Murder in the Cathedral

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Thirteenth-century manuscript illumination depicting Becket's assassination Thomas Becket Murder.JPG
Thirteenth-century manuscript illumination depicting Becket's assassination

Murder in the Cathedral is a verse drama by T. S. Eliot, first performed in 1935 (published the same year). The play portrays the assassination of Archbishop Thomas Becket in Canterbury Cathedral during the reign of Henry II in 1170. Eliot drew heavily on the writing of Edward Grim, a clerk who was an eyewitness to the event. [1]

Contents

Some material that the producer asked Eliot to remove or replace during the writing was transformed into the poem "Burnt Norton". [2]

Plot

The action occurs between 2 and 29 December 1170, chronicling the days leading up to the martyrdom of Thomas Becket following his absence of seven years in France. Becket's internal struggle is a central focus of the play.

The book is divided into two parts. Part one takes place in the Archbishop Thomas Becket's hall on 2 December 1170. The play begins with a Chorus singing, foreshadowing the coming violence. The Chorus is a key part of the drama, with its voice changing and developing during the play, offering comments about the action and providing a link between the audience and the characters and action, as in Greek drama. Three priests are present, and they reflect on the absence of Becket and the rise of temporal power. A herald announces Becket’s arrival. Becket is immediately reflective about his coming martyrdom, which he embraces, and which is understood to be a sign of his own selfishness—his fatal weakness. The tempters arrive, three of whom parallel the Temptations of Christ.

The first tempter offers the prospect of physical safety.

Take a friend's advice. Leave well alone,
Or your goose may be cooked and eaten to the bone.

The second offers power, riches, and fame in serving the King.

To set down the great, protect the poor,
Beneath the throne of God can man do more?

The third tempter suggests a coalition with the barons and a chance to resist the King.

For us, Church favour would be an advantage,
Blessing of Pope powerful protection
In the fight for liberty. You, my Lord,
In being with us, would fight a good stroke

Finally, a fourth tempter urges him to seek the glory of martyrdom.

You hold the keys of heaven and hell.
Power to bind and loose: bind, Thomas, bind,
King and bishop under your heel.
King, emperor, bishop, baron, king:

Becket responds to all of the tempters and specifically addresses the immoral suggestions of the fourth tempter at the end of the first act:

Now is my way clear, now is the meaning plain:
Temptation shall not come in this kind again.
The last temptation is the greatest treason:
To do the right deed for the wrong reason.

The Interlude of the play is a sermon given by Becket on Christmas morning 1170. It is about the strange contradiction that Christmas is a day both of mourning and rejoicing, which Christians also do for martyrs. He announces at the end of his sermon, "it is possible that in a short time you may have yet another martyr". We see in the sermon something of Becket's ultimate peace of mind, as he elects not to seek sainthood, but to accept his death as inevitable and part of a better whole.

Part II of the play takes place in the Archbishop's Hall and in the Cathedral, 29 December 1170. Four knights arrive with "Urgent business" from the king. These knights had heard the king speak of his frustration with Becket and had interpreted this as an order to kill Becket. They accuse him of betrayal, and he claims to be loyal. He tells them to accuse him in public, and they make to attack him, but priests intervene. The priests insist that he leave and protect himself, but he refuses. The knights leave and Becket again says he is ready to die. The chorus sings that they knew this conflict was coming, that it had long been in the fabric of their lives, both temporal and spiritual. The chorus again reflects on the coming devastation. Thomas is taken to the Cathedral, where the knights break in and kill him. The chorus laments: “Clear the air! Clean the sky!", and "The land is foul, the water is foul, our beasts and ourselves defiled with blood."

At the close of the play, the knights address the audience to defend their actions. While the rest of the play is in verse, their speeches of justification are in strikingly contemporary prose. They assert that while they understand their actions will be seen as murder, it was necessary and justified, so that the power of the church should not undermine the stability of the state.

Performances

Movie poster for Murder in the Cathedral Murder in the Cathedral (movie poster).jpg
Movie poster for Murder in the Cathedral

First performance

George Bell, the Bishop of Chichester, was instrumental in getting Eliot to work as writer with producer E. Martin Browne in producing the pageant play The Rock (1934). Bell then asked Eliot to write another play for the Canterbury Festival in 1935. Eliot agreed to do so if Browne once again produced (he did). The first performance of Murder in the Cathedral was given on 15 June 1935 in the Chapter House of Canterbury Cathedral. Robert Speaight played the part of Becket. The production then moved to the Mercury Theatre, Notting Hill Gate in London and ran there for several months. A significant performance of the play was held on 15 February 2018. Nithin Varghese, an assistant professor at St Berchmans College in Changanassery, directed the play for the first time in Kerala. This performance was part of the golden jubilee celebration of the postgraduate program in English at the college. The play was staged on the outdoor stage located in front of the Arts Block, and received positive recognition from the audience for its adherence to T. S. Eliot's original text.

Television and film

The play, starring Robert Speaight, was broadcast live on British television by the BBC in 1936, during its first few months of broadcasting TV. [3]

The play was later made into a black and white film with the same title. It was directed by the Austrian director George Hoellering with music by the Hungarian composer Laszlo Lajtha and won the Grand Prix at the Venice Film Festival in 1951. It was released in the UK in 1952. [4] [5] In the film the fourth tempter is not seen. His voice was that of Eliot himself. Hoellering wrote that "in stage productions [the knights' final] speeches amused the audience instead of shocking them, and thereby made them miss the point—the whole point of the play." In light of this, he asked Eliot for changes; and Eliot made major reductions to the speeches and added a shorter speech. [6]

It was filmed by the ABC in 1962. [7]

Opera

The play is the basis for the opera Assassinio nella cattedrale by the Italian composer Ildebrando Pizzetti, first performed at La Scala, Milan, in 1958.

Recordings

Full-cast recordings of the play include the following, with the actor playing Becket.

Criticism by Eliot

In 1951, in the first Theodore Spencer Memorial Lecture at Harvard University, Eliot criticised his own plays in the second half of the lecture, explicitly the plays Murder in the Cathedral, The Family Reunion , and The Cocktail Party . The lecture was published as Poetry and Drama and later included in Eliot's 1957 collection On Poetry and Poets.

Parodies

In Series 3, episode 2 (1972), Monty Python's Flying Circus used the play as the basis for the weight loss product informercial, Trim-Jeans Theater:

Priest: I am here. No traitor to the King.

First Knight: Absolve all those you have excommunicated.

Second Knight: Resign those powers you have arrogated.

Third Knight: Renew the obedience you have violated.

Fourth Knight: Lose inches off your hips, thighs, buttocks and abdomen.

In 1982, the play was lampooned by the Canadian/US TV comedy show SCTV. In a typically surreal SCTV sketch, the play is presented by NASA and "Buzz Aldrin's Mercury III Players," with space-suited astronauts as the actors, and proceedings narrated by Walter Cronkite as if they were a NASA Moon mission. "[Spacesuit transmission from astronaut] Mission control ... I think we've found a body." The mission is aborted when the doors of the cathedral will not open, and not even Becket's Extra-vehicular activity can open them.[ citation needed ]

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Becket or The Honour of God is a 1959 play written in French by Jean Anouilh. It is a depiction of the conflict between Thomas Becket and King Henry II of England leading to Becket's assassination in 1170. It contains many historical inaccuracies, which the author acknowledged.

<span class="mw-page-title-main">Robert Speaight</span> British actor and writer (1904–1976)

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<span class="mw-page-title-main">Baldwin of Forde</span> 12th-century abbot and Archbishop of Canterbury

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Edward Grim was a monk from Cambridge who visited Canterbury Cathedral on Tuesday 29 December 1170 when Thomas Becket was murdered. He researched and published a book, Vita S. Thomae in about 1180, which is today known chiefly for a short section in which he gave an eyewitness account of the events in the cathedral.

<span class="mw-page-title-main">Reginald Fitzurse</span> 12th-century Anglo-Norman nobleman and assassin of Thomas Becket

Sir Reginald FitzUrse (1145–1173) was one of the four knights who murdered Thomas Becket in 1170. His name is derived from Fitz, the Anglo-Norman French term meaning "son of" and urse meaning a bear, probable the nom de guerre of his ancestor. Although he lived before the true age of heraldry which developed in the early 13th century, his shield bore the cognizance of a bear, which is visible in a contemporary drawing portraying the murder of Becket.

<span class="mw-page-title-main">Hugh de Morville, Lord of Westmorland</span> 12th-century Anglo-Norman nobleman and assassin of Thomas Becket

Sir Hugh de Morville was an Anglo-Norman knight who served King Henry II of England in the late 12th century. He is chiefly famous as one of the assassins of Thomas Becket, Archbishop of Canterbury in 1170. He held the title Lord of Westmorland and of Knaresborough; his father was Hugh de Morville, Constable of Scotland.

Trinity Chapel at the east end of Canterbury Cathedral forms part of a UNESCO World Heritage Site. It was built under the supervision of the master-masons William of Sens and William the Englishman as a shrine for the relics of St. Thomas Becket. The shrine became one of the most popular pilgrimage sites in England.

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Bartholomew of Exeter was a medieval Bishop of Exeter. He came from Normandy and after being a clerk of the Archbishop of Canterbury, was made Archdeacon of Exeter in 1155. He became Bishop of Exeter in 1161. Known for his knowledge of canon law, he was involved in the Becket controversy after the appointment of Thomas Becket as Archbishop of Canterbury. After Becket's death, although he was frequently at the royal court, he mainly attended to his diocese. A number of works by him survive, including sermons and treatises on law and theology.

Events from the 1170s in England.

Henry II ruled as King of England from 1154 to 1189 and at various times he also partially controlled Scotland, Wales, Ireland and the Duchy of Brittany. He has been depicted in various cultural media.

<span class="mw-page-title-main">Becket Casket</span>

The Becket Casket is a reliquary in Limoges enamel now in the Victoria and Albert Museum. It is made of gilt-copper round a wooden core, decorated with champlevé enamel, and of a shape called a "chasse". It was made in about 1180–90 in Limoges, France, and depicts one of the most infamous events in English history. On the night of 29 December 1170, Archbishop Thomas Becket was murdered in Canterbury cathedral by four knights obeying the wishes of King Henry II. It provoked outrage throughout Europe, and pilgrims flocked to Canterbury to pray at the site of the murder. In 1173 Becket was canonized and his shrine was one of the most famous in the Christian world, until its total destruction in 1538 during the reign of Henry VIII. It is thought that this particular casket was made to hold the relics of Thomas Becket that were taken to Peterborough Abbey by Abbot Benedict in 1177. Benedict had been Prior at Canterbury Cathedral and therefore saw Becket's assassination.

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William of Canterbury (floruit 1170–1177) was a medieval English monk and biographer of Thomas Becket, the Archbishop of Canterbury murdered in December 1170. He was present at the murder of the archbishop and admitted in his writings that he ran from the murder scene. Later he collected miracle stories about Becket. He also wrote a hagiography, or saint's life, of Becket, one of five written at Canterbury soon after Becket's death. William's hagiography was later used by other medieval writers who wrote about Becket.

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George Michael Hoellering was an Austrian film director, producer and cinema manager. He directed Hortobagy (1936) about the Puszta in Hungary, as well as the 1951 British film Murder in the Cathedral, which he co-wrote with T. S. Eliot. He was the director of the Academy Cinema in London's Oxford Street from 1944 until his death in 1980.

<i>Will no one rid me of this turbulent priest?</i> 1170 quote prompting Thomas Beckets killing

"Will no one rid me of this turbulent priest?" is a quote attributed to Henry II of England preceding the death of Thomas Becket, the Archbishop of Canterbury, in 1170. While the quote was not expressed as an order, it prompted four knights to travel from Normandy to Canterbury, where they killed Becket. The phrase is commonly used in modern-day contexts to express that a ruler's wish may be interpreted as a command by his or her subordinates. It is also commonly understood as shorthand for any rhetorical device allowing leaders to organise or exhort violence among their followers, either directly or stochastically, while retaining a respectable distance for political, legal, or other reasons.

Saint Thomas Becket window in Chartres Cathedral is a 1215–1225 stained-glass window in Chartres Cathedral, located behind a grille in the Confessors' Chapel, second chapel of the south ambulatory. 8.9 m high by 2.18 m wide, it was funded by the tanners' guild. The furthest left of five lancet windows in the chapel, it is difficult to view and is heavily corroded by glass oxidisation, which has made its left side especially hard to read.

References

  1. "Thomas Becket and Henry II". BBC.
  2. Eliot, T.S., New York Times Book Review, 29 November 1953
    Cited and quoted in: T.S. Eliot: Four Quartets, A casebook edited by Bernard Bergonzi, Macmillan, London, 1969, page 23
  3. "The History of the BBC: Here's Television – Part 3". The Television History Resource Site. Retrieved 8 May 2009.
  4. The New York Times Movie Reviews Murder in the Cathedral. Retrieved 23 October 2022.
  5. Murder in the Cathedral (1952) at IMDb
  6. Eliot, T. S.; Hoellering, George (1952). The Film of Murder in the Cathedral. 24 Russell Square, London, W. C. 1: Faber and Faber Limited. pp. 13–14.{{cite book}}: CS1 maint: location (link)
  7. Vagg, Stephen (27 August 2022). "3 Forgotten Australian Television Plays". Filmink.

Further reading