Leonardo, the International Society for the Arts, Sciences and Technology

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Leonardo, The International Society for the Arts, Sciences and Technology (Leonardo/ISAST) is a registered 501(c)(3) nonprofit formed in 1982 [1] [2] [3] as an umbrella organization for the journals Leonardo and the Leonardo Music Journal. In 2018, Leonardo/ISAST was awarded the Golden Nica Prix Ars Electronica [4] [5] as Visionary Pioneers of New Media Art. [6]

Contents

History

Leonardo/ISAST was founded by physicist Roger Malina, son of the Leonardo journal's founder, astronautical pioneer and artist Frank Malina. With the support of founding board members like Frank Oppenheimer, the International Society for the Arts, Sciences and Technology (Leonardo/ISAST) was formed in 1982. [7] The name "Leonardo" was inspired by Leonardo da Vinci, due to his contributions to art, science, and technological progress. [8]

Publications

Leonardo/ISAST aims include to provide international education and charitable assistance to artists; promote and develop the interaction of artists, scientists, and engineers through conferences, exhibitions, workshops, seminars and other events. [9]

Publications of ISAST include the following, published through The MIT Press:

Programs of ISAST include:

Governance

Leonardo/ISAST is currently governed by Marc Hebert, Raphael Arar, Michael Bennett, Alan Boldon, Nina Czegledy, Adiraj Gupta, Minu Ipe, Gordon Knox, Roger Malina, Joel Slayton, Timothy Summers, Darlene Tong, and Sha Xin Wei.

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<i>Leonardo Music Journal</i> Academic journal

Leonardo Music Journal is an annual multimedia peer-reviewed academic journal published by the MIT Press on behalf of Leonardo, The International Society of the Arts, Sciences and Technology. The journal was established in 1991 and publishes the work of artists who are inventing media, implementing developing technologies, and expanding the boundaries of radical and experimental aesthetics. The journal is a companion volume to Leonardo. The editor-in-chief is Roger Malina.

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<span class="mw-page-title-main">Roger Malina</span>

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Annette Louise Barbier was an American artist and educator. She worked with video art, net art, installation art, interactive performance, and emerging and experimental technologies since the 1970s. Themes in her work address "issues of home, defined locally as domesticity and more broadly as the ways in which we relate to our environment." An early work, "Home Invasion [1995]," incorporating critical dialogue and audio, is accessible from Leonardo. "Domestic space—formerly inviolable—is increasingly disrupted by electronic communication of all sorts, including radio, TV, email and the telephone." She was Chicago-based.

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<span class="mw-page-title-main">Ellen Levy</span>

Ellen K. Levy is an American multimedia artist and scholar known for exploring art, science and technology interrelationships since the early 1980s. Levy works to highlight their importance through exhibitions, educational programs, publications and curatorial opportunities; often through collaborations with scientists including NASA, some in conjunction with Leonardo, the International Society for the Arts, Sciences and Technology. She is a past president of the College Art Association and has published widely on art and complex systems.

Monika Fleischmann is a pioneering German research artist, digital media scientist, and curator of new media art. She is one of the most relevant European women artist working in art, science, and technology. She founded and co-founded departments for interactive media art such as ART+COM in Berlin, the MARS – Exploratory Media Lab and the eCulture Factory within the largest German research institutions such as GMD and Fraunhofer Society. In 1992, together with her partner Wolfgang Strauss, she received the Golden Nica of the Prix Ars Electronica in Linz, Austria for Home of the Brain (1990/1992), the first artistic virtual reality installation. She is the recipient of the 2018 ACM SIGGRAPH Distinguished Artist Award for Lifetime Achievement in Digital Art and was elected to the SIGGRAPH Academy as a research artist that has contributed to the field of interactive media art since the 1980s to the present day. Since the mid-1980s she has been working collaboratively with the architect Wolfgang Strauss as an artist couple. As part of their research in New Media Art, Architecture, Interface Design and Art Theory, they focus on the concept of Mixed Reality, which connects the physical with the virtual world. In 2008 she was appointed Honorary Professor of Media Theory and Interactive Media Art for the cross-university course of studies for digital media at Bremen University of Applied Sciences, Academy of Fine Arts and University of Bremen. Monika is Member of the MIMA ART Board at MIMA University | Munich Institute of Media and Musical Arts.

<span class="mw-page-title-main">Patricia Olynyk</span>

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References

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