Isabelle Leymarie | |
|---|---|
 Isabelle Leymarie in 2006 | |
| Occupation | Musicologist, writer, pianist, filmmaker, translator, photographer |
| Language | French, English, Spanish, Italian, German, Portuguese |
| Nationality | French |
| Subject | Jazz, Latin jazz, Salsa music |
| Years active | 1968–present |
| Website | |
| leymarie | |
Isabelle Leymarie is a French musicologist, writer, pianist, filmmaker, translator and photographer.
As a young child, Isabelle Leymarie developed a passion for African-American music (and also Broadway tunes and the French, Spanish and Russian composers of the late 19th and early 20th century). At the age of 4 she began to study classical music privately, and then at the Conservatoire de Musique de Genève (Switzerland). She obtained a degree in sociology from the Sorbonne and studied ethnomusicology at the École pratique des hautes études in Paris. After studies for a doctorate at the Institute of International Studies in Geneva, she graduated from Columbia University with a PhD in ethnomusicology. [1]
In 1968, Isabelle Leymarie worked in the African Department of the Musée national des Arts d'Afrique et d'Océanie, the Music Department of the Musée de l'Homme and at Ocora (a record label specialized in ethnic music and belonging to Radio France). In 1969, at the Panafrican Arts Festival, in Algiers, she escorted a Yoruba delegation of artists and scholars. She also taught at the American College in Leysin (Switzerland).
Beginning in 1970, she studied in New York at the Jazzmobile, Jazz Interactions and Muse workshops; with Barry Harris; with Charlie Palmieri at The City College of New York; and privately. She wrote film treatments for Sam Shaw (producer of John Cassavetes and photographer of Marilyn Monroe) and wrote several screenplays, among them "Malva", which was to be made by Gordon Parks Jr. before his untimely death. She was New York correspondent for the National French Radio jazz program "Black and Blue". [2] She taught at the College For Human Services, John Jay College, Herbert Lehman College, The New School for Social Research, Cooper Union, Boricua College, the Conservatory of São Miguel (Azores, Portugal), the Jazz Department of Livingston College and Yale. [3] [4] She was music curator of El Museo del Barrio, in New York, consultant for the New York State Council on the Arts (NYSCA), escort-interpreter for the State Department, and consultant for various films and television programs. In 1973 she lived in Senegal, doing field work on the griots and their music. [5]
As a pianist she performed in particular with the Cotton Club Orchestra (Harlem), Melba Liston (New York), Cab Calloway's bass player Jimmy Garret (Japan), Clifford Thornton (Switzerland), as well as with her own groups. She also worked with Latin bands, and sat in with the Machito orchestra at Livingston College [6]
In the early 1990s, in Paris, she was musical director for jazz of the Théâtre du Châtelet and the fr:Auditorium des Halles (inviting Shirley Horn, Abbey Lincoln, John Stubblefield, Wynton Marsalis, Ahmad Jamal, Tommy Flanagan, Mulgrew Miller, Dom Salvador, James Newton, Angélique Kidjo, etc.). She was also in charge of the jazz festival of Le Marin (Martinique). She taught in the Jazz Department of the Conservatoire Nadia et Lili Boulanger, at the École Supérieure de Jazz and the Bill Evans Piano Academy. She was "godmother" of the salsa festival of Vic-Fezensac (France), vice-president of the Centre de Musique populaire de Céret, consultant for the Latin Jazz exhibition organized by the Smithsonian Institution in Washington, D.C., and director of the music collection for the French publisher Buchet Chastel. She organized concerts for the Musée national des Arts d'Afrique et d'Océanie and the Centre Pompidou, produced radio programs for France Musique, France Culture and Radio Canada and hosted programs on Salsa TV. [7] In Paris, she also studied for ten years with the French jazz pianist Bernard Maury. She has given lectures and workshops in several countries; taught Latin dancing in France and Belgium. She translated over forty books into French, among them the biographies of Ella Fitzgerald, Marvin Gaye, Otis Redding, Chet Baker and Johann Sebastian Bach. [8]
Elle, Jeune Afrique, Magazine de l'ORTF, Ethnomusicology, Routes, Jazz Spotlite News, Nuestro, Canales, La Tribune de Genève, Arts et Vie, Jazz and Keyboard Workshop, Vogue, Africa, Latin American Music Review, Cahiers de Musiques Traditionnelles, Courrier de l'Unesco, [9] Les Lettres Françaises, Le Monde d'Hermès, Percussions, L'autre Afrique, Le Monde de la musique, Jazz Magazine, Les Cahiers du Jazz, Le Courrier, New West Indian Guide, One More Time, and other publications. Isabelle Leymarie has written liner notes for several record labels. [10]
Salsa music is a style of Latin American music, combining elements of Cuban, Puerto Rican, and American influences. Because most of the basic musical components predate the labeling of salsa, there have been many controversies regarding its origin. Most songs considered as salsa are primarily based on son montuno and son cubano, with elements of guaracha, cha-cha-chá, danzón, descarga, bolero, guajira, rumba, mambo, jazz, funk, R&B, rock, bomba, and plena. All of these elements are adapted to fit the basic Son montuno template when performed within the context of salsa.
Latin jazz is a genre of jazz with Latin American rhythms. The two main categories are Afro-Cuban jazz, rhythmically based on Cuban popular dance music, with a rhythm section employing ostinato patterns or a clave, and Afro-Brazilian jazz, which includes samba and bossa nova.
Afro-Caribbean music is a broad term for music styles originating in the Caribbean from the African diaspora. These types of music usually have West African/Central African influence because of the presence and history of African people and their descendants living in the Caribbean, as a result of the trans-Atlantic slave trade. These distinctive musical art forms came about from the cultural mingling of African, Indigenous, and European inhabitants. Characteristically, Afro-Caribbean music incorporates components, instruments and influences from a variety of African cultures, as well as Indigenous and European cultures.
Michel Tabachnik is a Swiss conductor and composer with an international career. A promoter of contemporary music, he has premiered a dozen works by Iannis Xenakis, among others. He is also the author of essays on music and novels. In 1995, he was implicated in the case of the cult the Order of the Solar Temple, from which he was acquitted by the courts.
The Prix Dentan is a Swiss literary award created in 1984 and named for Professor Michel Dentan.
Cookie Allez is a French novelist.
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Danielle Cohen-Levinas is a French philosopher, musicologist, and a specialist of Jewish philosophy.
Alain Lompech is a French journalist, music critic, writer and radio producer.
Jean Roy was a French music critic and musicologist, born in Paris.
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