Doof

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Bush doof
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Rainbow Serpent Festival 2013
General Information
Related genres Trance music, electronic dance music, goa, dub techno, psychedelic trance, ebm, industrial music, prangga, jungle music
Location Oceania, United Kingdom, United States of America, Europe, Asia, Japan, South Korea, South Africa
Related events Category:Music festivals, music festival, rave, trance festival, electronic dance music festival, teknival, free party, Category:Trance festivals, Category:Electronic music festivals in Australia

A doof or bush doof is a type of outdoor dance party generally held in a remote country area, or outside a large city in surrounding bush or rainforest. Events referred to as doofs are now held worldwide and have built from a small set of social groups to a subculture with millions of active members worldwide, considered by some as a full blown culture [1] similar to raves or teknivals. Doofs generally have healing workshops, speakers, art, live artists and DJs playing a range of electronic music, commonly goa, house, dub techno, Techno, acid heavy sounds and psychedelic trance.

Contents

"Doof doof" is a term in Australia and New Zealand for loud electronic music centred on a heavy bass drum kick. [2] [3]

Etymology

The name is onomatopoeic, and is derived from the sound of the kick drum used in the electronic music frequently lettered (as in "doof doof doof doof music"). [4] According to Peter Strong, [5] the original term "doof" was created in Newtown, Sydney in Spring 1992, after a neighbour of the Non Bossy Posse knocked on the door to complain about their music: "What is this Doof Doof Doof I hear all night long, this is not music" she exclaimed. [6] The term did not become a popular designation for outdoor dance parties until after the mid-1990s. Since 2017 in Melbourne, smaller doofs have sometimes been referred to as a "doif", after a local tech-house DJ, LOIF, headlined several smaller parties. This was initially a pushback to festivals like Pitch Music & Arts Festival, which "doofers" felt was too large to share the name with the more intimate parties from which the term originated.

History

During the 1990s free dance parties proliferated in Sydney, particularly in Sydney Park in St Peters and warehouses of the Inner West. As pressure from police and councils increased, holding parties in the bush appeared as a more viable option.

The first commercial doof party to be hosted within Australia and New Zealand was Earthcore in 1993. Today the term 'doof' can describe anything from a small gathering in the bush focused around a small sound system to a multi-day, multi-stage event with DJs, bands and workshops.

In 2013, "bush doof" was added to the sixth edition of the Macquarie Dictionary. [7]

Radio stations

There are 'doof' radio stations that serve as focal points for a worldwide community[ citation needed ], including:

List of doofs

See also

Related Research Articles

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<span class="mw-page-title-main">Love Parade</span> Electronic dance music festival and parade

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<span class="mw-page-title-main">Rave</span> Dance party

A rave is a dance party at a warehouse, club, or other public or private venue, typically featuring performances by DJs playing electronic dance music. The style is most associated with the early 1990s dance music scene when DJs played at illegal events in musical styles dominated by electronic dance music from a wide range of sub-genres, including drum and bass, dubstep, trap, break, happy hardcore, trance, techno, hardcore, house, and alternative dance. Occasionally live musicians have been known to perform at raves, in addition to other types of performance artists such as go-go dancers and fire dancers. The music is amplified with a large, powerful sound reinforcement system, typically with large subwoofers to produce a deep bass sound. The music is often accompanied by laser light shows, projected coloured images, visual effects and fog machines.

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<span class="mw-page-title-main">Earthcore</span>

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<span class="mw-page-title-main">Tribal Gathering</span> British electronic dance music festival

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<span class="mw-page-title-main">Dance music</span> Music composed specifically to facilitate or accompany dancing

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German electronic music is a broad musical genre encompassing specific styles such as Electroclash, trance, krautrock and schranz. It is widely considered to have emerged in the late 1960s and early 1970s, becoming increasingly popular in subsequent decades. Originally minimalistic style of electronic music developed into psychedelic and prog rock aspects, techno and electronic dance music. Notable artists include Kraftwerk, Can, Tangerine Dream and Deutsch Amerikanische Freundschaft. German electronic music contributed to a global transition of electronic music from underground art to an international phenomenon, with festivals such as Love Parade, Winterworld and MayDay gaining prominence alongside raves and clubs.

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The Maitreya Festival is a large outdoor music festival held yearly in Melbourne, Australia. The festival generally plays a mixture of psytrance and techno, and has a large associated Alternative community. It has grown considerably in size over its 10-year history, with the event starting with 2000 people, building to attract 10,000 attendees in 2015, its 9th year of operation. In terms of outdoor electronic music events (commonly known as Doofs or Bush Doofs in Australia, this makes it the third biggest after Rainbow Serpent and Earthcore. It is the largest psytrance event in Australia. Maitraya has been said as some to be more “Ideaologically in tune” and less commercial.

<span class="mw-page-title-main">Doof Shed</span> Small nightclub

The Doof Shed is a small, portable nightclub created by twins Harry Nathan and Evangelos "Boonie" Labrakis. It holds a Guinness World Record for being the smallest nightclub in the world, measuring 1.53 by 0.74 metres and fitting seven people. It beat previous record holder, Club 28 in Rotherham, England.

Belgian hardcore techno is an early style of hardcore techno that emerged from new beat as EBM and techno influences became more prevalent in this genre. This particular style has been described as an "apocalyptic, almost Wagnerian, bombastic techno", due to its use of dramatic orchestral stabs and menacing synth tones that set it apart from earlier forms of electronic dance music. It flourished in Belgium and influenced the sound of early hardcore from Netherlands, Germany, Italy, UK and North America during the early-1990s, as a part of the rave movement during that period.

References

Inline

  1. John, Graham St (January 2001). "Doof! Australian Post Rave Culture. In Graham St John (ed.) FreeNRG: Notes From the Edge of the Dance Floor (Commonground, 2001)". In Graham St John (Ed.) FreeNRG: Notes from the Edge of the Dance Floor, Pp. 9-36. via www.academia.edu.
  2. "Bush Telegraph". Australian Broadcasting Corporation .
  3. "Rural Reporter". www.abc.net.au.
  4. "Doof doof doof". The Age. 23 October 2003.
  5. "Peter Strong (@mashy_p) / Twitter".
  6. "Four Corners "Beneath the Mirror Ball"". Australian Broadcasting Corporation . Archived from the original on 25 September 2016.
  7. "A Farewell From inthemix: Thanks For All The Memories". Junkee. 31 October 2018.

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