Joe Minter

Last updated

Joe Minter
Born
Joe Wade Minter Sr

(1943-03-28) March 28, 1943 (age 81)
NationalityAmerican

Joe Minter (born March 28, 1943) is an American sculptor based in Birmingham, Alabama. [1] [2] His African Village in America, on the southwest edge of Birmingham, is an ever-evolving art environment populated by sculptures he makes from scrap metal and found materials; [3] its theme is recognition of African American history from the first arrivals of captured Africans to the present. [4] Individual pieces from Minter's thirty-year project have been in major exhibitions in the United States and are in the permanent collections of the National Gallery of Art, the Smithsonian American Art Museum, and the Metropolitan Museum of Art, among others.

Contents

Early life

Minter was born in Birmingham, Alabama, the eighth child into a family of ten. [4] His father was a mechanic during World War I, but after the war, was unable to find a job in his field. Minter's father instead worked for thirty years as caretaker of a white cemetery. [4] Joe Minter attended local Birmingham schools, was drafted in 1965 and discharged in 1967. [4] After the military, Minter took a series of low-paying jobs, from dishwasher at a drive-in, to messenger and orderly hospital work. Minter also worked in metals, constructed school furniture, did work on cars, and with crews building roads. [4] As a result of his fabrication work, Minter got asbestos dust in his eyes in the 1960s and ‘70s. Minter had one eye operated on to mediate the asbestos; however, he wouldn't let the doctors operate the other eye. [4] Minter never lost the feeling of grit in his eyes and was forced to retire. Upon retiring, Minter rediscovered an artistic practice dormant since childhood. [4]

Artistic practice

African Village in America

Located on the southwest edge of Birmingham, Alabama and begun in the late 1980s and built over the course of thirty years, Minter's African Village in America is part sculpture garden, part history museum, and part memorial. [5] The African Village in America is an ever-evolving art environment, populated by sculptures made from scrap and found materials from footwear, lawn decorations, toys, old sporting equipment, to baking utensils, and more. [6] [7] Although Minter's sculpture have a variety of themes and influences, from one commemorating the Sandy Hook Elementary School shooting to one dedicated to the victims of Hurricane Katrina, Minter's overriding message is to provide a recognition for the eleven million Africans shipped in bondage to America, and to their descendants who helped to build and defend America. [4] The sculptures in the African Village in America tell the stories of African-Americans over the centuries, from the griots and warriors of West Africa to the deadly 1963 bombing at the 16th Street Baptist Church. [2]

JoeMinter'sAfricanVillageInAmerica1.jpg
AfricanVillageInAmerica2.jpg
Two images of Joe Minter's African Village in America, a half-acre visionary art environment in Birmingham, Alabama. Scenes include African warriors watching their descendants’ struggles in Alabama, tributes to black scientists and military leaders, recreations of the epic civil rights confrontations in Alabama, and biblical scenes.

Exhibitions

Permanent collections

Selected publications

Related Research Articles

<span class="mw-page-title-main">Lonnie Holley</span> American experimental artist

Lonnie Bradley Holley, sometimes known as the Sand Man, is an American artist, art educator, and musician. He is best known for his assemblages and immersive environments made of found materials. In 1981, after he brought a few of his sandstone carvings to then-Birmingham Museum of Art director Richard Murray, the latter helped to promote his work. In addition to solo exhibitions at the Birmingham Museum of Art and the Halsey Institute of Contemporary Art at the College of Charleston, Holley has exhibited in group exhibitions with other Black artists from the American South at the Michael C. Carlos Museum and the High Museum of Art in Atlanta, the Studio Museum in Harlem, the Metropolitan Museum of Art, the Philadelphia Museum of Art, the Toledo Museum of Art, Pérez Art Museum Miami, NSU Museum of Art Fort Lauderdale, the Institute of Contemporary Art, Boston, de Young Museum in San Francisco, National Gallery of Art, Washington, D.C., the Ikon Gallery in Birmingham, England, and the Royal Academy of Arts in London, among other places.

<span class="mw-page-title-main">Thornton Dial</span> American artist (1928–2016)

Thornton Dial was a pioneering American artist who came to prominence in the late 1980s. Dial's body of work exhibits formal variety through expressive, densely composed assemblages of found materials, often executed on a monumental scale. His range of subjects embraces a broad sweep of history, from human rights to natural disasters and current events. Dial's works are widely held in American museums; ten of Dial's works were acquired by the Metropolitan Museum of Art in 2014.

Nellie Mae Rowe was an African-American artist from Fayette County, Georgia. Although she is best known today for her colorful works on paper, Rowe worked across mediums, creating drawings, collages, altered photographs, hand-sewn dolls, home installations and sculptural environments. She was said to have an "instinctive understanding of the relation between color and form." Her work focuses on race, gender, domesticity, African-American folklore, and spiritual traditions.

William Sidney Arnett was an Atlanta-based writer, editor, curator and art collector who built internationally important collections of African, Asian, and African American art. Arnett was the founder and chairman of the Souls Grown Deep Foundation, an organization dedicated to the preservation and documentation of African American art from the Deep South that works in coordination with leading museums and scholars to produce groundbreaking exhibitions and publications using its extensive holdings. His efforts produced 13 books with nearly 100 essays by 73 authors. Thirty-eight museums have hosted major exhibitions, and comprehensive archives are maintained at UNC Chapel Hill. The White House has shown the collection. Arnett exhibited works from these collections and delivered lectures at over 100 museums and educational institutions in the United States and abroad. He is perhaps best known for writing about and collecting the work of African American artists from the Deep South. Arnett was named one of the "100 Most Influential Georgians" by Georgia Trend Magazine in January 2015. He died on August 12, 2020.

<span class="mw-page-title-main">Souls Grown Deep Foundation</span>

Souls Grown Deep Foundation is a non-profit organization dedicated to documenting, preserving, and promoting the work of leading contemporary African American artists from the Southeastern United States. Its mission is to include their contributions in the canon of American art history through acquisitions from its collection by major museums, as well as through exhibitions, programs, and publications. The foundation derives its name from a 1921 poem by Langston Hughes (1902–1967) titled "The Negro Speaks of Rivers," the last line of which is "My soul has grown deep like the rivers.

"Missionary" Mary L. Proctor is an American artist, best known for her visionary paintings, collages, and assemblages.

<span class="mw-page-title-main">Juanita Rogers</span> American sculptor

Juanita Rogers was a self-taught American folk artist. She was born in Tintop, Alabama to Thomas and Sally Rogers, although she claimed she was adopted after arriving in North Montgomery by carnival train at the age of five. Her mother was part Creek Indian, and died when Juanita was about twenty. Juanita attended a Catholic mission school. She was married to Sol Huffman, who died in 1980.

<span class="mw-page-title-main">Lucy Mingo</span> American quilt maker

Lucy Marie (Young) Mingo is an American quilt maker and member of the Gee's Bend Collective from Gee's Bend (Boykin), Alabama. She was an early member of the Freedom Quilting Bee, which was an alternative economic organization created in 1966 to raise the socio-economic status of African-American communities in Alabama. She was also among the group of citizens who accompanied Martin Luther King Jr. on his 1965 march from Selma to Montgomery, Alabama.

<span class="mw-page-title-main">Willie Abrams</span> American artist and quilter

Willie Abrams (1897–1987), also known as Ma Willie, was an American artist. She was a member of the Freedom Quilting Bee, along with her daughter Estelle Witherspoon, and is associated with the Gee's Bend quilters. Her work is included in the collection of the Metropolitan Museum of Art.

Gearldine Westbrook (1919–2016) was an American artist associated with the Gee's Bend group of quilters.

<span class="mw-page-title-main">Delia Bennett</span> American artist

Delia Bennet (1892–1976) was an American artist. She is associated with the Gee's Bend quilting collective, and is said to be "the matriarch of perhaps the largest family of quilt producers in Gee's Bend. Her work is included in the collection of the Philadelphia Museum of Art.

Sue Willie Seltzer (1922–2010) was an American artist. She is associated with the Gee's Bend quilting collective. Her work has been exhibited at the Museum of Fine Arts, Houston and the National Gallery of Art, and is included in the collection of the New York Metropolitan Museum of Art and the Philadelphia Museum of Art.

Irene Williams (1920–2015) was an American artist. She is associated with the Gee's Bend quilting collective, although she made her quilts "in solitude" and "uninfluenced." Her work has been exhibited at the Museum of Fine Arts, Houston and the Frist Art Museum, and is included in the collections of the Philadelphia Museum of Art, the Indianapolis Museum of Art, the Museum of Fine Arts Boston, and the National Gallery of Art.

Magalene Wilson (1898–2001), also known as Magdalene Wilson, was an American artist. She is associated with the Gee's Bend quilting collective. Her work has been exhibited at the Museum of Fine Arts, Houston, and is included in the collection of the Philadelphia Museum of Art.

Mertlene Perkins (1917–2015) was an American artist. She is associated with the Gee's Bend quilting collective. Her work has been exhibited at the Museum of Fine Arts, Houston and is included in the collection of the Metropolitan Museum of Art.

Amelia Bennett (1914–2002) was an American artist. She is associated with the Gee's Bend quilting collective. Her work has been exhibited at the Museum of Fine Arts, Houston and is included in the collection of the Dallas Museum of Art.

Emmer Sewell is an African-American contemporary artist. Sewell is known for her sculptures made of found objects. Her work is included in the collection of the Metropolitan Museum of Art.

<span class="mw-page-title-main">Leroy Almon</span> American painter

Leroy Almon (1938–1997) was an American artist known for his woodcarvings and paintings.

<span class="mw-page-title-main">Joe Louis Light</span> African-American painter

Joe Louis Light (1934–2005) was an American painter from Dyersburg, Tennessee. His work focuses on transcendentalism, attaining spiritual or moral enlightenment, and the balance and order of the universe.

Charlie Lucas is a contemporary sculptor born in Pink Lily, Alabama, who now lives and works in Selma, Alabama. He is owner and operator of the Tin Man Studio, part gallery and part studio, in Selma.

References

  1. "1943 – JOE MINTER". Souls Grown Deep.
  2. 1 2 Tortorello, Michael (April 24, 2013). "Joe Minter's African Village in America". The New York Times. ISSN   0362-4331 . Retrieved March 21, 2019.
  3. Times, Birmingham (October 14, 2021). "Artist Joe Minter's renowned "African Village in America" in SW Birmingham". The Birmingham Times. Retrieved September 24, 2022.
  4. 1 2 3 4 5 6 7 8 Hernández, Jo Farb. "Joe Minter, African Village in America | SPACES". spacesarchives.org.
  5. 1 2 "The Dreamer". Smithsonian American Art Museum. Retrieved March 21, 2019.
  6. "African Village in America". Atlas Obscura.
  7. 1 2 Minter, Joe. "Four Hundred Years of Free Labor, 1995". metmuseum.org.
  8. "Called to Create: Black Artists of the American South". www.nga.gov. Retrieved September 24, 2022.
  9. "Whitney Biennial 2019". whitney.org.
  10. "History Refused to Die". metmuseum.org. Retrieved March 21, 2019.
  11. "Revelations: Art from the African American South". de Young. August 4, 2017. Retrieved September 12, 2019.
  12. Studio, Familiar. "Joe Minter". Atlanta Contemporary. Retrieved September 12, 2019.
  13. "John Michael Kholer Arts Center Exhibition The Road Less Traveled". John Michael Kholer Arts Center. Retrieved September 12, 2019.
  14. "Tom Leeser Creates Video Installation for Joe Minters African Village in America" . Retrieved September 12, 2019.
  15. "When the Stars Begin to Fall". The Studio Museum in Harlem. September 11, 2017. Retrieved September 12, 2019.
  16. "Joe Minter - Artists - Outsider Art Fair". www.outsiderartfair.com. Retrieved September 12, 2019.
  17. 1 2 Coming home! : self-taught artists, the Bible, and the American South. Crown, Carol., Doss, Erika, 1956-, University of Memphis. Art Museum., Florida State University Museum of Fine Arts., American Bible Society. Gallery. [Memphis]: Art Museum of the University of Memphis. 2004. ISBN   1578066581. OCLC   53896594.{{cite book}}: CS1 maint: others (link)
  18. "Artist Info". www.nga.gov. Retrieved September 24, 2022.
  19. "Fine Arts Museums of San Francisco Make Historic Acquisition of 62 Works of African American Art from the Souls Grown Deep Foundation". de Young. February 2, 2017. Retrieved March 21, 2019.
  20. "Chains In Paradise". High Museum of Art. Retrieved September 12, 2019.
  21. "'63 Foot Soldiers | Birmingham Museum of Art". www.artsbma.org. Retrieved September 12, 2019.
  22. "Joe minter | Minneapolis Institute of Art". collections.artsmia.org. Retrieved February 6, 2021.
  23. My soul has grown deep : Black art from the American South. Finley, Cheryl,, Griffey, Randall R.,, Peck, Amelia,, Pinckney, Darryl, 1953-, Metropolitan Museum of Art (New York, N.Y.). New York. May 21, 2018. ISBN   9781588396099. OCLC   1022075437.{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: others (link)
  24. Burgard, Timothy Anglin (2017). Revelations : art from the African American South. Dial, Thornton,, Pitkin, Stephen,, M.H. de Young Memorial Museum. San Francisco, CA. ISBN   9783791357171. OCLC   982465355.{{cite book}}: CS1 maint: location missing publisher (link)
  25. History refused to die : the enduring legacy of the African American art of Alabama. Arnett, William S.,, Bickford, Laura (Editor),, Montgomery Museum of Fine Arts,, Alabama Contemporary Art Center,, Printed by the Prolific Group. [Montgomery, Ala.] 2015. ISBN   9780692365205. OCLC   909397263.{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: others (link)
  26. Testimony : vernacular art of the African-American south : the Ronald and June Shelp collection . Conwill, Kinshasha., Kalamazoo Institute of Arts. New York: H.N. Abrams in association with Exhibitions International and the Schomburg Center for Research in Black Culture. 2001. ISBN   0810944847. OCLC   46366258.{{cite book}}: CS1 maint: others (link)
  27. Souls grown deep : African American vernacular art of the South. Arnett, Paul., Arnett, William. (1st ed.). Atlanta, Ga.: Tinwood Books. 2000. ISBN   0965376605. OCLC   44496372.{{cite book}}: CS1 maint: others (link)