Giovanni Francesco Barbieri, better known as (il) Guercino, was an Italian Baroque painter and draftsman from Cento in the Emilia region, who was active in Rome and Bologna. The vigorous naturalism of his early manner contrasts with the classical equilibrium of his later works. His many drawings are noted for their luminosity and lively style.
Il Sodoma was the name given to the Italian Renaissance painter Giovanni Antonio Bazzi. Il Sodoma painted in a manner that superimposed the High Renaissance style of early 16th-century Rome onto the traditions of the provincial Sienese school; he spent the bulk of his professional life in Siena, with two periods in Rome.
Guido Reni was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome, Naples, and his native Bologna, he became the dominant figure in the Bolognese School that emerged under the influence of the Carracci.
Cuneo is a city and comune in Piedmont, Italy, the capital of the province of Cuneo, the fourth largest of Italy’s provinces by area.
Saluzzo is a town and former principality in the province of Cuneo, in the Piedmont region, Italy.
Giovanni Ambrogio Figino was an Italian Renaissance painter from Milan.
Giuseppe Maria Crespi, nicknamed Lo Spagnuolo, was an Italian late Baroque painter of the Bolognese School. His eclectic output includes religious paintings and portraits, but he is now most famous for his genre paintings.
Guido Cagnacci was an Italian painter originally from Santarcangelo di Romagna. Associated most readily with the Baroque period, his mature works are characterized by their use of chiaroscuro and their sensual subjects. He was influenced by the masters of the Bolognese School.
Mario Sironi was an Italian Modernist artist who was active as a painter, sculptor, illustrator, and designer. His typically somber paintings are characterized by massive, immobile forms.
Trento Longaretti was an Italian painter. He studied at the Brera Academy in the 1930s, where he was taught by renowned artists, including painters Aldo Carpi and Pompeo Borra, and sculptors Francesco Messina and Marino Marini. He stated that painting is an "elixir for long life", and continued to paint and exhibit as a centenarian.
Emilio Longoni was an Italian painter.
Francesco Podesti was an Italian painter, active in a Romantic style. Together with Francesco Hayez and Giuseppe Bezzuoli, he is considered one of the greatest Italian painters of the first half of the 19th century. He was prolific in his large canvases on historical subjects. He is best known for his fresco work, including those in the Hall of the Immacolata in the Vatican Museum.
Piergiorgio Colautti is a modern Italian painter and sculptor, who lived and worked in Rome. He is known for his own distinctive style, sometimes labelled "Hyperfuturism", in which figurative elements are enmeshed and submerged by symbols reflecting a cold and modern technological world.
Matteo Montani is a contemporary Italian painter and sculptor born in Rome in 1972.
Mauro Marrucci was an Italian artist born in Volterra, Italy on December 18, 1937, by artisans parents and he died November 15, 2014, in Grosseto. Since 1950 he is acting as the Alabaster craftsman and wood and began his artistic research, released by academic schemes, as a graphic designer and painter and makes experiences in the field of sculpture. In 1861 he won first teaching assignment in Tuscany where he continues to practice as a graphic designer, painter and designer. Since 1973, public writings of artistic teaching and non-fiction. In December 1974 on Public Education of drawing the essay "The educational dialogue through the work of art." He also collaborates with the magazine School and cities. In 1982 he moved to Milan to teach Design and Art History at the XIII High School. In 1986 he held the chair of architecture at the Art School "Pietro Aldi" in Grosseto until retirement. From 1957 to 2011 he took part in demonstrations in graphics and painting in Italy and abroad, receiving reports from the most qualified critics and several awards.
Manlio Martinelli (1884–1974) was an Italian painter active in Livorno.
Blonde Bather is the name of two very similar paintings by French painter Pierre-Auguste Renoir, created in 1881 and 1882. The model was Aline Charigot, later to become Renoir's wife. Influenced by Renaissance painting that Renoir saw in Italy in 1881, both paintings show a marked change of style from Renoir's previous work. Some commentators consider these are works of great beauty, others that they are vulgar. There has been criticism of the conservation work performed on the 1881 painting.
Ugo Giletta is an Italian artist.
Carl Ernst "Karli" Sohn-Rethel German Modernist painter of the Düsseldorf school of painting art movement. He traveled often and was active in Düsseldorf, Munich, Rome, Positano, Paris, among other places. Sohn-Rethel was a member of the art groups, Sonderbund group and Young Rhineland.
Matteo Masiello was an Italian painter.
