Embroiderers' Guild

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The Embroiderers' Guild is the UK's leading educational charity promoting embroidery. The New South Wales branch was formed in 1955.

Contents

History

The guild was formed in September 1906 at a meeting of sixteen ex-students of the Royal School of Art Needlework, under the name The Society of Certificated Embroideresses of the Royal School of Art Needlework. Miss Wade, head of the Royal School of Art Needlework was invited to be founder President, and Miss Scott who hosted the inaugural meeting and Beatrice Paulson Townsend, wife of W.G. Paulson Townsend, design master at the school, were invited to be vice-chairs. [1] They separated during World War I but reunited after the war and began teaching embroidery to shell shocked and disabled servicemen as a form of occupational therapy.

In 1920 Louisa Frances Persel (1870-1947) was appointed as the first President. By the time of World War II the Guild was well established and continued to promote the therapeutic value of embroidery.[ citation needed ]

An Australian artist Margaret Oppen came to study at the Royal School of Needlework and she joined the Embroidery Guild. When she returned to Sydney she led a group who decided to open a branch of the guild in New South Wales. With permission of the guild's patron, Queen Mary, the branch was formed in 1955. [2] The NSW Embroiderers Guild have an open competition every other year to celebrate Margaret Oppen. [3]

In the 1960s an offshoot of the Embroiderers' Guild was developed as a platform to exhibit professional embroidery to the public. Founded in 1962 and originally named 'The Professional Group of the Embroiderers' Guild', the group brought attention to textile art nationally and internationally. Around twenty years later the group was later renamed The 62 Group of Textile Artists when the group decided to extend beyond embroidery and encompass other textile disciplines. [4]

The Guild's centre at Bucks County Museum is a registered museum and holds a nationally significant, global collection of embroideries from early times to the present day.[ citation needed ]

The Guild and its members have created and exhibited works inspired by the 2012 London Olympics (over 2000 postcard sized images of participating nations); in partnership with the British Library and Ruskin College, Oxford led the design and creation of a piece designed by Cornelia Parker commemorating the 800th anniversary of Magna Carta; in partnership with the Landscape Institute/National Trust/English Heritage the Guild created over 40 exhibitions of work inspired by the life and times of Lancelot 'Capability' Brown (2015/2016) and in 2016 the Guild was commissioned by the London representatives of HBO Television to create a piece 3.3 metres high and 5.5 metres long depicting the WhiteWalker from 'A Game of Thrones' - 'The Hardhome Embroidery'. This piece was exhibited at 10 venues throughout the UK.[ citation needed ]

Financial crisis

In 2021 it was reported that the Guild was in financial crisis. [5] [6] Local branches had had their bank accounts frozen by the Guild. [5] [6] Some members had been unhappy for years about the way the Guild was run. [6] Some members criticised the high salary received by the CEO, who was not himself an embroiderer, and who has been described as "a highly paid male specialist in corporate turnarounds" running an organisation whose members are mostly women. [6] Some Guild members used craftivism to make their concerns public. [6] The meeting held by trustees for members to discuss this and to vote on the future of the branches has been called "At the very best ... a PR nightmare. At the worst, it was the outward expression of a charity that was already eating itself whole". [6] The trustees' proposal to close the branches was carried. [6] Each branch will have a grant of at least £250 to establish itself as an independent group. [5] [6]

Related Research Articles

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Louisa Pesel (1870–1947) was an English embroiderer, educator and textile collector. She was born in Bradford, and studied textile design at the National Art Training School, causing her to become interested in decorative stitchery. She served as the director of the Royal Hellenic School of Needlework and Lace in Athens, Greece, from 1903 to 1907. Pesel served as the first president of the Embroiderers' Guild. She produced samplers for the Victoria and Albert (V&A) Museum and cushions, kneelers, alms bags and a lectern carpet for Winchester Cathedral. She collected textiles extensively, and following her death in Winchester in 1947, her collection went to the University of Leeds.

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Margaret Helen Swain was an English embroidery and textile historian. Trained as a nurse in London, she began a career as a historian after noticing no history about Ayrshire whitework embroidery in books following an exhibition at the Signet Library which she visited. Swain's research on the subject resulted in the publication of several books, she held two exhibitions, and wrote about embroidery, household textiles and tapestries in museum journals, magazines and newspapers. She was awarded an honorary Master of Arts degree from the University of Edinburgh in 1981. A pencil portrait of Swain was made by Elizabeth Blackadder and a collection of papers and objects related to her career are stored at National Museums Scotland.

<span class="mw-page-title-main">Margaret C. Whiting</span>

Margaret C. Whiting (1860-1946), was born in Chester, Massachusetts but lived much of her adult life in Deerfield, Massachusetts. She trained as an artist, and published an illustrated book with Ellen Miller on wild flowers. She ad Miller co-founded the Deerfield Society of Blue and White Needlework, where she contributed her skills as a designer and teacher, and provided leadership for the organization. She won a gold medal for her needlework from the 1915 Worlds Fair in San Francisco for its design and color.

<span class="mw-page-title-main">Audrey Walker</span> English textile artist (1928–2020)

Audrey Walker was an accomplished textile artist, embroiderer and teacher, who was active from the 1970s and 1990s in United Kingdom. Walker became known for developing an innovative style of embroidery based on fine threads applied by machine and by hand, to create striking figurative wall-hung works of art. Walker described her work as evolving from fairly fluid ideas, and the process as being akin to drawing with fabrics.

<span class="mw-page-title-main">Diana Springall</span> Textile artist

Diana Springall is, according to the Victoria and Albert Museum, "amongst the most well-known of all British textile artists", who has been committed to raising the profile of the contemporary art of embroidery through the Diana Springall Collection. Her work is found in many private and public collections worldwide. As well as creating art and teaching, Springall has held various appointments including chair of both the Embroiderers' Guild and the Society of Designer Craftsmen. Throughout her career, Springall has campaigned for the promotion of embroidery as a true art form. She has assembled the Diana Springall Collection, an extensive collection of contemporary pieces from various artists showcasing embroidery as fine art.

<span class="mw-page-title-main">Margaret Oppen</span> Australian artist (1890–1975)

Margaret Oppen born Margaret "Daisy" Arnott was an Australian artist, correspondent and embroiderer. She founded the Embroiderers' Guild branch in New South Wales. Her letters to her mother have been published as "Letters from Daisy".

References

  1. Berry, Chris (27 Mar 2013). "100 years of the Guild" (PDF). Embroiderers' Guild.
  2. Grahame, Rachel, "Margaret Oppen (1890–1975)", Australian Dictionary of Biography, Canberra: National Centre of Biography, Australian National University, retrieved 2024-02-12
  3. "Margaret Oppen Competition 2017". www.embroiderersguildnsw.org.au. Retrieved 2024-02-12.
  4. Beaney, Maries & Walker in Millar, L. (ed.) (2011) Radical Thread. The 62 Group 1962-2012. Tunbridge Wells: Direct Design Books
  5. 1 2 3 Conlan, Tara (5 March 2021). "Embroiderers' Guild members stick needle in over 'fait accompli' changes". The Guardian. Retrieved 9 May 2022.
  6. 1 2 3 4 5 6 7 8 Williams, Claudia (30 March 2021). "Ripped at the seams". Tortoise Media. Retrieved 9 May 2022.

Further reading