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Laura Bernasconi was an Italian painter of the Baroque period, known to be active in 1674.
Born and died in Rome, she trained with Mario Nuzzi, and like him, painted still life paintings of flowers. She worked in Rome from 1622 to 1675. Little is known about her: she was a pupil of Mario Nuzzi, known as Mario de 'Fiori. Mario Nuzzi was a master of Pier Francesco Cittadini and Paolo Porpora and painted in a style close to that of Francesco Caldei (known as Francesco Mantovano). [1] From Nuzzi she learned to compose large bunches of multicolored flowers.
In L'Abecedario pittorico ('ABC of Painting') by the Bolognese writer and art historian Pellegrino Antonio Orlandi [2] we read: Laura Bernasconi, a Roman painter, she learned how to paint the flowers from Mario Nuzzi, and succeeded in perfection, she made the ornamentation of the painting St. Gaetano, painted by Andrea Camassei in St. Andrea della Valle. In the sacristy of this church, there is the altar with the altarpiece of San Gaetano, portrayed in prayer among the Angels. The flowers that embellish the painting are executed by Laura Bernasconi.
Laura Bernasconi painted, with Carlo Ruthard and her son Filippo, between 1665 and 1668, the ceiling of the Gallery in Palazzo Colonna. Her works are in collections in Rome, including the Galleria Doria Pamphilj.
Pietro da Cortona was an Italian Baroque painter and architect. Along with his contemporaries and rivals Gian Lorenzo Bernini and Francesco Borromini, he was one of the key figures in the emergence of Roman Baroque architecture. He was also an important designer of interior decorations.
Sebastiano Conca was an Italian painter.
Guillaume Courtois or italianized as Guglielmo Cortese, called Il Borgognone or Le Bourguignon, was a Franc-comtois-Italian painter, draughtsman and etcher. He was mainly active in Rome as a history and staffage painter and enjoyed high-level patronage. He was the brother of the painters Jacques Courtois and Jean-François Courtois.
The Basilica of Saint Augustine in Camp Martius, commonly known as Basilica of Saint Augustine is a Roman Catholic minor basilica in Rome. The titular church is dedicated to Saint Augustine of Hippo and serves as the motherhouse of the Augustinian Order.
Carlo Maratta or Maratti was an Italian painter, active mostly in Rome, and known principally for his classicizing paintings executed in a Late Baroque Classical manner. Although he is part of the classical tradition stemming from Raphael, he was not exempt from the influence of Baroque painting and particularly in his use of colour. His contemporary and friend, Giovanni Bellori, wrote an early biography on Maratta.
Francesco Solimena was a prolific Italian painter of the Baroque era, one of an established family of painters and draughtsmen.
Antonio Balestra was an Italian painter of the Rococo period.
Giulio Carpioni was an Italian painter and etcher of the early Baroque era.
Events from the year 1704 in art.
Events from the year 1673 in art.
Mario Nuzzi, who went by the pseudonym, Mario de' Fiori was an Italian painter in the Baroque style. His paintings are all based around floral arrangements; hence the name Fiori (flowers).
Pietro Dandini was an Italian painter of the Baroque period, active mainly in Florence.
Angelo Everardi was a painter and printmaker active in Brescia in the second half of the 17th century. No paintings have been attributed to him with certainty. He is reported to have been a painter of battle scenes, Bambocciate, i.e. low life genre scenes as well as of history paintings.
Giuseppe Bottani was an Italian painter active in the Baroque period.
Karel van Vogelaer or Carel de Vogelaer, nicknamed Distelbloem was a Dutch still life painter from Maastricht primarily active in Italy where he was known as 'Carlo dei Fiori'. He made a name with his elaborate Baroque flower pieces often with figures painted in by other artists.
Francesco Noletti, also known as Francesco Fieravino was an Italian still-life painter. He was often referred to by his nickname, Il Maltese.
Jacob Ferdinand Voet or Jakob Ferdinand Voet was a Flemish portrait painter. He had an international career that brought him to Italy and France, where he made portraits for an elite clientele. Voet is regarded as one of the best and most fashionable portrait painters of the High Baroque.
Luigi Serra was an Italian painter, known for his watercolors.
Giuseppe Velasquez, Velasques or Velasco was an Italian painter, active in a Neoclassic style.
Francesco Caldei called Francesco Mantovano or Mantovani was an Italian painter, mainly known as a still-life painter of flowers, fruits, animals and musical instruments. He also collaborated on garland and allegorical paintings. He was an art valuer and may also have been active as an art dealer. He worked first in Rome and then for the rest of his career in Venice. Here his flower pieces with their Roman flavour and the pleasantness of composition earned the artist considerable commercial success with the Venetian bourgeoisie.
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