Renaissance-era depiction of a joust in traditional or "high" armour, based on then-historical late medieval armour (Paulus Hector Mair, De arte athletica, 1540s)
Jousting is a medieval and renaissance martial game or hastilude between two combatants either on horse or on foot.[1] The joust became an iconic characteristic of the knight in Romantic medievalism.
The term is derived from Old Frenchjoster, ultimately from Latiniuxtare "to approach, to meet". The word was loaned into Middle English around 1300, when jousting was a very popular sport among the Anglo-Norman knighthood. The synonym tilt (as in tilting at windmills) dates c.1510.
Jousting was discontinued in favour of other equestrian sports in the 17th century, although non-contact forms of "equestrian skill-at-arms" disciplines survived. There has been a limited revival of theatrical jousting re-enactment since the 1970s.
The medieval joust has its origins in the military tactics of heavy cavalry during the High Middle Ages. By the 14th century, many members of the nobility, including kings, had taken up jousting to showcase their own courage, skill and talents, and the sport proved just as dangerous for a king as a knight, and from the 15th century on, jousting became a sport (hastilude) without direct relevance to warfare.
High Middle Ages
From the 11th to 14th centuries when medieval jousting was still practised in connection with the use of the lance in warfare, armour evolved from mail (with a solid, heavy helmet, called a "great helm", and shield) to plate armour. By 1400, knights wore full suits of plate armour, called a "harness" (Clephan 28–29).
In this early period, a joust was still a (martial) "meeting", i.e. a duel in general and not limited to the lance. Combatants would begin riding on one another with the lance, but might continue with shorter range weapons after the distance was closed or after one or both parties had been unhorsed. Tournaments in the High Medieval period were much rougher and less "gentlemanly" affairs than in the late medieval era of chivalry. The rival parties would fight in groups, with the aim of incapacitating their adversaries for the sake of gaining their horses, arms and ransoms.[4]
Late Middle Ages
Depiction of a standing joust in an Alsatian manuscript of ca. 1420 (CPG 359); protection for the legs of the riders is integrated into the horse armour.
With the development of the courtly ideals of chivalry in the late medieval period, the joust became more regulated. This tendency is also reflected in the pas d'armes in general. It was now considered dishonourable to exploit an opponent's disadvantage, and knights would pay close attention to avoid being in a position of advantage, seeking to gain honour by fighting against the odds. This romanticised "chivalric revival" was based on the chivalric romances of the high medieval period, which noblemen tried to "reenact" in real life, sometimes blurring the lines of reality and fiction.
The development of the term knight (chevalier) dates to this period. Before the 12th century, cniht was a term for a servant. In the 12th century, it became used of a military follower in particular. Also in the 12th century, a special class of noblemen serving in cavalry developed, known as milites nobiles. By the end of the 13th century, chivalry (chyualerye) was used not just in the technical sense of "cavalry", but for martial virtue in general. It was only after 1300 that knighthood (kniȝthod, originally a term for "boyhood, youth") came to be used as a junior rank of nobility. By the later 14th century, the term became romanticised for the ideal of the young nobleman seeking to prove himself in honourable exploits, the knight-errant, which among other things encompassed the pas d'armes, including the joust. By the 15th century, "knightly" virtues were sought by the noble classes even of ranks much senior than "knight".[5] The iconic association of the "knight" stock-character with the joust is thus historical, but develops only at the end of the Middle Ages.
Records of jousting by Froissart
The Chronicles of Froissart, written during the 1390s, and covering the period of 1327 to 1400, contain many details concerning jousting in this era. The combat was now expected to be non-lethal, and it was not necessary to incapacitate the opponent, who was expected to honourably yield to the dominant fighter. The combat was divided into rounds of three encounters with various weapons, of which the joust proper was one. During this time, the joust detached itself from the reality on the battlefield and became a chivalric sport. Knights would seek opportunities to duel opponents from the hostile camp for honour off the battlefield.
As an example, Froissart[6][7] records that, during a campaign in Beauce in the year 1380, a squire of the garrison of Toury castle named Gauvain Micaille (Michaille)—also mentioned in the Chronique du bon duc Loys de Bourbon as wounded in 1382 at Roosebeke, and again in 1386; in 1399 was in the service of the duke of Bourbon[8][9]—yelled out to the English,
Is there among you any gentleman who for the love of his lady is willing to try with me some feat of arms? If there should be any such, here I am, quite ready to sally forth completely armed and mounted, to tilt three courses with the lance, to give three blows with the battle axe, and three strokes with the dagger. Now look, you English, if there be none among you in love.
The challenge was answered by a squire named Joachim Cator, who said "I will deliver him from his vow: let him make haste and come out of the castle."
Micaille came to meet his opponent with attendants carrying three lances, three battle-axes, three swords and three daggers. The duel began with a joust, described as follows:
When they had taken their stations, they gave to each of them a spear, and the tilt began; but neither of them struck the other, from the mettlesomeness of their horses. They hit the second onset, but it was by darting their spears.[10]
The meeting was then adjourned, and continued on the next day.
They met each other roughly with spears, and the French squire tilted much to the satisfaction of the earl: but the Englishman kept his spear too low, and at last struck it into the thigh of the Frenchman. The earl of Buckingham as well as the other lords were much enraged by this, and said it was tilting dishonorably; but he excused himself, by declaring it as solely owing to the restiveness of his horse.[11]
In spite of the French squire's injury, the duel was continued with three thrusts with the sword. After this, the encounter was stopped because of the Micaille's loss of blood. He was given leave to rejoin his garrison with a reward of a hundred francs by the earl of Buckingham, who stated that he had acquitted himself much to his satisfaction.
Froissart describes a tournament at Cambray in 1385, held on the marriage of the Count d'Ostrevant to the daughter of Duke Philip of Burgundy. The tournament was held in the market-place of the town, and forty knights took part. The king jousted with a knight of Hainault, Sir John Destrenne, for the prize of a clasp of precious stones, taken off from the bosom of the Duchess of Burgundy; it was won by Sir Destrenne, and formally presented by the Admiral of France and Sir Guy de la Trimouille.
Arena, procedure and armor
The lists, or list field, was the arena where a jousting event was held. More precisely, it was the roped-off enclosure where tournament fighting took place.[12] In the late medieval period, castles and palaces were augmented by purpose-built tiltyards as a venue for "jousting tournaments". Training for such activities included the use of special equipment, of which the best-known was the quintain.
The medieval joust took place on an open field. Indeed, the term joust meant "a meeting" and referred to arranged combat in general, not just the jousting with lances. At some point in the 14th century, a cloth barrier was introduced as an option to separate the contestants. This barrier was presumably known as tilt in Middle English (a term with an original meaning of "a cloth covering"). It became a wooden barrier or fence in the 15th century, now known as "tilt barrier", and "tilt" came to be used as a term for the joust itself by c.1510. The purpose of the tilt barrier was to prevent collisions and to keep the combatants at an optimal angle for breaking the lance. This greatly facilitated the control of the horse and allowed the rider to concentrate on aiming the lance. The introduction of the barrier seems to have originated in the south, as it only became a standard feature of jousting in Germany in the 16th century, and was there called the Italian or "welsch" mode.[13] Dedicated tilt-yards with such barriers were built in England from the time of Henry VIII.
A knightly duel in this period usually consisted in three courses of jousting, and three blows and strokes exchanged with battle-axes, swords, and daggers. This number tended to be extended towards the end of the century, until the most common number was five, as in the duel between Sir Thomas Harpenden and Messire Jean des Barres, at Montereau sur Yonne in 1387 (cinq lances a cheval, cinq coups d'épée, cinq coups de dague et cinq coups de hache). Later it could be as high as ten or even twelve. In the 1387 encounter, the first four courses of the joust were run without decisive outcome, but in the fifth Sir Thomas was unhorsed and lost consciousness. He was revived, however, and all the strokes and blows could be duly exchanged, without any further injury.
On another instance, a meeting with sharp lances was arranged to take place near Nantes, under the auspices of the Constable of France and the Earl of Buckingham. The first encounter was a combat on foot, with sharp spears, in which one of the cavaliers was slightly wounded; the pair then ran three courses with the lance without further mishap. Next Sir John Ambreticourt of Hainault and Sir Tristram de la Jaille of Poitou advanced from the ranks and jousted three courses, without hurt. A duel followed between Edward Beauchamp, son of Sir Robert Beauchamp, and the bastard Clarius de Savoye. Clarius was much the stronger man of the two, and Beauchamp was unhorsed. The bastard then offered to fight another English champion, and an esquire named Jannequin Finchly came forward in answer to the call; the combat with swords and lances was very violent, but neither of the parties was hurt.
Another encounter took place between John de Chatelmorant and Jannequin Clinton, in which the Englishman was unhorsed. Finally Chatelmorant fought with Sir William Farrington, the former receiving a dangerous wound in the thigh, for which the Englishman was greatly blamed, as being an infraction of the rules of the tourney, but an accident was pleaded just as in the case of the 1380 duel between Gauvain Micaille and Joachim Cator.[14]
The Stechzeug of John the Constant (c.1500). The shield strapped to his left shoulder is called an ecranche.
Jousting lances are modified from their original war form for sports and entertainment. For warfare, lances are made of metal, but jousting lances are made of wood and tipped with metal, which allows them to break on impact with the opponent's shield. The lance is typically constructed from 1.25-or-1.5-inch-thick (3.2 or 3.8cm) wood, depending on the progression of a joust. Instead of the sharp tip of war lances, a jousting lance has a blunt tip with a wider impact surface, putting more force into the impact on the shield rather than impaling the opponent. The tip of the lance is made of metal and is usually in the shape of a fist or three prongs flayed out from the center. The three-pronged tip allows for the lance to lock on the shield of the opponent and direct force into the impact.[15]
Specialised jousting armour was produced in the late 15th to 16th century. It was heavier than suits of plate armour intended for combat, and could weigh as much as 50kg (110lb), compared to some 25kg (55lb) for field armour; as it did not need to permit free movement of the wearer, the only limiting factor was the maximum weight that could be carried by a warhorse of the period.[16]
The two most common kinds of horses used for jousting were warmbloodchargers and larger destriers. Chargers were medium-weight horses bred and trained for agility and stamina. Destriers were heavier, similar to today's Andalusian horse, but not as large as the modern draft horse.
During a jousting tournament, the horses were cared for by their grooms in their respective tents. They wore caparisons, a type of ornamental cloth featuring the owner's heraldic signs. Competing horses had their heads protected by a chanfron, an iron shield for protection from otherwise lethal lance hits.
Other forms of equipment on the horse included long-necked spurs that enabled the rider to control the horse with extended legs, a saddle with a high back to provide leverage during the charge or when hit, as well as stirrups for the necessary leverage to deliver blows with the lance.
15th century
From 10 July to 9 August 1434, the Leonese knight Suero de Quiñones and ten of his companions encamped in a field beside a bridge and challenged each knight who wished to cross it to a joust. This road was used by pilgrims all over Europe on the way to a shrine at Santiago de Compostela, and at this time of the summer, many thousands would cross the bridge. Suero and his men swore to "break 300 lances" before moving on. The men fought for over a month, and after 166 battles Suero and his men were so injured they could not continue and declared the mission complete.[17]
During the 1490s, emperor Maximilian I invested much effort into perfecting the sport, for which he received his nickname of "The Last Knight". Rennen and Stechen were two sportive forms of the joust developed during the 15th century and practised throughout the 16th century. The armours used for these two respective styles of the joust were known as Rennzeug and Stechzeug, respectively. The Stechzeug in particular developed into extremely heavy armour which completely inhibited the movement of the rider, in its latest forms resembling an armour-shaped cabin integrated into the horse armour more than a functional suit of armour. Such forms of sportive equipment during the final phase of the joust in 16th-century Germany gave rise to modern misconceptions about the heaviness or clumsiness of "medieval armour", as notably popularised by Mark Twain's A Connecticut Yankee in King Arthur's Court.[18][19] The extremely heavy helmets of the Stechzeug are explained by the fact that the aim was to detach the crest of the opponent's helmet, resulting in frequent full impact of the lance to the helmet.
By contrast the Rennen was a type of joust with lighter contact. Here, the aim was to hit the opponent's shield. The specialised Rennzeug was developed on the request of Maximilian, who desired a return to a more agile form of joust compared to the heavily armoured "full contact" Stechen. In the Rennzeug, the shield was attached to the armour with a mechanism of springs and would detach itself upon contact.
In France, the death of King Henry II in 1559 from wounds suffered in a tournament led to the end of jousting as a sport.[20]
The tilt continued through Henry VIII and onto the reign of Elizabeth I. Under her rule, tournaments were seen as more of a parade or show than an actual martial exercise.[21]
The last Elizabethan Accession Day tilt was held in November 1602; Elizabeth died the following spring. Tilts continued as part of festivities marking the Accession Day of James I, 24 March, until 1624, the year before his death.[22][23] In the early 17th century, the joust was replaced as the equine highlight of court festivities by large "horse-ballet" displays called carousels, although non-combat competitions such as the ring-tilt lasted until the 18th century. Ring tournaments were introduced into North America, and jousting continues as the state sport of Maryland.[24]
Jousting reenactors have been active since the 1970s. A more popular modern-day jousting show took place in 1972 at the Principality of Gwrych in North Wales near Abergele. Various companies, such as Knights Limited, held organized shows with anywhere between five and fifty actors present.
Between 1980 and 1982, the Little England theme park in Orlando, Florida was planned to become a jousting stadium, ultimately being cancelled due to high-interest rates. Other companies such as Medieval Times include this sport in its dinner show. Jousting shows are also held seasonally at Warwick Castle and Hever Castle in England. Groups like the Knights of Royal England travel around Britain and Europe staging medieval jousting tournaments. At the Danish museum Middelaldercentret, daily jousting tournaments are held during the season.[25][26]
Competitive jousting
The Knights of Valour was a theatrical jousting group formed by Shane Adams in 1993. Members of this group began to practice jousting competitively, and their first tournament was held in 1997. Adams founded the World Championship Jousting Association (WCJA) as a body dedicated to jousting as a combat sport, which held its inaugural tournament in Port Elgin, Ontario on 24 July 1999.[27][28] The sport is presented in the 2012 television show Full Metal Jousting, hosted by Adams. The rules are inspired by Realgestech (also Plankengestech), one of the forms of stechen practised in 16th-century Germany, where reinforcing pieces were added to the jousting armour to serve as designated target areas. Instead of using a shield, the jousters aim for such a reinforcing piece added to the armour's left shoulder known as Brechschild (also Stechtartsche). A number of Jousting events are held regularly in Europe, some organised by Arne Koets, including The Grand Tournament of Sankt Wendel and The Grand Tournament at Schaffhausen.[29] Koets is one of a number of Jousters who travel internationally to events.
In popular culture
Medieval jousting and the culture surrounding it are main plot points in the 2001 film A Knight's Tale.[30]
A knight is a person granted an honorary title of knighthood by a head of state or representative for service to the monarch, the church or the country, especially in a military capacity.
A lance is a long thrusting spear designed to be used by a mounted warrior or cavalry soldier (lancer). In ancient and medieval warfare, it evolved into the leading weapon in cavalry charges, and was unsuited for throwing or for repeated thrusting, unlike similar weapons of the javelin and pike family typically used by infantry. Lances were often equipped with a vamplate, a small circular plate to prevent the hand sliding up the shaft upon impact, and beginning in the late 14th century, they were used in conjunction with a lance rest attached to the breastplate. Though best known as a military and sporting weapon carried by European knights and men-at-arms, the use of lances was widespread throughout East Asia, the Middle East, and North Africa wherever suitable mounts were available. Lancers of the medieval period also carried secondary weapons such as swords, battle axes, war hammers, maces, and daggers for use in hand-to-hand combat, since the lance was often a one-use-per-engagement weapon; assuming the lance survived the initial impact without breaking, it was often too long, heavy, and slow to be effective against opponents in a melee.
A Knight's Tale is a 2001 American medieval action comedy film written, co-produced and directed by Brian Helgeland. The film stars Heath Ledger as William Thatcher, a peasant squire who poses as a knight and competes in tournaments, winning accolades and acquiring friendships with such historical figures as Edward the Black Prince and Geoffrey Chaucer. Its 14th-century story is intentionally anachronistic, with many modern pop culture references and a soundtrack featuring 1970s music. The film takes its name from Chaucer's The Knight's Tale, part of The Canterbury Tales, and also draws several plot points from Chaucer's work.
A tournament, or tourney, was a chivalrous competition or mock fight in the Middle Ages and Renaissance, and is a type of hastilude. Tournaments included mêlée, hand-to-hand combat, contests of strength, accuracy, and sometimes jousts. Although some thought that the tournaments were a threat to public order, the shows were still often held to celebrate coronations, marriages of notable figures, births, recent conquests, peace treatises; to welcome those considered of great importance, such as ambassadors and lords; or for no particular reason at all, and simply for entertainment. Certain tournaments are depicted throughout the Codex Manesse.
A visor was an armored covering for the face often used in conjunction with Late Medieval war helmets such as the bascinet or sallet. The visor usually consisted of a hinged piece of steel that contained openings for breathing and vision. Appropriately, breaths refers to the holes in the metal of the visor. Visors protected the face during battle and could be remarkably durable. One surviving artifact was found to be "equivalent in hardness to cold worked high speed steel."
Plate armour is a historical type of personal body armour made from bronze, iron, or steel plates, culminating in the iconic suit of armour entirely encasing the wearer. Full plate steel armour developed in Europe during the Late Middle Ages, especially in the context of the Hundred Years' War, from the coat of plates worn over mail suits during the 14th century.
The Combat of the Thirty, occurring on 26 March 1351, was an episode in the Breton War of Succession fought to determine who would rule the Duchy of Brittany. It was an arranged fight between selected combatants from both sides of the conflict, fought at a site midway between the Breton castles of Josselin and Ploërmel among 30 champions, knights, and squires on each side. The challenge was issued by Jean de Beaumanoir, a captain of Charles of Blois supported by King Philip VI of France, to Robert Bemborough, a captain of Jean de Montfort supported by Edward III of England.
The pas d'armes or passage of arms was a type of chivalric hastilude that evolved in the late 14th century and remained popular through the 15th century. It involved a knight or group of knights who would stake out a traveled spot, such as a bridge or city gate, and let it be known that any other knight who wished to pass must first fight, or be disgraced. If a traveling venan did not have weapons or horse to meet the challenge, one might be provided, and if the venan chose not to fight, he would leave his spurs behind as a sign of humiliation. If a lady passed unescorted, she would leave behind a glove or scarf, to be rescued and returned to her by a future knight who passed that way.
A pauldron is a component of plate armor that evolved from spaulders in the 15th century. As with spaulders, pauldrons cover the shoulder area. Pauldrons tend to be larger than spaulders, covering the armpit, and sometimes parts of the back and chest. A pauldron typically consists of a single large dome-shaped piece to cover the shoulder with multiple lames attached to it to defend the arm and upper shoulder. On some suits of armour, especially those of Italian design, the pauldrons would usually be asymmetrical, with one pauldron covering less and sporting a cut-away to make room for a lance rest.
Jacques de Lalaing (1421–1453), perhaps the most renowned knight of Burgundy in the 15th century, was reportedly one of the best medieval tournament fighters of all time. A Walloon knight, he began his military career in the service of Adolph I, Duke of Cleves, but was quickly noticed by Philip the Good, Duke of Burgundy by whom he was knighted and whom he went on to serve. Jacques, known as the "Bon Chevalier" due to his military prowess in tournaments and battles, became the most famous Burgundian knight of his time, and was well known throughout Europe as one of the best medieval tournament fighters. Jacques was inducted into the prestigious Burgundian chivalric order, the Order of the Golden Fleece, in 1451. Jacques' deeds in tournaments and battles were recorded in the Livre des Faits de Jacques Lalaing attributed mainly to the Burgundian chroniclers Jean Le Fevre de Saint-Remy, Georges Chastellain, and the herald Charolais. Throughout his life, Jacques was entrusted by the Duke of Burgundy to serve in delegations to the King of France and the Pope, as well as with the suppression of the Revolt of Ghent in 1453.
The heater shield or heater-shaped shield is a form of European medieval shield, developing from the early medieval kite shield in the late 12th century in response to the declining importance of the shield in combat thanks to improvements in leg armour. The term is a neologism, created by Victorian antiquarians due to the shape's resemblance to a clothes iron. Examples are depicted in the great seal of Richard I and John, King of England.
A coat of plates is a form of segmented torso armour consisting of overlapping metal plates riveted inside a cloth or leather garment. The coat of plates is considered part of the era of transitional armour and was normally worn as part of a full knightly harness. The coat saw its introduction in Europe among the warring elite in the 1180s or 1220s and was well established by the 1250s. It was in very common usage by the 1290s. By the 1350s it was universal among infantry militias as well. After about 1340, the plates covering the chest were combined to form an early breastplate, replacing the coat of plates. After 1370, the breastplate covered the entire torso. Different forms of the coat of plates, known as the brigandine and jack of plates, remained in use until the late 16th century.
The Eglinton Tournament of 1839 was a reenactment of a medieval joust and revel held in North Ayrshire, Scotland between 28 and 30 August. It was funded and organized by Archibald, Earl of Eglinton, and took place at Eglinton Castle in Ayrshire. The Queen of Beauty was Georgiana, Duchess of Somerset. Many distinguished visitors took part, including Prince Louis Napoleon, the future Emperor of the French.
Hastilude is a generic term used in the Middle Ages to refer to many kinds of martial games. The word comes from the Latin hastiludium, literally "lance game". By the 14th century, the term usually excluded tournaments and was used to describe the other games collectively; this seems to have coincided with the increasing preference for ritualistic and individualistic games over the traditional mêlée style.
The Accession Day tilts were a series of elaborate festivities held annually at the court of Elizabeth I of England to celebrate her Accession Day, 17 November, also known as Queen's Day. The tilts combined theatrical elements with jousting, in which Elizabeth's courtiers competed to outdo each other in allegorical armour and costume, poetry, and pageantry to exalt the queen and her realm of England.
Sir James Scudamore was a gentleman usher at the court of Queen Elizabeth I. Born at Holme Lacy, Herefordshire, he was the eldest son of John Scudamore, Custos Rotulorum of Herefordshire and his first wife Eleanor Croft, daughter of former Lord Deputy of Ireland James Croft. He would assume that title in 1616, and remained Custos Rotulorum for two years until his own death in 1619. Scudamore was respected for his tilting skill and his embodiment of the ideals of chivalry.
Full Metal Jousting is an American reality game show that debuted on the History Channel on February 12, 2012. The show featured 16 contestants, split into two teams of eight, competing in full-contact competitive jousting, a combat sport developed by host Shane Adams since the late 1990s. One by one, the contestants were eliminated tournament-style until only one remained. That contestant received a $100,000 grand prize.
Freydal is an uncompleted illustrated prose narrative commissioned by the Holy Roman Emperor Maximilian I in the early 16th century. It was intended to be a romantic allegorical account of Maximilian's own participation in a series of jousting tournaments in the guise of the tale's eponymous hero, Freydal. In the story, Freydal takes part in the tournaments to prove that he is worthy to marry a princess, who is a fictionalised representation of Maximilian's late wife, Mary of Burgundy.
Tobias Emanuel ("Toby") Capwell FSA is an American historian who lives and works in London. His principal interest is in European arms and armour of the medieval and Renaissance periods. He was formerly Curator of Arms and Armour at the Wallace Collection in London. He has written and spoken extensively on both the historical and the practical aspects of his subject. Capwell is also a skilled jouster, and has claimed to be the world's only jousting curator.
The Freydal tournament book is an early 16th century illuminated manuscript held by the Kunsthistorisches Museum in Vienna containing 255 miniature paintings depicting scenes from a series of imaginary late medieval jousting tournaments. It was created by the court painters of the Holy Roman Emperor, Maximilian I with the intention that the miniatures would be used to illustrate one of the Emperor's "memorial" projects, a prose narrative to be called Freydal. The latter work was never completed in the form Maximilian intended, but the tournament book is one of three surviving elements of the project. The other two are a draft text of the narrative and over 200 drawings created as planning sketches for the miniatures in the tournament book.
↑ L.F. Salzman, "English Life in the Middle Ages," Oxford, 1950. "These early tournaments were very rough affairs and in every sense, quite unlike the chivalrous contests of later days; the rival parties fought in groups, and it was considered not only fair but commendable to hold off until you saw some of your adversaries getting tired and then to join in the attack on them; the object was not to break a lance in the most approved style, but frankly to disable as many opponents as possible for the sake of obtaining their spears, arms, and ransoms."
Nadot, Sébastien (2010), Rompez les lances! Chevaliers et tournois au Moyen Age[Break lances! Knights and tournaments in the Middle Ages] (in French), Paris: Autrement.
Young, Alan (1987), Tudor and Jacobean Tournaments, Sheridan House, ISBN978-0-911378-75-7
Clayton, Eric, Justin Fyles, Erik DeVolder, Jonathan E.H. Hayden. "Arms and Armor of the Medieval Knight." Arms and Armor of the Medieval Knight (2008): 1–115. Web. 8 Mar. 2016.
Clephan, R. Coltman. The Medieval Tournament. New York: Dover Publications, 1995. Print.
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