"Hello, Dolly!" | ||||
---|---|---|---|---|
Single by Louis Armstrong | ||||
from the album Hello, Dolly! | ||||
B-side | "A Lot of Livin' to Do" | |||
Released | 1964 | |||
Recorded | 1963 | |||
Studio | Columbia 30th Street, New York City | |||
Genre | ||||
Length | 2:27 | |||
Label | Kapp | |||
Songwriter(s) | Jerry Herman | |||
Producer(s) | Michael Kapp | |||
Louis Armstrong singles chronology | ||||
|
"Hello, Dolly!" is the title song of the popular musical of the same name, with music and lyrics by Jerry Herman.
A recording by Louis Armstrong released in 1964 was a widely popular success, winning the Song of the Year and Male Vocal Performance awards at the 7th Annual Grammy Awards. Armstrong's rendition was inducted into the Grammy Hall of Fame in 2001.
At the behest of his manager, Louis Armstrong made a demonstration recording of "Hello, Dolly!" in December 1963, for the song's publisher to use to promote the Broadway show. [1]
In January 1964, the same month Hello, Dolly! opened in New York City, Kapp Records released Armstrong's publishing demo as a commercial single. His version reached No. 1 on the U.S. Billboard Hot 100, ending the Beatles' streak of 3 chart-topping hits in a row over 14 consecutive weeks.
"Hello Dolly!" became the most successful single of Armstrong's career, followed by a Gold-selling album of the same name. [2] The song also spent nine weeks atop the adult contemporary chart shortly after the opening of the musical. The song also made Armstrong the oldest artist ever to reach No. 1 on the Hot 100 since its introduction in 1958. Billboard ranked the record as the No. 3 song of 1964, behind the Beatles' "I Want to Hold Your Hand" and "She Loves You". [3]
"Hello, Dolly!" won the Grammy Award for Song of the Year in 1965, and Armstrong received a Grammy for Best Vocal Performance, Male. Louis Armstrong also performed the song alongside Barbra Streisand for the musical's 1969 screen adaptation.
All-time charts
"Hello, Lyndon!"Lyndon B. Johnson, often referred to by the moniker "LBJ", used the tune, rechristened "Hello, Lyndon!", as a campaign song for his run in the 1964 U.S. presidential election. This version of the song was performed by Carol Channing at that year's Democratic National Convention, and a recording was made by Ed Ames for distribution at the convention. [5] The "Sunflower" controversy"Hello, Dolly!" became caught up in a lawsuit which could have endangered plans for filming the musical. Mack David, a composer, sued for infringement of copyright, because the first four bars of "Hello, Dolly!" were the same as those in the refrain of David's song "Sunflower" from 1948. As he recounts in his memoirs, Herman had never heard "Sunflower" before the lawsuit, and wanted a chance to defend himself in court, but, for the sake of those involved in the show and the potential film, he reluctantly agreed to pay a settlement before the case would have gone to trial. [6] [7] Related Research ArticlesLouis Daniel Armstrong, nicknamed "Satchmo", "Satch", and "Pops", was an American trumpeter and vocalist. He was among the most influential figures in jazz. His career spanned five decades and several eras in the history of jazz. Armstrong received numerous accolades including the Grammy Award for Best Male Vocal Performance for Hello, Dolly! in 1965, as well as a posthumous win for the Grammy Lifetime Achievement Award in 1972, and induction into the National Rhythm & Blues Hall of Fame in 2017. List of notable events in music that took place in the year 1965. The 7th Annual Grammy Awards were held on April 13, 1965, at Beverly Hilton Hotel, Beverly Hills. They recognized accomplishments of musicians for the year 1964. João Gilberto & Stan Getz won 4 awards. "Mack the Knife" or "The Ballad of Mack the Knife" is a song composed by Kurt Weill with lyrics by Bertolt Brecht for their 1928 music drama The Threepenny Opera. The song tells of a knife-wielding criminal of the London underworld from the musical named Macheath, the "Mack the Knife" of the title. Ronnie Lee Milsap is an American country music singer and pianist. "Twist and Shout" is a 1961 song written by Phil Medley and Bert Berns. It was originally recorded by the Top Notes, but it did not become a hit in the record charts until it was reworked by the Isley Brothers in 1962. The song has been covered by several artists, including the Beatles, Salt-N-Pepa, and Chaka Demus & Pliers, who experienced chart success with their versions. "Folsom Prison Blues" is a song by American singer-songwriter Johnny Cash. Written in 1953, it was first recorded and released as a single in 1955, and later included on his debut studio album Johnny Cash with His Hot and Blue Guitar! (1957), as the album's eleventh track. Borrowing liberally from Gordon Jenkins' 1953 song, "Crescent City Blues", the song combines elements from two popular folk styles, the train song and the prison song, both of which Cash continued to use for the rest of his career. It was one of Cash's signature songs. Additionally, this recording was included on the compilation album All Aboard the Blue Train (1962). In June 2014, Rolling Stone ranked it No. 51 on its list of the 100 greatest country songs of all time. "What a Wonderful World" is a song written by Bob Thiele and George David Weiss. It was first recorded by Louis Armstrong and released in 1967 as a single. In April 1968, it topped the pop chart in the United Kingdom, but performed poorly in the United States because Larry Newton, the president of ABC Records, disliked the song and refused to promote it. "I Will Always Love You" is a song written and originally recorded in 1973 by American singer-songwriter Dolly Parton. Written as a farewell to her business partner and mentor Porter Wagoner, expressing Parton's decision to pursue a solo career, the country single was released in 1974. The song was a commercial success for Parton, twice reaching the top spot of the US Billboard Hot Country Songs chart: first in June 1974, then again in October 1982, with a re-recording for The Best Little Whorehouse in Texas soundtrack. "Mr. Sandman" is a popular song written by Pat Ballard and published in 1954. It was first recorded in May of that year by Vaughn Monroe & his orchestra and later that year by The Chordettes and the Four Aces. The song's lyrics convey a request to "Mr. Sandman" to "bring me a dream" – the traditional association of the folkloric figure. The pronoun used to refer to the desired dream is often changed depending on the sex of the singer or group performing the song, as the original sheet music publication, which includes male and female versions of the lyrics, intended. "Roll Over Beethoven" is a 1956 song written by Chuck Berry, originally released on Chess Records, with "Drifting Heart" as the B-side. The lyrics of the song mention rock and roll and the desire for rhythm and blues to be as respected as classical music. The song has been covered by many other artists, including the Beatles and the Electric Light Orchestra. Rolling Stone magazine ranked it number 97 on its list of the "500 Greatest Songs of All Time". "Do You Want to Know a Secret" is a song by English rock band the Beatles from their 1963 album Please Please Me, sung by George Harrison. In the United States, it was the first top ten song to feature Harrison as a lead singer, reaching No. 2 on the Billboard chart in 1964 as a single released by Vee-Jay, VJ 587. In the UK, Billy J. Kramer released a cover of the song as his debut single, reaching No. 1 on the NME singles chart and No. 2 on the Record Retailer chart. "She's Not There" is the debut single by the English rock band the Zombies, written by keyboardist Rod Argent. It reached No. 12 in the UK Singles Chart in September 1964, and No. 2 on the Billboard Hot 100 in the United States at the beginning of December 1964. In Canada, it reached No. 2. Hello, I'm Dolly is the debut studio album by American singer-songwriter Dolly Parton. It was released on September 18, 1967, by Monument Records. The album was produced by Fred Foster. It peaked at number 11 on the Billboard Top Country Albums chart. The album spawned two top 40 hits, "Dumb Blonde" and "Something Fishy", which peaked at numbers 24 and 17, respectively. "Jolene" is a song written and recorded by American country music artist Dolly Parton. It was produced by Bob Ferguson and recorded at RCA Studio B in Nashville, Tennessee on May 22, 1973, then released on October 15, 1973 by RCA Victor as the first single and title track from her album of the same name. "If I Were a Carpenter" is a folk song written by Tim Hardin in the 1960s, and re-recorded with commercial success by various artists including Bobby Darin, The Four Tops and Johnny Cash. Hardin's own recording of the piece appeared on his 1967 album Tim Hardin 2. It was one of two songs from that release performed by Hardin at Woodstock in 1969. The song, believed by some to be about male romantic insecurity, is rumored to have been inspired by his love for actress Susan Morss, as well as the construction of Hardin's recording studio. "Here You Come Again" is a song written by Barry Mann and Cynthia Weil, and recorded by American entertainer Dolly Parton. It was released as a single in September 1977 as the title track from Parton's album of the same name, topped the U.S. country singles chart for five weeks, and won the 1978 Grammy award for Best Female Country Vocal Performance; it also reached number three on the U.S. Billboard Hot 100, representing Parton's first significant pop crossover hit. "To Know Him Is to Love Him" is a song written by Phil Spector, inspired by words on his father's tombstone, "To Know Him Was to Love Him." It was first recorded by the only vocal group of which he was a member, the Teddy Bears. Their recording spent three weeks at No. 1 on the Billboard Hot 100 chart in 1958, while reaching No. 2 on the UK's New Musical Express chart. Peter & Gordon and Bobby Vinton later had hits with the song, with its title and lyrics changed to "To Know You Is to Love You". In 1987, the song was resurrected by Dolly Parton, Linda Ronstadt, and Emmylou Harris, whose Trio recording topped the U.S. country singles chart. The Academy Award-Winning "Call Me Irresponsible" and Other Hit Songs from the Movies is the fourteenth studio album by American pop singer Andy Williams and was released in the spring of 1964 by Columbia Records. Williams had already had great success with his albums named after Henry Mancini's Oscar winners from 1961 and 1962, "Moon River" and "Days of Wine and Roses", and was asked to sing Mancini and Johnny Mercer's title song collaboration from the 1963 film Charade at the Academy Awards on April 13, 1964, after it was nominated for Best Original Song, but the winner that year was the other song that Williams performed at the ceremony, "Call Me Irresponsible". References
|