Max Headroom: 20 Minutes into the Future

Last updated

Max Headroom: 20 Minutes into the Future
Max Headroom, 20 Minutes into the Future.jpeg
GenreScience fiction
Written bySteve Roberts
Directed by Rocky Morton
Annabel Jankel
Starring Matt Frewer
Nickolas Grace
Amanda Pays
W. Morgan Sheppard
Roger Sloman
Hilary Tindall
Music by Midge Ure
Chris Cross
Country of originUnited Kingdom
Original languageEnglish
Production
Executive producer Terry Ellis
ProducersPeter Wagg
Chris Griffin (line producer)
Production locationsEast Ham, London, England
Cinematography Phil Meheux
EditorMichael Bradsell
Running time57 minutes
Original release
ReleaseApril 4, 1985 (1985-04-04)

Max Headroom: 20 Minutes into the Future is a 1985 cyberpunk television film created by British company Chrysalis Visual Programming Ltd. for Channel 4. Max Headroom was created by George Stone, [1] Annabel Jankel, and Rocky Morton, while the TV movie story was developed by Stone and screenwriter Steve Roberts. [2] The television film was created to provide a backstory and origin for the character Max before he started appearing regularly as host and veejay of a new music video programme on Channel 4, The Max Headroom Show . [2]

Contents

The story depicts a near-future where corrupt corporations control much of the world and manipulate the public for the sake of ratings and wealth. Events lead crusading journalist Edison Carter to crash a motorcycle and suffer head trauma from a parking lot safety sign reading "MAX. HEADROOM: 2.3 M" (an overhead clearance of 2.3 metres). While unconscious, Carter's mind and memories are used as the basis for a new artificial intelligence that adopts the name Max Headroom. While Carter recovers and exposes corporate corruption, his AI twin Max becomes popular as a witty TV host who criticizes society and media. Both Edison Carter and Max Headroom are portrayed by actor Matt Frewer. [2]

On 4 April 1985, Channel 4 transmitted the TV movie Max Headroom: 20 Minutes Into the Future, starring Matt Frewer, Amanda Pays, Paul Spurrier, Nickolas Grace, and W. Morgan Sheppard. Two days later, Max began appearing regularly as the veejay of The Max Headroom Show. [2] [3] HBO (which owned another cable television provider Cinemax) provided some of the original funding and the series later ran on Cinemax for American audiences. [2] Following its cancellation, American network ABC commissioned Chrysalis to produce a new dramatic television series based on the characters, concepts, and world established in the film Max Headroom: 20 Minutes into the Future. [2] The new programme, entitled simply Max Headroom , featured Matt Frewer and Amanda Pays reprising their original roles. Each episode began with the phrase "20 Minutes into the Future." [2] [4]

Plot

Edison Carter (Matt Frewer) is a headstrong television reporter determined to uncover corruption even if his employer Network 23 is involved. Carter is investigating an apartment explosion when he is pulled from the story by the television station management. Carter's new producer Theora Jones (Amanda Pays) agrees to help him investigate further despite pressure from upper management. The two discover Network 23 is covering up the fact that its new subliminal advertising (called "blipverts") can be fatal to certain viewers, even causing them to explode.

Carter recovers evidence of the cover-up at Network 23 headquarters but is discovered on security camera by Bryce Lynch (Paul Spurrier), an amoral teenage computer genius who created blipverts and answers only to Network 23's chief executive Mr. Grossman. As Carter attempts to flee from Mr. Breughel and Mr. Mahler, two sociopathic thugs, via the building's parking garage on a motorcycle, Lynch takes control of the security barriers. The rising barrier causes Carter to crash through a low-clearance sign labelled "Max. Headroom 2.3m", resulting in a serious head injury. Jones witnesses Carter's crash via security cameras but is unable to arrive in time before Lynch's hired goons remove him from the scene.

Grossman is upset Lynch has attacked and possibly killed Carter, as the journalist's fame means his disappearance will be noticed and investigated. To delay any investigation and provide alibis, Lynch insists he can digitally copy Carter's mind and appearance. This way they can create a digital replacement and fake footage of the reporter being alive and well for days to come. But his efforts are flawed. The digital clone does not look identical to Carter and seems to develop its own personality after repeatedly saying "max headroom." Giving up on the plan, Bryce instructs Breughel and Mahler to dispose of both Carter and the "Max Headroom" digital personality. Instead, they decide to profit by selling Max Headroom to Blank Reg, the presenter of "Big Time", a pirate television station, and Carter to a "body bank" where he will be harvested for organs.

After some guidance from Reg, Max Headroom quickly becomes a popular TV host on Blank Reg’s pirate station, delivering biting commentary and rapid-fire humor, particularly about Network 23, which gets the uneasy attention of a now panicked Grossman. Meanwhile, recovering from his injuries, Carter escapes the body bank and reunites with Jones. With her help, and the help of Breughel and Mahler, Carter eventually reveals he is still alive and exposes the corruption of Network 23, Lynch and Grossman. Max Headroom remains with Big Time.

Cast

Conception and development

The character of Max Headroom and his nature as a computer-generated person was created by George Stone, [1] Annabel Jankel, and Rocky Morton. With the rising popularity of music videos with youth culture and stations such as MTV, Channel 4 decided to host its own music video programme. Rocky Morton was tasked to come up with a graphic that would play before and after the videos, make it clear to audiences these were features of a special show and not just music videos airing at random between TV commercials. Taking inspiration from MTV video jockeys (VJs or "veejays") and US TV hosts, Rocky Morton decided a graphic or "bumper video" would not appeal to youth nearly as much as a host with a loud personality. [2] He also thought British youth would be suspicious of a youthful personality attempting to appeal to them and might instead appreciate the cynical irony of a host who appeared to be a conservative man in a simple suit and tie attempting to appeal to youth but not having a true understanding of their culture. He saw the host as "the most boring thing that I could think of to do... a talking head: a middle-class white male in a suit, talking to them in a really boring way about music videos." [2]

Morton thought the host should be computer-generated or animated. When this did not prove practical, it was decided to cast an actor who would present the illusion of a computer generated host. The character's name originated well before the other aspects of the character because the phrase "max. headroom" was often displayed over the entranceway of car parks and garages in the UK. George Stone remarked this gave the character "Instant branding, instant recognition." [5] The creators also appreciated that "Max Headroom" was comically ironic since the character acted as if he knew and understood everything, while the name indicated his mind was actually empty of true knowledge and wisdom. [2] Sometime after the popularity of Max Headroom as a character, it became more common in the UK for such signs to read "max. height" rather than "max. headroom." [2]

Channel 4 executives enjoyed the idea Morton pitched and decided to first introduce Max as a character in an hour-long TV-movie before then presenting him as a programme host in The Max Headroom Show . [2] Producer Peter Wagg hired writers David Hansen and Paul Owen to construct Max Headroom's "whole persona", [6] which Morton described as the "very sterile, arrogant, Western personification of the middle-class, male TV host". [7] The background story provided for the Max Headroom character was rooted in a dystopian near-future dominated by television and large corporations, devised by George Stone and eventual script writer Steve Roberts.

Canadian-American actor Matt Frewer tested for the role after a friend of his had already auditioned and then suggested him instead. [2] Producer and Max Headroom co-creator Annabel Jankel thought Frewer would be a good choice to masquerade as a person whose appearance was designed by a computer, seeing from his casting polaroid photo that he had "unbelievably well-defined features." [2] Frewer was given "a few lines" of dialogue and then encouraged to improvise as he saw fit. Frewer did a comedic improvisation that lasted for more than ten minutes, impressing the production crew. [2] The actor took inspiration from character Ted Baxter of The Mary Tyler Moore Show , saying in a 1987 interview, "I particularly wanted to get that phony bonhomie of Baxter ... Max always assumes a decade long friendship on the first meeting. At first sight, he'll ask about that blackhead on your nose." [8]

The character of Max Headroom was advertised as the first "computer-generated" television presenter. The illusion of a computer-generated character who only exists in computers and TV broadcast signals was accomplished by having Matt Frewer wear prosthetic make-up, contact lenses, and a plastic molded suit while sitting in front of a blue screen. Harsh lighting and other editing and recording effects heightened the illusion of a CGI character. [1] [6] Rod Lord and Peter Tupey won the award for best graphics at the 1986 BAFTA Television Craft Awards. [9]

In discussing Max's fictional origin story, it was first proposed that he could be an AI created to stand-in for a human TV host who was late for his own show. The backstory would be revealed through different five-minute segments during the first season of The Max Headroom Show. [2] When Channel 4 decided Max's origin would be featured in an hour long TV movie instead, an expanded story was developed and the origin was altered to now involve a crusading journalist named Edison Carter. On 4 April 1985, the TV movie Max Headroom: 20 Minutes Into the Future introduced Max to television audiences. [10] On 6 April 1985, Channel 4 aired the first episode of The Max Headroom Show.

Spin-off

In 1987, American network ABC hired the creators of the Channel 4 film to adapt the story and world of Max Headroom: 20 Minutes into the Future into the dramatic series Max Headroom . Fourteen episodes were broadcast during the 1987–1988 television season. The pilot was a remake of the Channel 4 movie with minor changes, such as having Max and Carter actually acquainted, and making Max work with Network 23 rather than Big Time. The pilot recycled some of the digital footage from the original film. Cast members Matt Frewer, Amanda Pays and William Morgan Sheppard reprised their roles from the original film. Jeffrey Tambor was added to the cast as Edison's boss Murray. Pablo Cruise keyboardist Cory Lerios provided the theme. Each episode of the dramatic series began with the phrase "20 Minutes into the Future." [2] [4]

Home media release

Max Headroom: 20 Minutes into the Future was released on VHS in the US and UK in 1986. In 2006, it was released on DVD in Japan. [11]

Related Research Articles

<i>Max Headroom</i> (TV series) 1987–1988 satirical science fiction show

Max Headroom is an American satirical science fiction television series by Chrysalis Visual Programming and Lakeside Productions for Lorimar-Telepictures that aired in the United States on ABC from March 31, 1987, to May 5, 1988. The series is set in a futuristic dystopia ruled by an oligarchy of television networks, and features the character and media personality Max Headroom. The story is based on the Channel 4 British TV film produced by Chrysalis, Max Headroom: 20 Minutes into the Future.

<span class="mw-page-title-main">Amanda Pays</span> British actress

Amanda Pays is an English interior designer, actress, and television presenter.

<span class="mw-page-title-main">Matt Frewer</span> Canadian-American actor (born 1958)

Matthew George Frewer is a Canadian-American actor and comedian. He portrayed the 1980s icon Max Headroom in the 1985 TV film and 1987 television series of the same names.

WTTW is a PBS member television station in Chicago, Illinois, United States. Owned by not-for-profit broadcaster Window to the World Communications, Inc., it is sister to commercial classical music radio station WFMT. The two stations share studios in the Renée Crown Public Media Center, located at 5400 North Saint Louis Avenue in the city's North Park neighborhood; its transmitter facility is atop the Willis Tower on South Wacker Drive in the Chicago Loop. WTTW also owns and operates The Chicago Production Center, a video production and editing facility that is operated alongside the two stations.

TechTV was a 24-hour cable and satellite channel based in San Francisco featuring news and shows about computers, technology, and the Internet. In 2004, it merged with the G4 gaming channel which ultimately dissolved TechTV programming. At the height of its six-year run, TechTV was broadcast in 70 countries, reached 43 million households, and claimed 1.9 million unique visitors monthly to its website. A focus on personality-driven product reviews and technical support made it a cultural hub for technology information worldwide, still existing today online through its former hosts' webcasts, most notably the TWiT Network.

U.S. television science fiction is a popular genre of television in the United States that has produced many of the best-known and most popular science fiction shows in the world. Most famous of all, and one of the most influential science-fiction series in history, is the iconic Star Trek and its various spin-off shows, which comprise the Star Trek franchise. Other hugely influential programs have included the 1960s anthology series The Twilight Zone, the internationally successful The X-Files, and a wide variety of television movies and continuing series for more than half a century.

A blipvert is a very brief television advertisement, lasting one second. The word is a portmanteau of blip, a brief sound, and advertisement.

<i>Network 7</i> British TV series or programme

Network 7 is a short-lived but influential youth music and current affairs programme screened on Channel 4 over two series in 1987 and 1988. The series was created by Jane Hewland and Janet Street-Porter, who was also editor of the first series.

<i>Maniac Mansion</i> (TV series) TV series or program

Maniac Mansion is a sitcom created by Eugene Levy, which aired concurrently on YTV in Canada and The Family Channel in the United States for three seasons from September 14, 1990, to April 4, 1993.

Max Headroom is a fictional computer-generated character played by comedian Matt Frewer.

"Blipverts" is the first regular episode of the science-fiction television series Max Headroom.

<span class="mw-page-title-main">Max Headroom</span> Fictional British character

Max Headroom is a fictional character played by actor Matt Frewer. Advertised as "the first computer-generated TV presenter", Max was known for his biting commentary on a variety of topical issues, arrogant wit, stuttering, and pitch-shifting voice. The character was created by George Stone, Annabel Jankel, and Rocky Morton. Max was advertised as "computer-generated", and some believed this, but he was actually actor Frewer wearing prosthetic makeup, contact lenses, and a plastic moulded suit, and sitting in front of a blue screen. Harsh lighting and other editing and recording effects heighten the illusion of a CGI character. According to his creators, Max's personality was meant to be a satirical exaggeration of the worst tendencies of television hosts in the 1980s who wanted to appeal to youth culture, yet were not a part of it. Frewer proposed that Max reflected an innocence, largely influenced not by mentors and life experience but by information absorbed from television.

<i>David Tench Tonight</i> Australian TV series or program

David Tench Tonight was a short-lived television talk show created for Network Ten in Australia. The series featured David Tench, an animated fictional character, as host. The name "Tench" is a partial anagram created from the name Channel Ten. The actor behind the digital Tench was Australian actor Drew Forsythe.

<span class="mw-page-title-main">Max Headroom signal hijacking</span> 1987 Chicago television hijacking incident

On the night of November 22, 1987, the television signals of two stations in Chicago, Illinois, were hijacked, briefly sending a pirate broadcast of an unidentified person wearing a Max Headroom mask and costume to thousands of home viewers.

Annabel Jankel, also known as AJ Jankel, is a British film and TV director who first came to prominence as a music video director and the co-creator of the pioneering cyber-character Max Headroom and as co-director of the film adaptation of Super Mario Bros. She is the sister of musician and songwriter Chaz Jankel, who is best known as a member of new wave band Ian Dury & The Blockheads.

Rocky Morton is an English director. He is the co-creator of the TV series Max Headroom and co-director of the 1993 Hollywood Pictures film Super Mario Bros. Various music videos by Tom Tom Club, Talking Heads, Gravity Kills, Orgy, George Harrison and Miles Davis are credited to Morton. He and his then-partner, Annabel Jankel, made their television debut with the original Max Headroom: 20 Minutes into the Future, and its Americanized version. The duo made their big-screen debut with D.O.A., starring Dennis Quaid and Meg Ryan.

Takashi Taniguchi was a Japanese voice actor from Hokkaido. He was last attached to Office Ōsawa at the time of his death. On December 28, 2012, fellow voice actor Toshio Furukawa announced Taniguchi's death through Twitter after receiving the news through Office Ōsawa. He was 65 years old at the time of his death.

The Max Headroom Show is a television series that debuted in the UK in 1985. It was produced by Carlton TV and aired on Channel 4, with an initial series of 13 shows. It featured actor Matt Frewer playing the role of pseudo-computer-generated talk-show host Max Headroom. It returned in 1986 for a second series of six episodes plus a Christmas special. The final series aired in 1987.

Erica Russell is a New Zealand-born film animator.

References

  1. 1 2 3
    • Jerz, Dennis G. (22 March 2015). "George Stone Credits Scott Adams Adventure Games for Inspiring "Max Headroom"". Jerz's Literacy Weblog (est. 1999). Retrieved 29 August 2023. ...I had never heard that I had anything to do with your creation of Max! I am deeply honored to play even a small roll in this! Would you mind greatly if I were allowed to make this fact known? – Scott Adams Good to hear from you. I hereby aknowledge [sic] your role in Max's Genesis and grant you full irrevocable rights to say exactly what you like.... – George Stone
    • "YouTube video at the ICA with Stone, Morton and Jankel". Archived from the original on 22 March 2016. Retrieved 3 October 2014.
    • "Culture Now: Max Headroom". youtube. ica.org.uk. 13 June 2012. Retrieved 29 August 2023. Rocky Morton, George Stone and Annabel Jankel discuss the creation of the virtual character 'Max Headroom'.
    • "Talks : Culture Now: Twenty Minutes Later. Rocky Morton in conversation with George Stone". ica.org.uk . Archived from the original on 12 September 2013. Retrieved 29 August 2023.
    • "George Stone on Max Headroom". archive.ica.art . Institute of Contemporary Arts . Retrieved 28 August 2023.
    • "George Stone". The Museum of Modern Art . MoMA. Retrieved 28 August 2023.
    • Schmidt-Rees, Hannah (21 April 2020). "20 Minutes into the Future - Max Headroom". PERSPEX. Retrieved 29 August 2023.
    • "Max: Crew & Creative". The Max Headroom Chronicles. Retrieved 28 August 2023. George Stone is Max Headroom's creator in almost every respect. A marketing executive and science fiction writer who worked for Chrysalis Productions, he was tasked by Wagg, Morton and Jankel to write the overall back story of this new creation.
    • Atkinson, Terry (5 May 1987). "THE MIXED-UP WORLD OF MAX HEADROOM CREATORS". Los Angeles Times. Retrieved 28 August 2023. Stone came up with the idea for a character named Max Headroom, and Morton and Jankel fleshed it out a bit.
    • Stone, George; Morton, Rocky; Jankel, Annabel. "Max Headroom - Complete Series" . Retrieved 28 August 2023 via archive.org. Attribution-NoDerivatives 4.0 International
    • Max Headroom Annual. Chrysalis Visual Programming Ltd. 1986. Retrieved 29 August 2023 via archive.org. Designed by David Clark Design Group Ltd.
    • \Tselentis, Jason (16 February 2022). "The Enduring Legacy of '80s Cult Phenom Max Headroom". Eye on Design. American Institute of Graphic Arts . Retrieved 29 August 2023.
  2. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 Bishop, Bryan (2 April 2015). "Live and Direct: The definitive oral history of 1980s digital icon Max Headroom". The Verge . Retrieved 30 January 2020.
  3. 1 2 Max Headroom: The Complete Series . Shout Factory.
  4. Ward, Brian (2010). Live On Network 23: The Story Of Max Headroom [Max Headroom: The Complete Series bonus feature] (DVD). Shout Factory. Event occurs at 3:20.
  5. 1 2 Ward, Brian (2010). Live On Network 23: The Story Of Max Headroom [Max Headroom: The Complete Series bonus feature] (DVD). Shout Factory.
  6. "TV's Hall of Flukey Fame". People. 25 August 1986. Retrieved 28 March 2020.
  7. "Mad About M-M-Max". Newsweek. 20 April 1987.
  8. http://awards.bafta.org/award/1986/tvcraft/graphics
  9. Max Headroom: 20 Minutes Into the Future. Channel 4 TV-movie (April 4, 1985).
  10. Saint John, Robert (29 January 2007). "Live and Direct from Japan… It's M-M-Max Headroom!". SciFi Japan. Retrieved 17 August 2022.