History of The WB

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The WB was an American broadcast television network operated as a joint venture between the Warner Bros. Entertainment division of Time Warner (which acted as controlling partner) and the Tribune Broadcasting subsidiary of the Tribune Company. Launched on January 11, 1995, it was one of two networks developed by major film and television studios in late 1993—alongside the United Paramount Network (UPN, a joint venture between Paramount Television and Chris-Craft/United Television)—to compete with Fox and the longer established Big Three television networks (ABC, NBC and CBS).

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Like Fox, the network's programming targeted certain demographics underserved by the Big Three; it notably carved a niche catering to teenagers and young adults between the ages of 13 and 34 (with series such as 7th Heaven , Buffy the Vampire Slayer , Dawson's Creek , Smallville , One Tree Hill and Supernatural ), although it also featured programs aimed at Black audiences (such as Sister, Sister , The Wayans Bros. , The Jamie Foxx Show and The Steve Harvey Show ) before gradually ceding that demographic to UPN—which had cemented its own niche among that audience with its slate of sitcoms—beginning in the early 2000s. The network also offered a children's program block, Kids' WB, which launched in September 1995 and featured primarily animated series targeted at children ages 6 to 12.

This article details the history of The WB tracing to its founding by Time Warner in November 1993, and its operational history from the network's January 1995 launch until its closure in September 2006, when Time Warner and CBS Corporation (then-owner of rival UPN) launched The CW, a new broadcast network formed by the two companies as a 50/50 joint venture that utilized certain resources and initially featured programming carried over from the predecessor networks.

Background

With the failure with Fox, several other media companies started to enter the broadcasting world in the 1990s to create the fifth commercial broadcast network that would allow a station to brand itself better and to stand out amongst the increasing number of television channels, particularly cable networks. [1] Chris-Craft Industries subsidiary United Television and Warner Bros. Television Distribution jointly launched the Prime Time Entertainment Network, a consortium created in attempt at creating a new "fifth network," in September 1993. [2] [3] By early 1994, PTEN, Spelling Premiere Network (operated by Worldvision Enterprises), Universal Family Network (a children's and family programming service operated by Universal Television), and proposed networks in development from Time Warner and Paramount Television were being shopped to prospective stations, alongside syndicated blocks such as Buena Vista Television's The Disney Afternoon and MCA/Universal's Action Pack. [1] Spelling Premiere Network would launch in August 1994. [4] All American Television considered launching a first-run movie network with 22 movies by November 1994. [5]

Chris-Craft/United Television then partnered with Paramount (by then recently merged with Viacom) to create the United Paramount Network (UPN), which launched in January 1995. Warner Bros. parent Time Warner then formed a partnership with the Tribune Company to create The WB, which also launched less than a week after UPN made its debut. [6] Concurrently, United left PTEN's parent, the Prime Time Consortium, to focus on UPN, leaving PTEN as primarily a syndicator of its remaining programs; the service shared affiliations with its respective parents' own network ventures (in some cases, resulting in PTEN's programming airing in off-peak time slots) until it finally folded in September 1997. [7]

1990s

Controversial from the very beginning, the Financial Interest and Syndication Rules (or "fin-syn"), implemented by the Federal Communications Commission (FCC) in 1970, were relaxed slightly during the 1980s. [8] In the wake of substantial changes to the television landscape, such as the rise of the Fox network and cable television, the FCC fully repealed the fin-syn rules in 1993. [9] It was the repeal of fin-syn that ultimately made newer broadcast networks such as UPN and The WB financially interesting for their highly vertically integrated parent media conglomerates Paramount Pictures (Viacom) and Time Warner, respectively.

On November 2, 1993, Time Warner announced the formation of The WB Television Network, a venture developed in partnership with the Tribune Company (which, prior to acquiring an 11% interest in August 1995, was a non-equity partner in the new network) and former Fox network executive Jamie Kellner (who would serve as the original president of and would hold a minority ownership stake in The WB). Tribune committed six of the seven independent stations it owned at the time to serve as charter affiliates of the network, though it initially exempted the WGN-TV Chicago signal from the agreement, as station management had expressed concerns about how the network's plans to expand its prime time and daytime program offerings would affect WGN's sports broadcast rights and the impact that the potential of having to phase them out to fulfill network commitments would have on the superstation feed's appeal to cable and satellite providers elsewhere around the United States. [10] [11] [12] [13] [14] Tribune would reverse course on December 3, 1993, reaching a separate agreement with Time Warner to allow WGN-TV to become The WB's charter affiliate for the Chicago market and allow the WGN superstation feed to serve as a de facto national network feed intended for American media markets that did not initially have a local affiliate; this would bide The WB enough time to fill remaining gaps in affiliate coverage in "white area" regions that lacked a standalone independent station following its launch. In exchange, Time Warner agreed to reduce the network's initial program offerings to one night per week (from two) in order to limit conflicts with WGN's sports programming. The superstation feed, which reached 37% of the country by that time, would extend the network's initial coverage to 73% of all U.S. households that had at least one television set. [15] [16] [17] [18]

1995

The WB launched on January 11, 1995, with an initial two-hour lineup of sitcoms on Wednesday nights. The inaugural lineup consisted of The Wayans Bros. (a star vehicle for comedians Shawn and Marlon Wayans, who also co-created the series), [19] Unhappily Ever After (a dysfunctional family sitcom from Married... with Children co-creator Ron Leavitt), and Muscle (a parody of primetime soap operas from Paul Junger Witt and Tony Thomas, utilizing a similar concept as their groundbreaking 1970s ABC satirical comedy Soap ); a fourth series, The Parent 'Hood (a family sitcom starring and co-created by Robert Townsend), debuted the following week (January 18). [20] Of the four series on the initial lineup, Muscle was the only one not to be renewed for the 1995–96 season; it was canceled before the completion of its first season due to low ratings.

In January 1995, Tribune Broadcasting became a minority partner in The WB, acquiring a 12.5% ownership interest in the network from Time Warner (which operated the network through its Warner Bros. Television division); [21] Tribune would eventually increase its equity stake in the network to 22%. In addition, partly as a result of its November 1993 affiliation deal with the network, most of Tribune's television properties became charter WB affiliates; one of its stations, WGNX-TV (now WANF) in Atlanta, was slated to join The WB, but instead became a CBS affiliate after a major realignment of network affiliations resulted in CBS losing its former Atlanta affiliate, WAGA-TV, to Fox. (Former Fox station WATL, which the network sold to accommodate the switch resulting from Fox's broader affiliation deal with WAGA owner New World Communications, instead took the WB affiliation.) On July 2, 1996, Tribune acquired Renaissance Broadcasting, which owned Fox- and WB-affiliated stations in six large and mid-sized markets. [22]

The WGN-TV local and superstation feeds became charter affiliates of The WB when the network launched on January 11, 1995. (In the case of the Chicago signal, this marked the first time that WGN-TV was affiliated with a major broadcast network since DuMont ceased operations in August 1956.) The WGN cable agreement resulted in The WB becoming the second American broadcast television network to distribute its programming directly to a cable-originated service to provide extended coverage in designated "white areas" without broadcast affiliate clearances and one of three network-to-cable undertakings stewarded by Jamie Kellner. As The WB was under development, Kellner was in process of developing The WeB, a proposed national WB cable feed for smaller markets based upon a service that he launched as President of the Fox Broadcasting Company, Foxnet, which operated from June 1991 until September 2006. The use of WGN as a national relay feed gave The WB an early advantage over the United Paramount Network (UPN) – another fledgling network that made its national debut on January 16, 1995, as a joint venture between Chris-Craft/United Television and Paramount Television – which declined to allow the WWOR EMI Service to act as its national conduit in spite of similar initial gaps in UPN's broadcast affiliate coverage. The WGN superstation feed accounted for roughly 18% of the national coverage that The WB had at launch, with the rest of the network's initial 62% total reach coming from the 60 broadcast affiliates (including WGN-TV) that were willing to adhere to its reverse compensation plan for prospective affiliates. In some areas where cable systems did not carry the superstation feed and maintenance of a local WB affiliate was not yet possible, satellite distribution was the only method in which viewers could see the network's programming over WGN. (The WGN national feed served as the default WB affiliate for residents in 152 markets and the entirety of 21 U.S. states—Alaska, Arkansas, Delaware, Idaho, Iowa, Kansas, Maine, Mississippi, Montana, New Hampshire, New Mexico, North Dakota, Oklahoma, South Carolina, South Dakota, Tennessee, Vermont, Washington, West Virginia, Wisconsin and Wyoming—at varying periods of time up through the launch of The WeB.) United Video intended to provide an alternate feed of WGN with substitute programming for markets that had a WB-affiliated station; however, no such measure was taken, creating network duplication in markets where over-the-air WB affiliates were forced to compete with the WGN cable feed. [18] [23] [24]

The WGN superstation feed carried The WB's prime time lineup from the start of the network's operations, and added the Kids' WB children's programming block when it was launched by the network on September 11, 1995. Conversely, in the Chicago market, WGN-TV chose to only air the network's prime time lineup, and exercised a right of first refusal to decline Kids' WB in order to offer a local morning newscast and an afternoon block of syndicated sitcoms aimed at a family audience on weekdays and a mix of locally produced news, public affairs and children's programs as well as paid programs on weekend mornings; this cleared the way for Weigel Broadcasting to cut a separate deal to air Kids' WB programs locally over group flagship WCIU-TV (channel 26, now a CW affiliate), an independent station that ran the block Monday through Saturdays from September 1995 until WGN-TV began clearing the block on its schedule in September 2004. [25] [26] [27] As The WB's initial program offerings ran on Wednesdays for its first nine months of operation and would not expand its prime time schedule to six nights a week until September 1999, the superstation feed filled the 8:00 to 10:00 p.m. Eastern Time slot on nights without WB network programming with either sports telecasts from WGN-TV that were cleared for national broadcast – which, as The WB expanded its programming to other nights over a four-year period beginning with the September 1995 launch of its Sunday lineup, would result in pre-emptions of the network's programs until later in the week – or, as with most over-the-air WB affiliates during the network's early years, theatrical feature films acquired via the syndication market. [28]

The WB would expand its programming for the 1995–96 season, adding a second night of programming and expanding into daytime. First on September 9, 1995, the network launched Kids' WB, a children's programming block—initially consisting of one-hour weekday afternoon and three-hour Saturday morning blocks—offering a mix of new and existing Warner Bros. animated series (including a few shows that originated either on Fox Kids or in syndication). [29]

Then on September 10, 1995, the network's prime time schedule expanded to Sundays, with a three-hour lineup of live-action and animated comedies: Pinky and the Brain (a spinoff of Animaniacs ), Kirk (a family comedy vehicle for former Growing Pains star Kirk Cameron), Simon (a more adult-oriented buddy comedy starring Harland Williams and Jason Bateman), Cleghorne! (a vehicle for comedienne and former Saturday Night Live cast member Ellen Cleghorne) and First Time Out (an ensemble comedy starring Jackie Guerra, advertised to be the first Latina to star in her own television series, described as a "Latino Living Single "). [30] The network also acquired Sister, Sister (a teen/blended family sitcom starring Tia and Tamera Mowry), which had been cancelled by ABC that Spring after ratings declined during its second season. [31]

Notable shows

1996

In January 1996, The WB debuted its first drama series and first hour-long program: the Aaron Spelling,-produced prime time soap opera Savannah . While Sister, Sister and Pinky and the Brain performed well for the network (although the latter would move exclusively to the Kids' WB lineup for the 1996–97 season), most of the other new shows that debuted during the 1995–96 season failed to garner much traction with viewers; even Kirk and Savannah, the only two series from the 1995–96 slate to earn renewals for 1996–97, were both cancelled after their respective second seasons.

The WB added a third night of prime time shows for the 1996–97 season, debuting its Monday night schedule on August 26, 1996. [40] [41] Joining Savannah on the new lineup was the Aaron Spelling-produced family drama 7th Heaven (centering on a reverend and his wife as they deal with the tribulations of raising seven children and helping people in need of help with personal matters). Also debuting that season were sitcoms The Steve Harvey Show (starring Harvey as a funk musician working as a music teacher at an inner-city Chicago high school), and The Jamie Foxx Show (starring Foxx as an aspiring actor/singer working at a Los Angeles hotel owned by his aunt and uncle). All three series became relative hits for The WB, none moreso than 7th Heaven, which would going on to become its longest-running series, airing for 11 seasons (moving to The CW for its final season).

Notable shows

1997

Notable shows

1998

Notable shows

1999

Into the late 1990s, The WB began to expand its local broadcast coverage in American media markets that had to rely on the WGN national feed to receive the network's programming through affiliation agreements signed with local broadcast stations (including UPN charter affiliates, leftover independents, former noncommercial stations adopting an entertainment format, and dual affiliations with stations already affiliated with other networks [such as UPN]) within the top-100 media markets after its launch; coverage in the 110 smallest markets was achieved through the September 1998 launch of The WeB (subsequently renamed The WB 100+ Station Group), a packaged feed of WB network and syndicated programs provided to participating cable-based affiliates. With local availability becoming less of an issue and with exclusivity protections being granted by the network to its affiliates in certain markets by this time, on January 27, 1999, Time Warner and Tribune mutually agreed to cease the stopgap WB programming relay over the WGN superstation feed effective that fall. On October 6, when the WGN superstation feed formally stopped carrying WB network programming, Kids' WB programming on weekday mornings and afternoons and on Sunday mornings was replaced with syndicated series, while feature films replaced The WB's prime time programs, resulting in the superstation's schedule more so resembling an independent station than a general entertainment cable network due to the presence of local programming from WGN-TV. [94] [95] [96] [97] [98] [99] The removal of WB programming from the superstation feed reduced The WB's potential audience by 10 million households, and was cited as the reason behind the network's season-to-season ratings decline during the 1999–2000 season, which saw The WB lose an estimated 19% of its household audience as a consequence of the decision and fall to sixth place (behind UPN) in the Nielsen ratings. [100] For similar reasons to those that necessitated the decision to remove WB programming from the channel, WGN America also did not carry any programming from The CW when WGN-TV became its Chicago charter affiliate when that network launched in September 2006, due to the fact that The CW is widely available throughout the United States via over-the-air broadcast stations and affiliations with digital subchannels and local cable outlets (including through The CW Plus in smaller markets) when that network launched in September 2006.

Notable shows

2000s

2000

2001

Notable shows

2002

The WB began broadcasting in high-definition in September 2002, offering a total of five hours of prime time shows in the format for the 2002–03 season. The initial lineup of shows presented in HD included Family Affair , Everwood , Reba and Smallville . [166] [167] [168]

Notable shows

2003

Notable shows

2004

Notable shows

2005

Michigan J. Frog was the official mascot of the network from its inception in 1995 until 2005. The network's first night of programming on January 11, 1995, began with Bugs Bunny and Daffy Duck wondering which one of them would pull the switch to launch The WB. The camera then panned over to Chuck Jones drawing Michigan on an easel; when Jones finished, Michigan leapt from the drawing to formally launch The WB.

Michigan also would usually appear before the opening of shows, informing the viewer of the TV rating. Before the beginning of Savannah, for example, the frog would sing a short monologue suggesting that "[t]here's more comedy for the family Wednesday nights" and that kids should go to bed, meaning that the show coming on would be for mature audiences only. In later shows like Buffy the Vampire Slayer and Angel, the announcer would present a TV-PG disclaimer, though the frog still appeared as a neon sign.

On July 22, 2005, Michigan's "death" was announced by WB Chairman Garth Ancier at a fall season preview with the terse statement "The frog is dead and buried." The head of programming for The WB, David Janollari, stated that "[Michigan] was a symbol that perpetuated the young teen feel of the network. That's not the image we [now] want to put out to our audience." [215]

Notable shows

2006

This would be the final season of broadcasting for both UPN and The WB. They would merge to form The CW next season. The book Season Finale suggests many reasons for the demise of The WB, including founder Jamie Kellner's departure, the lack of owned and operated stations, a failure to develop many new hits after 2002, Time Warner's decision to merge with America Online and allowing Buffy the Vampire Slayer to move from The WB to UPN for its last two seasons. [243]

The WB closed on Sunday, September 17 with The Night of Favorites and Farewells, a five-hour block of pilot episodes of the network's past signature series, including Felicity , Angel , Buffy the Vampire Slayer (which was a two-hour episode) and Dawson's Creek . Commercial breaks shown on the network that evening featured re-airings of past image campaigns and network promotions, promo spots given to cable networks that carried these shows in off-network syndication, as well as ads for each series' TV-on-DVD box set. [244]

After its final commercial break, a montage featuring stars of several of The WB's shows over the years was broadcast just prior to the network's shutdown, ending with a silhouette of former mascot Michigan J. Frog taking a final bow. This was followed by the studio credits for the pilot of Dawson's Creek ; [245] the credits for the other three pilots that aired were shown in the network's standardized credits format. The final night of WB programming netted relatively low ratings, mustering only a share of 2, meaning just 2% of viewers were tuned into The WB on its final night. [246] The reasoning for the low ratings was due to the fact that WB affiliates in certain areas had already affiliated with MyNetworkTV at that network's launch, which rendered The WB's programming unavailable in these markets during its final two weeks of broadcasting. It also aired against the second ever game (a Cowboys–Redskins rivalry game at Texas Stadium) of NBC Sunday Night Football , assuring fewer viewers due to the curiosity of the NFL's prime game now being on Sunday evenings.

That evening, after The WB shut down, some Tribune-owned affiliates that would join The CW when it launched the following night acknowledged the pending switchover within their newscasts, with most adopting their new CW station brands immediately. WPIX in New York City aired a montage of all of the logos used throughout the station's history leading up to the introduction of its new "CW11" logo before the start of its 10:00 p.m. newscast, [247] while KHCW (channel 39) in Houston aired a retrospective of the station's history during its 9:00 p.m. news. In Dallas-Fort Worth, KDAF (channel 33) had retitled its primetime newscast to CW33 News at Nine immediately following the end of WB programming, and featured a video clip of the signage being changed outside the station's studios (however, the old WB33 News at Nine bumper aired upon returning from the first commercial break that night).

Notable shows

See also

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