Margaret Mead was an American cultural anthropologist who featured frequently as an author and speaker in the mass media during the 1960s and the 1970s.
Jean Rouch was a French filmmaker and anthropologist.
Visual anthropology is a subfield of social anthropology that is concerned, in part, with the study and production of ethnographic photography, film and, since the mid-1990s, new media. More recently it has been used by historians of science and visual culture. Although sometimes wrongly conflated with ethnographic film, visual anthropology encompasses much more, including the anthropological study of all visual representations such as dance and other kinds of performance, museums and archiving, all visual arts, and the production and reception of mass media. Histories and analyses of representations from many cultures are part of visual anthropology: research topics include sandpaintings, tattoos, sculptures and reliefs, cave paintings, scrimshaw, jewelry, hieroglyphics, paintings and photographs. Also within the province of the subfield are studies of human vision, properties of media, the relationship of visual form and function, and applied, collaborative uses of visual representations.
Salvage ethnography is the recording of the practices and folklore of cultures threatened with extinction, including as a result of modernization and assimilation. It is generally associated with the American anthropologist Franz Boas; he and his students aimed to record vanishing Native American cultures. Since the 1960s, anthropologists have used the term as part of a critique of 19th-century ethnography and early modern anthropology.
Timothy Asch was an American anthropologist, photographer, and ethnographic filmmaker. Along with John Marshall and Robert Gardner, Asch played an important role in the development of visual anthropology. He is particularly known for his film The Ax Fight and his role with the USC Center for Visual Anthropology.
The USC Center for Visual Anthropology (CVA) is a center located at the University of Southern California. It is dedicated to the field of visual anthropology, incorporating visual modes of expression in the academic discipline of anthropology. It does so in conjunction with faculty in the anthropology department through five types of activities: training, research and analysis of visual culture, production of visual projects, archiving and collecting, and the sponsorship of conferences and film festivals. It offers a B.A. and an MVA in Visual Anthropology.
The Human Studies Film Archives (HSFA) is a sister archive to the National Anthropological Archives within the Smithsonian's National Museum of Natural History. HSFA preserves and provides access to ethnographic films and anthropological moving image materials. It is located at the Smithsonian Museum Support Center in Suitland, Maryland.
Sol Worth was a painter, photography and visual communication scholar.
Robert Grosvenor Gardner was an American academic, anthropologist, and documentary filmmaker who was the Director of the Film Study Center at Harvard University from 1956 to 1997. He is known for his work in the field of visual anthropology and films like the National Film Registry inductee Dead Birds and Forest of Bliss. In 2011, a retrospective of his work was held at Film Forum, New York.
Lina Fruzzetti is an American cultural anthropologist and documentary filmmaker. Since 1975, she has been a professor of anthropology at Brown University in the United States. Apart from having published ethnographic studies about rural communities and gender relations in East Africa, India and Tanzania, she is the author of several ethnographic films. These films were written and co-directed with her husband, Ákos Östör, cultural anthropologist and professor emeritus of anthropology at Wesleyan University. Since 2016 Fruzzetti is also a Fellow at the Jawaharlal Nehru University Institute for Advanced Studies (JNIAS) in New Delhi, India.
A Balinese Trance Seance is a 1979 documentary film by ethnographic filmmaker Tim Asch and anthropologist Linda Connor that profiles Jero Tapakan, a Balinese spirit medium. It was one of five films that were made with Jero Tapakan and were considered to be exemplary ethnographic films.
Ethnofiction refers to a subfield of ethnography which produces works that introduce art, in the form of storytelling, "thick descriptions and conversational narratives", and even first-person autobiographical accounts, into peer-reviewed academic works.
An ethnographic film is a non-fiction film, often similar to a documentary film, historically shot by Western filmmakers and dealing with non-Western people, and sometimes associated with anthropology. Definitions of the term are not definitive. Some academics claim it is more documentary, less anthropology, while others think it rests somewhere between the fields of anthropology and documentary films.
Ethnocinema, from Jean Rouch’s cine-ethnography and ethno-fictions, is an emerging practice of intercultural filmmaking being defined and extended by Melbourne, Australia-based writer and arts educator, Anne Harris, and others. Originally derived from the discipline of anthropology, ethnocinema is one form of ethnographic filmmaking that prioritises mutuality, collaboration and social change. The practice's ethos claims that the role of anthropologists, and other cultural, media and educational researchers, must adapt to changing communities, transnational identities and new notions of representation for the 21st century.
Incidents of Travel in Chichén Itzá is an ethnographic film . Jeff Himpele and Quetzil E. Castañeda, filmmakers and producers. Production 1995 and 1997. Postproduction release: 1997.
Pegi Vail is an American anthropologist, documentary filmmaker, and curator at New York University.
Linda Helen Connor is an Australian anthropologist. She is Emeritus Professor of Anthropology at the University of Sydney.
The Doon School Quintet is a five-part ethnographic film series made by the American visual anthropologist and documentary filmmaker David MacDougall, between 1997 and 2000, at The Doon School, an elite all-boys boarding school in India. For thirteen months over three years, MacDougall lived with the students and was given unprecedented access for filming inside the residential campus. By the end, MacDougall had more than 85 hours of material, which he edited into 5 parts, with a total duration of about 8 hours. The project ranks among MacDougall's most ambitious and longest works and is the only film series in his oeuvre.
A Wife Among Wives is a 1981 ethnographic documentary produced by filmmakers Judith and David MacDougall. It is about the dynamics of polyamorous marriage in a small Turkana village in Kenya. The film premiered at the 1981 Margaret Mead Film Festival. It has a runtime of 72 minutes.
