Flamengo is a neighborhood in Rio de Janeiro, Brazil.
Roberto Burle Marx was a Brazilian landscape architect whose designs of parks and gardens made him world-famous. He is accredited with having introduced modernist landscape architecture to Brazil. He was known as a modern nature artist and a public urban space designer. His work had a great influence on tropical garden design in the 20th century. Water gardens were a popular theme in his work. He was deftly able to transfer traditional artistic expressions such as graphic design, tapestry and folk art into his landscape designs. He also designed fabrics, jewellery and stage sets.
Lasar Segall was a Lithuanian Jewish and Brazilian painter, engraver and sculptor. Segall's work is derived from impressionism, expressionism and modernism. His most significant themes were depictions of human suffering, war, persecution and prostitution.
Museums of modern art listed alphabetically by country.
Affonso Eduardo Reidy was a Brazilian architect. He was the son of an English father and a Brazilian mother. Reidy entered the Escola Nacional de Belas Artes in Rio de Janeiro at age 17. He apprenticed with the French urban planner Alfred Agache (1875-1959) during his studies. Reidy graduated and became an architect in 1930. Lúcio Costa appointed him as a teaching assistant to the architect Gregori Warchavchik (1896-1972) at the Escola Nacional de Belas Artes in the same year.
The Gustavo Capanema Palace, also known architecturally as the Ministry of Education and Health Building, is a government office building in the Centro district of Rio de Janeiro, Brazil. As the first modernist project in Brazil, it is historically important to the architectural development of Modernism in Brazil and has been placed on Brazil's UNESCO tentative list.
Hélio Oiticica was a Brazilian visual artist, sculptor, painter, performance artist, and theorist, best known for his participation in the Neo-Concrete Movement, for his innovative use of color, and for what he later termed "environmental art", which included Parangolés and Penetrables, like the famous Tropicália. Oiticica was also a filmmaker and writer.
Flamengo Park, also known as Aterro do Flamengo, Eduardo Gomes Park, and Aterro do Brigadeiro Eduardo Gomes, is the largest public park and recreation area within the city of Rio de Janeiro, in eastern Brazil, and the largest urban seaside park in the world.
Lygia Pape was a Brazilian visual artist, sculptor, engraver, and filmmaker, who was a key figure in the Concrete movement and a later co-founder of the Neo-Concrete Movement in Brazil during the 1950s and 1960s. Along with Hélio Oiticica and Lygia Clark, she was an important artist in the expansion of contemporary art in Brazil and pushed geometric art to include aspects of interaction and to engage with ethical and political themes.
The Monument to the Dead of World War II, also the Monument to the Brazilian Soldiers of World War II, popularly known as Monumento aos Pracinhas commemorates Brazil's participation and losses in the Second World War (WWII).
Laura Lima is a contemporary Brazilian artist who lives and works in Rio de Janeiro. Since the 1990s, Lima has discussed in her works the matter of alive beings, among other topics. Her works can be found in the collections of institutions such as Bonniers Konsthall, Stockholm, Sweden; Inhotim Institute, Brumadinho, Brazil; MAM - Museum of Modern Art, São Paulo, Brazil; Migros Museum für Gegenwartskunst, Zurich, Switzerland; Pinacoteca of the State of São Paulo, Brazil; Itaú Cultural, São Paulo, Brazil; Pampulha Museum of Art, Belo Horizonte, Brazil; National Museum of Fine Arts, Rio de Janeiro, Brazil; Hammer Museum, Los Angeles, USA; MASP - Museum of Art of São Paulo, Brazil, among others.
Antonio José de Barros Carvalho e Mello Mourão, known professionally as Tunga, was a Brazilian sculptor and performance artist. Tunga was born in Palmares, Pernambuco, Brazil.
Judith Lauand was a Brazilian painter and printmaker. She is considered a pioneer of the Brazilian modernist movement that started in the 1950s, and was the only female member of the concrete art movement based in São Paulo, the Grupo Ruptura.
Ivan Ferreira Serpa was a Brazilian painter, draftsman, printmaker, designer, and educator active in the concrete art movement. Much of his work was in geometric abstractionism. He founded Grupo Frente, which included fellow artists Lygia Clark, Helio Oiticica, and Franz Weissmann, among others, and was known for mentoring many artists in Brazil.
Valeska Soares is a Brooklyn-based Brazilian-American sculptor and installation artist.
Wanda Pimentel was a Brazilian painter, based in Rio de Janeiro, Brazil. Her work is distinguished by "a precise, hard-edge quality encompassing geometric lines and smooth surfaces in pieces that often defy categorization as abstract or figurative. “My studio is in my bedroom,” Pimentel said in an interview. “Everything has to be very neat. .. I work alone. I think my issues are the issues of our time: the lack of perspective for people, their alienation. The saddest thing is for people to be dominated by things.”
Marcia Grostein Marcia Grostein is a Brazilian-American artist known for using various mediums across public art, sculpture, painting, video art, photography, and portable wearable art/jewelry. She was the first contemporary Brazilian artist to be acquired by the Metropolitan Museum of Art for the 20th Century Collection by the curator Lowery Sims.
Oskar Metsavaht is a Brazilian artist, academic degree in medicine, fashion designer environmental activist and Amazon guardian. Oskar's work expresses the theme of preserving the forest, water and the empowerment and protection of the peoples of the forest, as an artist, designer and activist. He is founder and creative director of Osklen, a Brazilian fashion brand, recognized as one of the forerunners of the New Luxury concept that strives for the fusion between ethics and aesthetics and advocates conscious fashion through the adoption of sustainable practices. Creative Director of OM.art studio, where he hosts his art studio, an exhibition space and the studio for the development and production of art projects. Metsavaht serves as UNESCO Goodwill Ambassador. Creator of Janeiro Hotel, located in Leblon, Rio de Janeiro. He is also on the advisory board of the Inhotim Institute and board member of Museum of Modern Art (MAM) of Rio de Janeiro. In 2014, Oskar Metsavaht was awarded as Knight of Ordem do Mérito Cultural medal from the Ministry of Culture (Brazil) an honorary order granted by the Federal Government to personalities and institutions that make relevant contributions to Brazil's culture.
Vivo Rio is a concert hall located in Aterro do Flamengo, Rio de Janeiro. The site is attached to the Museu de Arte Moderna (MAM) and was opened in November 2006.
Niomar Moniz Sodré Bittencourt was a Brazilian journalist and businesswoman.
