meeting of a candomblé community's lay board of directors, the Cruz Santa Opô Afonjá Society, of which he was a member.

Zilia Sánchez Dominguez is a Puerto Rico-based Cuban artist from Havana. She started her career as a set designer and an abstract painter for theatre groups in Cuba before the Cuban revolution of 1953-59. Sanchez blurs the lines between sculpture and painting by creating canvases layered with three dimensional protrusions and shapes. Her works are minimal in color, and have erotic overtones.

Francisco Rovira Rullán is an art dealer, active from a young age. He has worked for the Ronald S. Lauder Collection (NYC), in the Museo de Arte Contemporáneo de Puerto Rico, the Isabella Stewart Gardner Museum (Boston) and M&M Proyectos among other institutions and companies.

Rubem Valentim was born in Salvador, Bahia, Brazil. A self-taught artist, he started to paint as a child, doing figure and landscapes for Christmas crèches.

<span class="mw-page-title-main">Alfredo Jaar</span> Chilean-born artist, architect, photographer and filmmaker

Alfredo Jaar is a Chilean-born artist, architect, photographer and filmmaker who lives in New York City. He is mostly known as an installation artist, often incorporating photography and covering socio-political issues and war—the best known perhaps being the 6-year-long The Rwanda Project about the 1994 Rwandan genocide. He has also made numerous public intervention works, like The Skoghall Konsthall one-day paper museum in Sweden, an early electronic billboard intervention A Logo For America, and The Cloud, a performance project on both sides of the Mexico-USA border. He has been featured on Art:21. He won the Hasselblad Award for 2020.

<span class="mw-page-title-main">Simone Leigh</span> American artist from Chicago (born 1967)

Simone Leigh is an American artist from Chicago who works in New York City in the United States. She works in various media including sculpture, installations, video, performance, and social practice. Leigh has described her work as auto-ethnographic, and her interests include African art and vernacular objects, performance, and feminism. Her work is concerned with the marginalization of women of color and reframes their experience as central to society. Leigh has often said that her work is focused on “Black female subjectivity,” with an interest in complex interplays between various strands of history. She was named one of the 100 most influential people in the world by Time magazine in 2023.

Miguel Ángel Rojas is a Colombian conceptual artist born in Bogotá in 1946. His work includes drawing, painting, photography, installations and video and is often related to the sexuality, the marginal culture, the violence and problems involved with drug consumption and production.

Beatriz Santiago Muñoz is an artist based in San Juan, Puerto Rico. Her work combines aspects of ethnography and theater to create film and video projects that have touched on subjects including anarchist communities, the relationship between artwork and work, and post-military land. Her work has been exhibited at the Tate Modern, the Whitney Biennial 2017, Galería Kurimanzutto, and the Guggenheim Museum. She is co-founder of Beta-Local, an art organization and experimental education program in San Juan, Puerto Rico.

Sonia Gomes is a contemporary Brazilian artist who lives and works in São Paulo, Brazil. She is known for her mixed media sculptures made of fabric, wires, and other objects that are either found or given to her.

Awilda Sterling-Duprey is an artist, dancer, and choreographer, and an important figure in Puerto Rico's art scene.

Alia Farid is a Kuwaiti-Puerto Rican visual artist. She holds a Bachelor of Fine Arts from La Escuela de Artes Plásticas de Puerto Rico, Puerto Rico, a Master of Science in Visual Studies from the Visual Arts Program at MIT, Cambridge, MA, and a Master of Arts in Museum Studies and Critical Theory from the Programa d’Estudis Independents at MACBA, Barcelona. Recent and upcoming solo exhibitions include In Lieu of What Was at Portikus, Frankfurt and Alia Farid, a solo exhibition at Witte de With Center for Contemporary Art, Rotterdam, The Power Plant Contemporary Art Gallery, and Contemporary Art Museum St. Louis. Recent and upcoming group shows include participation in the 32nd Bienal de São Paulo, the 12th Gwangju Biennale, Sharjah Biennial 14, the 2nd Lahore Biennale, and Theater of Operations: The Gulf Wars 1991-2001 at MoMA PS1. In Switzerland, she first exhibited her new three bodies of artwork from February 11- to May 2022. She installed different water bottles in Kunsthalle Basel and found textile harnesses there. Farid is participating in the 2022 Whitney Biennial titled "Quiet as It's Kept" curated by Adrienne Edwards and David Breslin.

Sandra Pérez-Ramos is a Puerto Rican visual artist currently residing and working out of the Greater Washington, D.C. area. Pérez-Ramos earned a BA in Visual Arts for Public Communication in 1997 from the School of Communication at the University of Puerto Rico, Río Piedras campus.

<span class="mw-page-title-main">Paulo Nazareth</span>

Paulo Nazareth is a Brazilian contemporary artist based in Belo Horizonte, Brazil. Nazareth has achieved notable acclaim for his distinctive approach to contemporary art, exemplified by multimedia, performance-based works, international exhibitions, and prestigious awards such as the PIPA Prize, solidifying his status as an influential figure in the global art scene.

<span class="mw-page-title-main">Suzi Ferrer</span> American contemporary feminist visual artist

Suzi Ferrer (born Susan Nudelman, also known as Sasha Ferrer, was a visual artist based in San Juan, Puerto Rico from the mid-1960s to 1975. She is known for her transgressive, irreverent, avant-garde, art brut and feminist work.

<i>Afro-Atlantic Histories</i>

Afro-Atlantic Histories is the title of a touring art exhibition first held jointly at the São Paulo Museum of Art (MASP) and the Instituto Tomie Ohtake in Brazil in 2018. The exhibition is made up of artworks and historical artifacts from and about the African diaspora, specifically focusing "on the 'ebbs and flows' among Africa, Americas, Caribbean and also Europe." Built around the concept of histórias, a Portuguese term that can include fictional and non-fictional narratives, Afro-Atlantic Histories explores the artistic, political, social, and personal impacts and legacies of the Transatlantic slave trade. The exhibition has been hailed by critics as a landmark show of diasporic African art.

<span class="mw-page-title-main">Marcela Cantuária</span> Brazilian visual artist with international career

Marcela Cantuária is a Brazilian visual artist working primarily with paintings. Cantuária's work revolves around contemporary historical paintings produced in small and large formats. Recurring themes in her work are social movements, political history, feminisms, and environmental causes in Latin America.

References

  1. 1 2 3 "Daniel Lind-Ramos". Harvard.
  2. aicasc, Posté par (2015-11-11). "Daniel Lind Ramos and the Visual Politics of Race in Puerto Rican Art". Aica Caraïbe du Sud (in French). Retrieved 2019-04-09.
  3. 1 2 "Daniel Lind-Ramos". Joan Mitchell Foundation.
  4. 1 2 "DANIEL LIND RAMOS". enciclopediapr.org. Archived from the original on 2019-06-10. Retrieved 2019-04-09.
  5. ivetteromero (2013-11-16). "Art Exhibition: Daniel Lind's "De pie"". Repeating Islands. Retrieved 2019-04-09.
  6. Yablonsky, Linda (5/14/19). "Everything is good at the Whitney Biennial but nothing makes a difference", The Art Newspaper.Retrieved July 29, 2019.
  7. Andrew Russeth (5/13/19). "Soft Power: The Whitney Biennial Is an Elegant But Safe Portrait of Right Now", ArtNews. Retrieved July 29, 2019.
  8. Sebastian Smee (5/18/19). "The Whitney Biennial presents the best new artists in the country — and lots of fluff", Washington Post. Retrieved 7/29/19.
  9. Aruna D’Souza (5/24/19), "Self, society, tear gas: the museum surveys current American art.", 4 Columns. Retrieved July 29, 2019.
  10. 1 2 Holland Cotter (May 16, 2019). "The Whitney Biennial: Young Art Cross-Stitched With Politics". New York Times . Retrieved 2019-07-26.
  11. ivetteromero (2019-07-07). "Puerto Rican Artist Daniel Lind-Ramos Stands Out as a Best of Show". Repeating Islands. Retrieved 2019-07-26.
  12. Yorker, The New (2023-04-14). "The Monumental Work of Daniel Lind-Ramos". The New Yorker. ISSN   0028-792X . Retrieved 2023-08-07.
  13. Cotter, Holland (2023-05-04). "Through Catastrophe, and in Community, the Art of Daniel Lind-Ramos". The New York Times. ISSN   0362-4331 . Retrieved 2023-08-07.
  14. Valentine, Victoria L. (2023-05-07). "Daniel Lind-Ramos Gives Voice to Black Puerto Rican and Afro-Caribbean Communities Through Monumental Assemblage Works". Culture Type. Retrieved 2023-09-26.
  15. ivetteromero (2023-07-02). "Daniel Lind Ramos at the Saõ Paulo Biennial 2023". Repeating Islands. Retrieved 2023-09-26.
  16. "Daniel Lind-Ramos". whitney.org. Retrieved 2023-08-07.
  17. "Daniel Lind-Ramos • Pérez Art Museum Miami". Pérez Art Museum Miami. Retrieved 2023-08-07.
  18. "DanielLindRamos". MOLAA | Museum of Latin American Art. Retrieved 2023-08-07.
  19. Artist's Web Site. Retrieved July 29, 2019.
  20. "2da Gran Bienal Tropical". granbienaltropical.tumblr.com. Retrieved 2019-04-09.[ permanent dead link ]
  21. "Whitney Biennial 2019". whitney.org.
  22. "Daniel Lind-Ramos". www.macfound.org. Retrieved 2021-09-29.
  23. "Pérez Art Museum Miami Announces Puerto Rican Artist Daniel Lind-Ramos as Recipient of the 2020 Pérez Prize • Pérez Art Museum Miami". Pérez Art Museum Miami. Retrieved 2023-08-07.