Hacking at Leaves | |
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Directed by | Johannes Grenzfurthner |
Written by | Johannes Grenzfurthner |
Produced by | Jasmin Hagendorfer, Günther Friesinger, Johannes Grenzfurthner |
Starring | Johannes Grenzfurthner, Max Grodénchik, Morningstar Angeline, Chase Masterson |
Cinematography | Florian Hofer, Daniel Hyde, Günther Friesinger |
Edited by | Sebastian Schreiner |
Music by | David Hebenstreit (aka Sir Tralala) |
Production company | monochrom |
Release date |
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Running time | 108 minutes |
Country | Austria |
Languages | English, Navajo |
Hacking at Leaves is a 2024 Austrian documentary film directed and written by Johannes Grenzfurthner. It explores various themes including the United States' colonial past, Navajo tribal history, and the hacker movement, through the lens of the story of a hackerspace in Durango, Colorado, during the early phase of the COVID-19 pandemic. The film was produced by monochrom. [1]
Hacking at Leaves features Austrian artist and filmmaker Johannes Grenzfurthner as both host and director, blending documentary and fiction to delve into themes of optimism, freedom, settler colonialism, pandemics, and societal collapse within the American context. [2]
The film introduces a fictional element to convey its message. Grenzfurthner, clad in a yellow radiation suit, sits in a 1970s-style control room (which he refers to as his "flat"), contemplating whether he should create a documentary about a makerspace in Durango, Colorado. This makerspace played a pivotal role in the global response to COVID-19 by producing medical equipment for the hard-hit Navajo Nation. However, Grenzfurthner is deterred by the thought that the content might be too depressing, and he doubts his ability to "sell it to Netflix." Uncle Sam (performed by Max Grodénchik) appears, demanding that Grenzfurthner create an 'invigorating tale' about the 'spirit of freedom, the endless beauty of the American Southwest, and a forceful statement against collapse.' He seeks a 'true American story.'
Reluctantly, Grenzfurthner agrees to make the documentary, albeit with the intention of educating the audience about the downsides of the "American story" and colonialism. He navigates the complexities of these subjects, incorporating perspectives from activists, artists, and tech enthusiasts. [3] The film draws connections between the Navajo community, hacker culture, and the DIY movement, suggesting that alternative approaches could facilitate societal transformation: "This is a story about communities. It narrates not only the history of the Navajo Community and its struggles but also the history of hacking and hackerspaces and how such communities function within mainstream culture." [4]
In an article in the Austrian magazine Profil , Grenzfurthner addresses the importance of the Overton window in discussing the contents of his documentary. [5]
Interviewees include Ryan Finnigan, Sunny Dooley, Stefan Yazzie, Jello Biafra, Cory Doctorow, Janene Yazzie, Karletta Chief, Erik Davis, Michael J. Epstein, Mitch Altman, Jason Scott, and many others.
Grenzfurthner began working on the film in March 2020 and managed to collect all the interviews before the end of 2020. Due to the travel ban preventing Europeans from entering the United States, the director oversaw the shooting and interviewing processes remotely from his office in Vienna. He later began assembling the footage received from various collaborators with editor Sebastian Schreiner.
Grenzfurthner worked with Navajo cultural advisors like Manuelito Wheeler of the Navajo Nation Museum. [6] [7] [8]
The framing story was filmed in the winter of 2020/2021 at the Zwentendorf Nuclear Power Plant and in No Name City, a former Western theme park in Wöllersdorf-Steinabrückl.
Before the film's release but after completing principal photography, Grenzfurthner hosted an exhibition in Anger, Styria in May 2021 to showcase parts of his research. [9]
The film was supported by the Austrian Ministry of Culture as part of its program to support innovative film. [10]
The film's world premiere took place at the Diagonale Film Festival in Graz, Austria, on April 6, 2024. [11] Film festivals like Ethnocineca (Vienna) [12] also screened the film.
Bradley Gibson of Film Threat gave the film 8/10 and summarizes that the film "explores the corruption eating away at the core of American social and political structures and provides yet another example of capitalism's dismal failures." [13] Journalist and media researcher Philipp Stadelmaier states, "This is not just about creating a 'movie,' but a toolkit that inspires DIY action. Anyone who wants to avert the apocalypse must let themselves be introduced to the technique of leaf hacking by Grenzfurthner, which aims to finally uproot a system that has been rotten for a long time." [14]
The Hackers on Planet Earth (HOPE) conference series is a hacker convention sponsored by the security hacker magazine 2600: The Hacker Quarterly that until 2020 was typically held at Hotel Pennsylvania, in Manhattan, New York City.
Monochrom is an international art-technology-philosophy group, publishing house and film production company. It was founded in 1993, and defines itself as "an unpeculiar mixture of proto-aesthetic fringe work, pop attitude, subcultural science and political activism". Its main office is located at Museumsquartier/Vienna.
Johannes Grenzfurthner is an Austrian artist, filmmaker, writer, actor, curator, theatre director, performer and lecturer. Grenzfurthner is the founder, conceiver and artistic director of monochrom, an international art and theory group and film production company. Most of his artworks are labeled monochrom.
Georg Paul Thomann was purported to be a renowned Austrian conceptual artist of the late 20th century. In reality, he was the fictitious creation of the Austrian art group monochrom who started working on his biography in the summer of 2000.
The Diagonale is a film festival that takes place every March in Graz, Austria.
Roboexotica is an annual festival and conference where scientists, researchers, computer experts and artists from all over the world build cocktail robots and discuss technological innovation, futurology and science fiction. Roboexotica is also an ironic attempt to criticize techno-triumphalism and to dissect technological hypes.
Soviet Unterzoegersdorf is a fictitious country created by the art/technology/theory group monochrom. It is the "last existing appanage republic of the USSR", located inside the Republic of Austria. Unterzögersdorf is partially based on an existing village well known to Johannes Grenzfurthner, the creator of the concept. As a kid and teenager, Grenzfurthner spent a lot of time at his grandparents' farm in the small village of Unterzögersdorf. His grandparents' stories about the Nazism, WWII and the Soviet occupation in allied-occupied Austria (1945–1955) form the inspirational basis of the long-term project Soviet Unterzoegersdorf.
A hackerspace is a community-operated, often "not for profit", workspace where people with common interests, such as computers, machining, technology, science, digital art, or electronic art, can meet, socialize, and collaborate. Hackerspaces are comparable to other community-operated spaces with similar aims and mechanisms such as Fab Lab, men's sheds, and commercial "for-profit" companies.
The maker culture is a contemporary subculture representing a technology-based extension of DIY culture that intersects with hardware-oriented parts of hacker culture and revels in the creation of new devices as well as tinkering with existing ones. The maker culture in general supports open-source hardware. Typical interests enjoyed by the maker culture include engineering-oriented pursuits such as electronics, robotics, 3-D printing, and the use of computer numeric control tools, as well as more traditional activities such as metalworking, woodworking, and, mainly, its predecessor, traditional arts and crafts.
Arse Elektronika is an annual conference organized by the Austrian arts and philosophy collective monochrom, focused on sex and technology. The festival presents talks, workshops, machines, presentations and films. The festival's curator is Johannes Grenzfurthner. Between 2007 and 2015, the event was held in San Francisco, but is now a traveling event in different countries.
Noisebridge is an anarchistic maker and hackerspace located in San Francisco. It is inspired by the European hackerspaces Metalab in Vienna and c-base in Berlin. Noisebridge describes itself as "a space for sharing, creation, collaboration, research, development, mentoring, and learning". Outside of its headquarters, Noisebridge forms a wider international community. It was organized in 2007 and has had permanent facilities since 2008.
Die Gstettensaga: The Rise of Echsenfriedl is a 2014 Austrian science fiction and fantasy film directed by Johannes Grenzfurthner and starring Sophia Grabner, Lukas Tagwerker and Jeff Ricketts.
The absurdist comedy deals with the politics and hype behind media technology and nerd culture. Grenzfurthner calls his film a contemporary way to talk about the critique of the spectacle and commodity fetishism. The film was co-produced by art group monochrom and the media collective Traum & Wahnsinn, and created for the Austrian television channel ORF III. It features music by Kasson Crooker, Starpause, and many others.
Traceroute is a 2016 Austrian-American documentary film directed by Johannes Grenzfurthner. The autobiographical documentary and road movie deals with the history, politics and impact of nerd culture. Grenzfurthner calls his film a "personal journey into the uncharted depths of nerd culture, a realm full of dangers, creatures and more or less precarious working conditions", an attempt to "chase the ghosts of nerddom's past, present and future." The film was co-produced by art group monochrom and Reisenbauer Film. It features music by Kasson Crooker, Hans Nieswandt, and many others.
Rhiana Yazzie is a Navajo playwright, actor, and filmmaker. She is based in the Twin Cities where she founded New Native Theater in 2009.
Indigenous metal is heavy metal music played by indigenous peoples of various colonized regions. Bands may play music from across the metal spectrum, though most center indigenous themes, stories, or instruments. Groups with indigenous members are sometimes considered to play indigenous metal regardless of the thematic content of their music.
Glossary of Broken Dreams is a 2018 Austrian/American documentary film directed by Johannes Grenzfurthner. The essayistic feature film tries to present an overview of political concepts such as freedom, privacy, identity, resistance, etc.
Jasmin Hagendorfer is a Vienna-based contemporary artist, writer, filmmaker, curator, producer and festival organizer. She is one of the founders and creative director of the Porn Film Festival Vienna. From 2019 to 2022 she was the creative director of Transition International Queer & Minorities Film Festival. Her main artistic interest is in installation, sculpture and performance, and her work has been exhibited in Austria, Germany, Turkey, Serbia and Greece. As an artist she is concerned with social and political discourses and questions about gender identity with an emphasis on post-porn political works. Her studio is based in Stockerau near Vienna.
Je Suis Auto is an upcoming Austrian social science fiction indie comedy film directed by Juliana Neuhuber and written by Johannes Grenzfurthner. Chase Masterson is voicing the title character "Auto", a self-driving taxi,. Johannes Grenzfurthner plays Herbie Fuchsel, an unemployed nerd critical of artificial intelligence. The film is a farcical comedy that deals with issues such as artificial intelligence, politics of labor, and tech culture.
Masking Threshold is a 2021 English-language Austrian horror film directed by Johannes Grenzfurthner, and produced by art group monochrom.
Razzennest is a 2022 Austrian supernatural, satirical horror film written and directed by Johannes Grenzfurthner. The film was produced by art group monochrom.