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References
- ↑ Checa-Gismero, Paloma (September 2017). "Realism in the Work of Maria Thereza Alves". Afterall: A Journal of Art, Context and Enquiry. 44: 52–63. doi:10.1086/695513. ISSN 1465-4253.
- 1 2 Yawitz, Adela (2018-06-18). "Curators Test Ties Between Science, Art, and The Colonial Imagination". Hyperallergic. Retrieved 2023-06-12.
- 1 2 3 4 5 "Intra-Disciplinary Seminar Public Lecture: Maria Thereza Alves A'85". The Cooper Union. Retrieved 2023-06-11.
- ↑ "Maria Thereza Alves - 32nd Bienal". 32nd Bienal São Paulo. Retrieved 2023-06-12.
- 1 2 Aloi, Giovanni; Marder, Michael (2023-07-04). Vegetal Entwinements in Philosophy and Art: A Reader. MIT Press. p. 404. ISBN 978-0-262-04779-1.
- ↑ "Maria Thereza Alves, Seeds of Change: New York—A Botany of Colonization". Vera List Center, The New School. Retrieved 2023-06-12.
- 1 2 3 Aima, Rahel. "Rahel Aima on Maria Thereza Alves's Seeds of Change". Artforum . Retrieved 2023-06-12.
- 1 2 Meier, Allison (2017-11-15). "How the Invasive Plants of New York Represent the City's Colonial Past". Hyperallergic. Retrieved 2023-06-12.
- ↑ Moffitt, Evan (2018-08-16). "How Nature and Art Reveal the Illogic of Borders". Frieze. No. 197. ISSN 0962-0672 . Retrieved 2023-06-12.
- ↑ Morgan, Tiernan; Politics, Vera List Center for Art and (2017-10-31). "Vera List Center Prize for Art and Politics Conference 2016–2018". Hyperallergic. Retrieved 2023-06-12.
- ↑ "Biennale Of Sydney Announces 2020 Exhibition: Nirin". Biennale of Sydney. 9 April 2019. Archived from the original on 2020.
- ↑ "Oltre Triumphs and Laments, sul Tevere arriva Witnesses - Arte". Agenzia ANSA (in Italian). 2021-10-08. Retrieved 2023-06-12.
