Naked in Deccan is a 1983 English-language novel by Venkatesh Kulkarni, published by Stemmer House. Kularni's first novel, Naked in Deccan explores the social climate of the Telugu people living in the Deccan region.[1] The Library Journal stated that the novel, which has a "somber" character, "shows an India which is different from the popular image of that ancient and mysterious country, but it has a ring of truth."[2] Carlo Coppola of Oakland University wrote that the novel portrays an attempt to change the Deccan social order that comes with good intentions and yet fails and brings severe consequences commonly occurring failed attempts to change social hierarchies.[1] Bruce Allen of the Chicago Tribune wrote that "This splendid novel shows, in remarkably brief compasss[sic], how idealists`dreams of peace and progress founder against the reality of human frailty."[3]
Coopola stated that he sees similarities between the character and social climate of southern Italians and those of the Telugu people, who refer to themselves as the "Italians of Asia," and likewise between works by Ignazio Silone and Naked in Deccan.[1]
The title refers to the main characters being exposed by the novel's conflicts before their downfalls.[1]
The novel was initially released in 1983 and was re-released in 1985 to increase its exposure.[3]
Thimma is given an education normally reserved for people of higher castes by a Brahmin landowner, referred to as "Master," who has pro-untouchable beliefs originating from Mohandas Gandhi's philosophy. A police officer who has a higher caste than Thimma oppresses him, because Thimma is not acting according to his status.[1] The police chief takes possession of Thimma's wife, who is cheating on him. Thimma also has to deal with the struggling village and other landowners.[3]
The master's youngest son, referred to as "Prince," goes against his rank by mixing with untouchables. Prince, who has familiarity with works of Western literature and is an intellectual, is killed. Thimma's father appears as a ghost on one occasion, and there are multiple sexual encounters that occur.[1]
Writing style
Coppola stated that the characters, prose style, plot, and setting all appear "lean" and that this is the best word one could use to describe Naked in Deccan.[1] Coppola added that the prose is "sinewy, stark but replete with stunning flourishes" with "taut, idiomatic, even searing" dialog and repartee.[1]
Coppola wrote that the novel "exhibits a literary talent which, at full maturity, may become a force in shaping fiction in both India and the West."[1] The Library Journal stated that Naked in Deccan was "well written and ambitious".[2] Allen wrote that Naked in Deccan "one of the best novels of recent years--and nobody knows about it."[3]
1 2 3 4 5 6 7 8 9 10 Coppola, Carlo (Oakland University). Naked In Deccan" (Book Review). World Literature Today, 1 October 1984, Vol.58(4), pp.664-664. Available at JSTOR. "As in rural Italy, to break such barriers, or worse, to try to reform the system, is to court destruction. Naked in Deccan is an account of well-meaning yet futile attempts at change and, ultimately, the disaster such attempts unleash." and "The conflicts portrayed in this work render the protagonists "naked" before they are destroyed."
1 2 "LJ's Small Press Roundup: Best Titles of 1984." Library Journal, Nov 15, 1984, Vol.109, p.2117 (page 5/7 of document). The portion discussing Naked in Deccan is indexed as "Naked In Deccan."(Book Review).
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