As a literary device or artistic form, an allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a hidden meaning with moral or political significance. Authors have used allegory throughout history in all forms of art to illustrate or convey complex ideas and concepts in ways that are comprehensible or striking to its viewers, readers, or listeners.
History painting is a genre in painting defined by its subject matter rather than any artistic style or specific period. History paintings depict a moment in a narrative story, most often Greek and Roman mythology and Bible stories, opposed to a specific and static subject, as in portrait, still life, and landscape painting. The term is derived from the wider senses of the word historia in Latin and histoire in French, meaning "story" or "narrative", and essentially means "story painting". Most history paintings are not of scenes from history, especially paintings from before about 1850.
Jan Brueghelthe Elder was a Flemish painter and draughtsman. He was the son of the eminent Flemish Renaissance painter Pieter Bruegel the Elder. A close friend and frequent collaborator with Peter Paul Rubens, the two artists were the leading Flemish painters in the first three decades of the 17th century.
Father Time is a personification of time. In recent centuries he is usually depicted as an elderly bearded man, sometimes with wings, dressed in a robe and carrying a scythe and an hourglass or other timekeeping device.
Vanity is the excessive belief in one's own abilities or attractiveness to others. Prior to the 14th century it did not have such narcissistic undertones, and merely meant futility. The related term vainglory is now often seen as an archaic synonym for vanity, but originally meant considering one's own capabilities and that God's help was not needed, i.e. unjustified boasting; although glory is now seen as having a predominantly positive meaning, the Latin term from which it derives, gloria, roughly means boasting, and was often used as a negative criticism.
A hierarchy of genres is any formalization which ranks different genres in an art form in terms of their prestige and cultural value.
A figure painting is a work of fine art in any of the painting media with the primary subject being the human figure, whether clothed or nude. Figure painting may also refer to the activity of creating such a work. The human figure has been one of the constant subjects of art since the first stone age cave paintings, and has been reinterpreted in various styles throughout history.
Venus, Cupid, Folly and Time is an allegorical painting of about 1545 by the Florentine painter Agnolo Bronzino. It is now in the National Gallery, London. Scholars do not know for certain what the painting depicts.
The Apotheosis of Washington is the fresco painted by Greek-Italian artist Constantino Brumidi in 1865 and visible through the oculus of the dome in the rotunda of the United States Capitol Building. The fresco is suspended 180 feet (55 m) above the rotunda floor and covers an area of 4,664 square feet (433.3 m2). The figures painted are up to 15 feet (4.6 m) tall and are visible from the floor below. The dome was completed in 1863, and Brumidi painted it over the course of 11 months at the end of the Civil War. He was paid $40,000 for the fresco.
Sacred and Profane Love is an oil painting by Titian, probably painted in 1514, early in his career. The painting is presumed to have been commissioned by Niccolò Aurelio, a secretary to the Venetian Council of Ten, whose coat of arms appears on the sarcophagus or fountain, to celebrate his marriage to a young widow, Laura Bagarotto. It perhaps depicts a figure representing the bride dressed in white, sitting beside Cupid and accompanied by the goddess Venus.
Pietro Paolini, called il Lucchese was an Italian painter of the Baroque period. Working in Rome, Venice and finally his native Lucca, he was a follower of Caravaggio to whose work he responded in a very personal manner. He founded an Academy in his hometown, which formed the next generation of painters of Lucca.
The Love Potion is a 1903 painting by Evelyn De Morgan depicting a witch with a black cat familiar at her feet. According to Elise Lawton Smith, the painting "exhibits a Pre-Raphaelite fascination with medieval subjects and decorative detailing."
Netherlandish Proverbs is a 1559 oil-on-oak-panel painting by Pieter Bruegel the Elder that depicts a scene in which humans and, to a lesser extent, animals and objects, offer literal illustrations of Dutch-language proverbs and idioms.
Gaspar de Witte was a Flemish painter who is known for his landscapes and gallery paintings.
The Marie de' Medici Cycle is a series of twenty-four paintings by Peter Paul Rubens commissioned by Marie de' Medici, widow of Henry IV of France, for the Luxembourg Palace in Paris. Rubens received the commission in the autumn of 1621. After negotiating the terms of the contract in early 1622, the project was to be completed within two years, coinciding with the marriage of Marie's daughter, Henrietta Maria. Twenty-one of the paintings depict Marie's own struggles and triumphs in life. The remaining three are portraits of herself and her parents. The paintings now hang in the Louvre in Paris.
Frans Francken the Younger was a Flemish painter who created altarpieces and furniture panels and gained his reputation chiefly through his small and delicate cabinet pictures with historical, mythological or allegorical themes. He is the best-known and most prolific member of the large Francken family of artists. Franckenplayed an important role in the development of Flemish art in the first half of the 17th century through his innovations in many genres including genre painting and his introduction of new subject matter. He was a frequent collaborator of leading Antwerp painters of his time.
Othello is a series of paintings executed in 1985 by Nabil Kanso. The subjects of the paintings are loosely based on Shakespeare’s tragedy Othello. The series comprises 60 paintings dealing with themes of love, race, jealousy, betrayal, and evil. They depict scenes embodying compositions of figural and metaphorical imagery that may be seen as visually reflecting the intimate and dramatic relationship between Othello and Desdemona, and the tense and uneasy relation that passes between and through Othello, Desdemona and Iago.
A Young Man Being Introduced to the Seven Liberal Arts, also known as Lorenzo Tornabuoni Presented by Grammar to Prudentia and the other Liberal Arts or Lorenzo Tornabuoni Being Introduced to the Liberal Arts, is a painting by the Italian Renaissance painter Sandro Botticelli, circa 1483–1486. The painting and its companion piece, Venus and the Three Graces Presenting Gifts to a Young Woman, originally decorated Villa Lemmi, a country villa near Florence owned by Giovanni Tornabuoni, uncle of Lorenzo de' Medici and head of the Roman branch of the Medici Bank. They were probably commissioned for the 1486 wedding of Giovanni's son Lorenzo to Giovanna of the Albizzi family, and are therefore thought to depict the two.
Melita is a national personification of Malta. The name originated from the Punic-Roman town of Melite, the ancient capital of Malta which eventually developed into the city of Mdina.
Religion saved by Spain is an oil on canvas painting produced between 1572 and 1575 by Titian, an Italian master of the Venetian school, commemorating the Battle of Lepanto in 1571. It is one of his later works, and is considered to be an outstanding piece. Other titles are Spain succoring Religion or Religion assisted by Spain.
