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Stanley Winston was an American television and film special make-up effects creator, best known for his work in the Terminator series, the first three Jurassic Park films, Aliens, The Thing, the first two Predator films, Inspector Gadget, Iron Man, and Edward Scissorhands. He won four Academy Awards for his work.
Richard Baneham is an Irish animator and visual effects supervisor, who has worked on several film series, including The Lord of the Rings film trilogy, the Chronicles of Narnia films and the Avatar franchise. Amongst other awards, Baneham has received a BAFTA Award for Best Special Visual Effects and an Academy Award for Best Visual Effects in 2009, both for his work on Avatar, and a further Academy Award in 2023, for visual effects on Avatar: The Way of Water.
Derek Meddings was a British film and television special effects designer. He was initially noted for his work on the "Supermarionation" TV puppet series produced by Gerry Anderson, and later for the 1970s and 1980s James Bond and Superman film series.
Rhythm & Hues Studios was an American visual effects and animation company that received the Academy Award for Best Visual Effects in 1995 for Babe, in 2008 for The Golden Compass, and in 2013 for Life of Pi. It also received four Scientific and Technical Academy Awards.
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Boss Film Studios was a prominent American visual effects company, founded by visual effects veteran Richard Edlund after his departure from Industrial Light and Magic, producing visual effects for over thirty films from 1983 to 1997. Before that period Edlund had worked at ILM on films like Raiders of the Lost Ark (1981) and the original Star Wars trilogy (1977-1983).
Terence Rawlings was a British film editor and sound editor with several BAFTA nominations and one Academy Award nomination. His credits as a sound editor date from 1962–1977, after which he was credited primarily as a film editor.
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Conrad Buff IV is an American film editor with more than 25 film credits since 1985. Buff is known for winning an Academy Award for Best Film Editing and an ACE Eddie Award for Titanic (1997); the awards were shared with his co-editors James Cameron and Richard A. Harris. He won the 2000 Satellite Award for Best Editing for Thirteen Days.
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Paul J. Franklin is an English visual effects supervisor who has worked with visual effects since the 1990s. Franklin won the Academy Award for Best Visual Effects and the BAFTA Award for Best Special Visual Effects for Inception (2010), and won a second Academy Award for Best Visual Effects for Interstellar (2014). He shared the wins with Andrew Lockley, Peter Bebb, and Chris Corbould. Franklin has also been nominated for an Academy Award for The Dark Knight (2008). He was nominated for BAFTA Awards for Batman Begins, The Dark Knight (2008), and The Dark Knight Rises (2012).
John Bruno is an American visual effects artist and filmmaker known for his prolific collaborations with director James Cameron on films like Terminator 2: Judgment Day, True Lies, Titanic, Avatar, and The Abyss, for which he won the Academy Award for Best Visual Effects.
Andrew Jackson is an English Australian visual effects supervisor. He has worked on various feature films, including 300 (2006), Knowing (2009), Mad Max: Fury Road (2015), Dunkirk (2017), The King (2019), Tenet (2020), and Oppenheimer (2023).
Suzanne M. Benson is a visual effects producer born in 1958. She studied visual effects at the University of Arizona. She is best known for her work in Creature, Aliens, Spy Hard and Street Fighter. In 1987, she became the first woman to win an Oscar for special effects work in recognition for her work on the 1986 film Aliens. The film also won a BAFTA for special effects and a Saturn Award.
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References
- 1 2 "Mark Stetson". World Building Institute. Retrieved 2023-06-24.
- 1 2 "The 74th Academy Awards (2002) Nominees and Winners" . Retrieved September 29, 2014.
