Jonathan Rosenbaum (born February 27, 1943) is an American film critic and author. Rosenbaum was the head film critic for The Chicago Reader from 1987 to 2008, when he retired.[1] He has published and edited numerous books about cinema[2] and has contributed to such notable film publications as Cahiers du cinéma and Film Comment.
Regarding Rosenbaum, French New Wave director Jean-Luc Godard said, "I think there is a very good film critic in the United States today, a successor of James Agee, and that is Jonathan Rosenbaum. He's one of the best; we don't have writers like him in France today. He's like André Bazin."[3]
Early life
Rosenbaum grew up in Florence, Alabama, where his grandfather had owned a small chain of movie theaters. He lived with his father Stanley (a professor) and mother Mildred in the Rosenbaum House, designed by notable architect Frank Lloyd Wright, the only building by Wright in Alabama. As a teenager, he attended The Putney School in Putney, Vermont, where his classmates included actor Wallace Shawn.[4] He graduated from Putney in 1961.
Rosenbaum developed a lifelong interest in jazz as a teenager. He frequently refers to it in his film criticism. He attended Bard College, where he played piano in an amateur jazz ensemble that included future actors Chevy Chase as a drummer and Blythe Danner as a vocalist.[5] He studied literature at Bard with the intention of becoming a writer. Among his professors was German philosopher Heinrich Blücher, whose teaching had a strong effect on Rosenbaum.[6]
Earliest career
After graduate school, he moved to New York and was hired to edit a collection of film criticism, which marked his first foray into the field.
Rosenbaum was chosen to succeed Dave Kehr as the main film critic for The Chicago Reader; he served in that position until 2008.[8]
In addition, he has written many books on film and its criticism, including Film: The Front Line 1983 (1983), Placing Movies: The Practice of Film Criticism (1995), Moving Places: A Life at the Movies (1980; reprint 1995), Movies as Politics (1997), and Essential Cinema (2004).
His most popular work is Movie Wars: How Hollywood and the Media Limit What Movies We Can See (2002). He has written the best-known analysis of Jim Jarmusch's film Dead Man; the book includes recorded interviews with Jarmusch. The book places the film in the acid western subgenre.[citation needed]
He edited This Is Orson Welles (1992), by Welles and Peter Bogdanovich, a collection of interviews and other materials relating to Welles. Rosenbaum consulted on both the 1998 re-editing of Welles's Touch of Evil (which was based on a lengthy memo written by Welles to Universal Pictures in the 1950s) and the 2018 completion of Welles's The Other Side of the Wind.
In August 2007, Rosenbaum marked the passing of Swedish director Ingmar Bergman with an op-ed piece in The New York Times, titled "Scenes from an Overrated Career."[9]
He is a frequent contributor to the DVD Beaver website, where he offers his alternative lists of genre films. He also writes the Global Discovery Column in the film journal Cinema Scope, where he reviews international DVD releases of films that are not widely available. He also writes a column called En Movimiento for the Spanish magazine Caimán Cuadernos De Cine.
Rosenbaum was a visiting professor of film at Virginia Commonwealth University's art history department in Richmond, Virginia from 2010 to 2011. From 2013 to 2015, he taught four times as a visiting lecturer at Béla Tarr's Film Factory in Sarajevo, Bosnia.
He has said that his three favorite narrative films are Day of Wrath, Ordet and Gertrud, all directed by Carl Theodor Dreyer, the order depending, "almost entirely on which one I’ve seen most recently".[12]
Alternative Top 100
In response to the AFI list of 100 greatest American movies published in 1998, Rosenbaum published his own list, focusing on less well-established, more diverse films.[13] It also includes works by important independent American directors (such as John Cassavetes and Jim Jarmusch) who were absent from the AFI list. A second list by the AFI incorporated five titles from Rosenbaum's list.
In Essential Cinema: On the Necessity of Film Canons (2004), he appended a more general list of his 1,000 favorite films from all nations; slightly more than half were American. He starred his 100 favorite films on the list, marking both traditionally canonical films such as Greed (silent -) and Citizen Kane, and harder-to-find films such as Michael Snow's La Région Centrale and Jacques Rivette's Out 1.
Best films of the year
Rosenbaum has compiled "best of the year" movie lists from 1972 to 1976,[14] and from 1987 to 2022,[15][16][17][18][19][20] thereby helping provide an overview of his critical preferences.
Andrew Sarris was an American film critic. He was a leading proponent of the auteur theory of film criticism.
City Lights is a 1931 American synchronized sound romantic comedy-drama film written, produced, directed by, and starring Charlie Chaplin. While the film has no audible dialog, it was released with a synchronized musical score with sound effects. The story follows the misadventures of Chaplin's Tramp as he falls in love with a blind girl and develops a turbulent friendship with an alcoholic millionaire.
The Gold Rush is a 1925 American silent comedy film written, produced, and directed by Charlie Chaplin. The film also stars Chaplin in his Little Tramp persona, Georgia Hale, Mack Swain, Tom Murray, Henry Bergman and Malcolm Waite.
Greed is a 1924 American silent psychological drama film written and directed by Erich von Stroheim and based on the 1899 Frank Norris novel McTeague. It stars Gibson Gowland as Dr. John McTeague; ZaSu Pitts as Trina Sieppe, his wife; and Jean Hersholt as McTeague's friend and eventual enemy Marcus Schouler. The film tells the story of McTeague, a San Francisco dentist, who marries his best friend Schouler's girlfriend Trina.
Robert Bresson was a French film director. Known for his ascetic approach, Bresson made a notable contribution to the art of cinema; his non-professional actors, ellipses, and sparse use of scoring have led his works to be regarded as preeminent examples of minimalist film. Much of his work is known for being tragic in story and nature.
Dead Man is a 1995 American acid western film written and directed by Jim Jarmusch. It stars Johnny Depp, Gary Farmer, Billy Bob Thornton, Iggy Pop, Crispin Glover, John Hurt, Michael Wincott, Lance Henriksen, Gabriel Byrne, Mili Avital, and Robert Mitchum in his final film performance. The movie, set in the late 19th century, follows William Blake, a meek accountant on the run after murdering a man. He has a chance encounter with enigmatic Native American spirit-guide "Nobody", who believes Blake is the reincarnation of the visionary English poet William Blake.
Stranger Than Paradise is a 1984 American black-and-white absurdist deadpan comedy film directed, co-written and co-edited by Jim Jarmusch, and starring jazz musician John Lurie, former Sonic Youth drummer-turned-actor Richard Edson, and Hungarian-born actress and violinist Eszter Balint. It features a minimalist plot in which the main character, Willie, is visited by Eva, his cousin from Hungary. Eva stays with him for ten days before going to Cleveland. Willie and his friend Eddie go to Cleveland to visit her, and the three then take a trip to Florida. The film is shot entirely in single long takes with no standard coverage.
Sight and Sound is a monthly film magazine published by the British Film Institute (BFI). Since 1952, it has conducted the well-known decennial Sight and Sound Poll of the Greatest Films of All Time.
The Wrong Man is a 1956 American docudrama film noir directed by Alfred Hitchcock and starring Henry Fonda and Vera Miles. The film was drawn from the true story of an innocent man charged with a crime, as described in the book The True Story of Christopher Emmanuel Balestrero by Maxwell Anderson and in the magazine article "A Case of Identity", which was published in Life magazine in June 1953 by Herbert Brean.
Emanuel Farber was an American painter, film critic and writer. Often described as "iconoclastic", Farber developed a distinctive prose style and set of theoretical stances which have had a large influence on later generations of film critics and influence on underground culture. Susan Sontag considered him to be "the liveliest, smartest, most original film critic this country has ever produced."
Raymond Durgnat was a British film critic, who was born in London to Swiss parents. During his life he wrote for virtually every major English language film publication. In 1965 he published the first major critical essay on Michael Powell, who had hitherto been "fashionably dismissed by critics as a 'technician's director'", as Durgnat put it.
Richard Nelson Corliss was an American film critic and magazine editor for Time. He focused on movies, with occasional articles on other subjects.
Mystery Train is a 1989 comedy-drama anthology film written and directed by Jim Jarmusch and set in Memphis, Tennessee. The film is a triptych of stories involving foreign protagonists, unfolding over the course of the same night. "Far from Yokohama" features a Japanese couple on a cultural pilgrimage, "A Ghost" focuses on an Italian widow stranded in the city overnight, and "Lost in Space" follows the misadventures of a newly single and unemployed Englishman and his reluctant companions. The narratives are linked by a run-down flophouse overseen by a night clerk and his disheveled bellboy, the use of Elvis Presley's song "Blue Moon", and a gunshot.
The Magnificent Ambersons is a 1942 American period drama written, produced, and directed by Orson Welles. Welles adapted Booth Tarkington's Pulitzer Prize–winning 1918 novel about the declining fortunes of a wealthy Midwestern family and the social changes brought by the automobile age. The film stars Joseph Cotten, Dolores Costello, Anne Baxter, Tim Holt, Agnes Moorehead and Ray Collins, with Welles providing the narration.
James Lewis Hoberman is an American film critic, journalist, author and academic. He began working at The Village Voice in the 1970s, became a full-time staff writer in 1983, and was the newspaper's senior film critic from 1988 to 2012. In 1981, he coined the term "vulgar modernism" to describe the "looney" fringes of American popular culture.
Wavelength is a 1967 Canadian-American short subject by experimental filmmaker and artist Michael Snow. Considered a landmark of avant-garde cinema, it was filmed over one week in December 1966 and edited in 1967, and is an example of what film theorist P. Adams Sitney describes as "structural film", calling Snow "the dean of structural filmmakers."
Duncan Shepherd, a longtime film critic, wrote a weekly column for the alternative weekly the San Diego Reader from 1972 until November 2010.
Penelope Houston was an English film critic and journal editor. She edited Sight & Sound for almost 35 years.
Film criticism is the analysis and evaluation of films and the film medium. In general, film criticism can be divided into two categories: Academic criticism by film scholars, who study the composition of film theory and publish their findings and essays in books and journals, and general journalistic criticism that appears regularly in press newspapers, magazines and other popular mass-media outlets. Academic film criticism rarely takes the form of a review; instead it is more likely to analyse the film and its place in the history of its genre, the industry and film history as a whole.
The Big Sky is a 1952 American Western film produced and directed by Howard Hawks and written by Dudley Nichols, based on the novel of the same name by A.B. Guthrie Jr. The cast includes Kirk Douglas, Dewey Martin, Elizabeth Threatt and Arthur Hunnicutt, who was nominated for an Academy Award for Best Supporting Actor. Though not considered among Hawks's major achievements by most critics, the film was chosen by Jonathan Rosenbaum for his alternative list of the Top 100 American Films.
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