National Archaeological Museum of Paestum

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The National Archaeological Museum of Paestum (Museo Archeologico Nazionale di Paestum) is a museum in Capaccio-Paestum (Salerno, southern Italy) that houses archaeological finds from excavations of the ancient Greek city of Poseidonia/Paistom, then Paestum. The museum is one of the major "on-site" museums in Italy.. [1] The different sections that compose it allow the visitor to retrace the history of the Greek, Lucanian and Roman city.

Contents

The museum contains numerous finds from the sacred city, from the Heraion at Foce del Sele and from the nearby necropolis (Gaudo necropolis, Santa Venera [2] necropolis). [3] Since 2015, following the Prime Ministerial Decree 171/2014, the museum became a state museum with special autonomy. [4] In 2017, the Paestum excavations and museum were the fifteenth most visited Italian state site, with 441,037 visitors. [5]

The collection

The museum holds a diverse collection of artifacts from the sanctuary sites of Paestum. Among them are inscriptions that provide evidence of cults associated with healing. Votive terracotta figurines are also on display, depicting various deities, including Athena and a seated goddess believed to be Hera. The votive offerings, including figurines and potsherds, preserved in the museum provide decisive evidence, through the iconography of the goddess, for tracking the origins of the cult of Hera of Poseidonia within the Achaean tradition of Southern Italy, which in turn had its roots in the cult of Hera practiced in more ancient times by the Achaean populations of the Eastern Plain of Argolis. [6]

The museum also houses painted vases, such as a locally produced lekythos depicting a scene from the Adonia festival, which commemorated the death of Adonis. During its early days, Paestum imported pottery from Attica. However, by the 4th century BC, the city had its own thriving pottery workshops. The museum showcases numerous exquisite examples of red-figured Paestan ware, primarily from burial sites. [7] [8] These artifacts are exhibited in a gallery that offers a view of the surrounding farmland, stretching towards the Campanian mountains. The farmland is still enclosed by ancient defensive walls, adding to the historical ambiance of the museum's setting. [9]

The National Archaeological Museum of Paestum also preserves about five hundred painted slabs and fragments of slabs, mainly from tombs of the Lucan period (5th3rd century BC), recovered from necropolises during the first decades of the 20th century. [10] The restoration/maintenance of many slabs of the Lucanian funerary art has been a unique opportunity to carry out a multi-disciplinary and multi-analytical study of these pre-Roman wall paintings. [11]

The storage of the Archaeological Park of Paestum hosts several thousands of illegally excavated artefacts, mostly grave goods from the rich necropolises outside the ancient walls. [12] These artefacts are also useful for investigating stolen archaeological finds. [13]

The Museum is also autism friendly: thanks to the Autism Friendly path, everyone will have the opportunity to have a truly unique experience of its kind. [14]

The exhibition

The exhibition unfolds over three floors divided into seven sections:

Among the exhibits the following stand out:

Research

A wider research line is aimed at deepening the understanding of cultural interactions and technological influences between Greek colonies and Italic pre-Roman societies. The museum has provided the fragments analyzed in some studies. [18] The direction of the Museum promoted research activities on scientific methodologies for the study of archaeological finds in collaboration with the Associazione Italiana di Archeometria. [19]

Instruments preserved at the Museum, like aulos, are reconstructed in 3D model [20]

The Museum has hosted a survey using conjoint choice approach questions to elicit people’s preferences for cultural heritage management strategies for an outstanding world heritage site. [21]

Related Research Articles

<span class="mw-page-title-main">Hera</span> Goddess from Greek mythology, wife and sister of Zeus

In ancient Greek religion, Hera is the goddess of marriage, women and family, and the protector of women during childbirth. In Greek mythology, she is queen of the twelve Olympians and Mount Olympus, sister and wife of Zeus, and daughter of the Titans Cronus and Rhea. One of her defining characteristics in myth is her jealous and vengeful nature in dealing with any who offend her, especially Zeus' numerous adulterous lovers and illegitimate offspring.

<span class="mw-page-title-main">Magna Graecia</span> Historical region of Italy formerly inhabited by the ancient Greeks

Magna Graecia was the name given by the Romans to the Greek-speaking coastal areas of Southern Italy in the present-day Italian regions of Calabria, Apulia, Basilicata, Campania and Sicily; these regions were extensively populated by Greek settlers starting from the 8th century BC.

<span class="mw-page-title-main">Paestum</span> Ruined Ancient Greek and Roman city in southern Italy

Paestum was a major ancient Greek city on the coast of the Tyrrhenian Sea in Magna Graecia. The ruins of Paestum are famous for their three ancient Greek temples in the Doric order dating from about 550 to 450 BC that are in an excellent state of preservation. The city walls and amphitheatre are largely intact, and the bottom of the walls of many other structures remain, as well as paved roads. The site is open to the public, and there is a modern national museum within it, which also contains the finds from the associated Greek site of Foce del Sele.

<span class="mw-page-title-main">Velia</span> Classical city ruins in Italy

Velia was the Roman name of an ancient city on the coast of the Tyrrhenian Sea. It is located near the modern village of Novi Velia near Ascea in the Province of Salerno, Italy.

<span class="mw-page-title-main">Sele (river)</span> River in Italy

The Sele is a river in southwestern Italy. Originating from the Monti Picentini in Caposele, it flows through the region of Campania, in the provinces of Salerno and Avellino. Its mouth is in the Gulf of Salerno, on the Tyrrhenian Sea, at the borders between the municipalities of Eboli and Capaccio, in the beginning point of Cilentan Coast.

<span class="mw-page-title-main">Triglyph</span> Vertically channeled tablets of the Doric frieze in classical architecture

Triglyph is an architectural term for the vertically channeled tablets of the Doric frieze in classical architecture, so called because of the angular channels in them. The rectangular recessed spaces between the triglyphs on a Doric frieze are called metopes. The raised spaces between the channels themselves are called femur in Latin or meros in Greek. In the strict tradition of classical architecture, a set of guttae, the six triangular "pegs" below, always go with a triglyph above, and the pair of features are only found in entablatures of buildings using the Doric order. The absence of the pair effectively converts a building from being in the Doric order to being in the Tuscan order.

<span class="mw-page-title-main">Lucanians</span> Ancient Italic population

The Lucanians were an Italic tribe living in Lucania, in what is now southern Italy, who spoke an Oscan language, a member of the Italic languages. Today, the inhabitants of the Basilicata region are still called Lucani, and so is their dialect.

<span class="mw-page-title-main">Heraion of Argos</span>

The Heraion of Argos is an ancient temple in Argos, Greece. It was part of the greatest sanctuary in the Argolid, dedicated to Hera, whose epithet "Argive Hera" appears in Homer's works. Hera herself claims to be the protector of Argos in Iliad IV, 50–52): "The three towns I love best are Argos, Sparta and Mycenae of the broad streets". The memory was preserved at Argos of an archaic, aniconic pillar representation of the Great Goddess. The site, which might mark the introduction of the cult of Hera in mainland Greece, lies northeast of Argos between the archaeological sites of Mycenae and Midea, two important Mycenaean cities. The traveller Pausanias, visiting the site in the 2nd century CE, referred to the area as Prosymna (Προσύμνη).

<span class="mw-page-title-main">Laüs</span> Ancient Italian city

Laüs or Laus was an ancient city on the coast of the Tyrrhenian Sea. It was at the mouth of the Lao River, which formed the boundary between Lucania and Bruttium in ancient times and gave it its name.

<span class="mw-page-title-main">South Italian ancient Greek pottery</span>

South Italian is a designation for ancient Greek pottery fabricated in Magna Graecia largely during the 4th century BC. The fact that Greek Southern Italy produced its own red-figure pottery as early as the end of the 5th century BC was first established by Adolf Furtwaengler in 1893. Prior to that this pottery had been first designated as "Etruscan" and then as "Attic." Archaeological proof that this pottery was actually being produced in South Italy first came in 1973 when a workshop and kilns with misfirings and broken wares was first excavated at Metaponto, proving that the Amykos Painter was located there rather than in Athens.

<span class="mw-page-title-main">Beit She'arim necropolis</span> Jewish necropolis at Beit Shearim

Beit She'arim necropolis is an extensive necropolis of rock-cut tombs near the remains of the ancient Jewish town of Beit She'arim. In early modern times the site was the Palestinian village of Sheikh Bureik; it was depopulated in the 1920s as a result of the Sursock Purchases, and identified as Beit She'arim in 1936 by historical geographer Samuel Klein.

<span class="mw-page-title-main">Tomb of the Diver</span> Ancient Greece funerary artifact in Paestum, Italy

The Tomb of the Diver, now in the museum at Paestum, Italy, is a frescoed tomb of the 5th century BCE, famous for the mysterious subject matter of the ceiling fresco, a lone diver leaping into a pool of water. The context of the tomb is disputed: there has been scholarly debate about whether the tomb was built by people from the nearby Greek settlement of " Poseidonia", now Paestum, or by an ancient Italic tribe living in the surrounding countryside. The tomb was built with five large stone slabs, each with a fresco attributed to one of two artists. The four walls are decorated with scenes of a symposium which is uncommon for a funerary context. This diving figure is unique to this tomb, no other ancient Mediterranean artworks have imagery comparable to the diver.

<span class="mw-page-title-main">Parco Nazionale del Cilento, Vallo di Diano e Alburni</span>

Cilento, Vallo di Diano and Alburni National Park is an Italian national park in the Province of Salerno, in Campania in southern Italy. It includes much of the Cilento, the Vallo di Diano and the Monti Alburni. It was founded in 1991, and was formerly known as the Parco Nazionale del Cilento e Vallo di Diano.

<span class="mw-page-title-main">Gaudo culture</span>

The Gaudo Culture is an Eneolithic culture from Southern Italy, primarily in the region of Campania, active at the end of the 4th millennium BC, whose typesite necropolis is located near Paestum, not far from the mouth of the river Sele. Its name comes from the Spina-Gaudo necropolis.

<span class="mw-page-title-main">Kelsey Museum of Archaeology</span> Archaeology museum in Newberry Hall

The Kelsey Museum of Archaeology is a museum of archaeology located on the University of Michigan central campus in Ann Arbor, Michigan, in the United States. The museum is a unit of the University of Michigan's College of Literature, Science, and the Arts. It has a collection of more than 100,000 ancient and medieval artifacts from the civilizations of the Mediterranean and the Near East. In addition to displaying its permanent and special exhibitions, the museum sponsors research and fieldwork and conducts educational programs for the public and for schoolchildren. The museum also houses the University of Michigan Interdepartmental Program in Classical Art and Archaeology.

<span class="mw-page-title-main">Heraion at Foce del Sele</span> Archaeological site in southwestern Italy

The Heraion at Foce del Sele is an archaeological site consisting of an Ancient Greek sanctuary complex dedicated to the goddess Hera in what was Magna Graecia. When built, the complex was located at the mouth of the Sele, approximately 8 km (5.0 mi) north of the Greek city of Poseidonia that was famous for its three standing Greek temples. Due to the deposition of alluvial sediment by the river, the site now is approximately 2.3 km (1.4 mi) from the modern coast.

<span class="mw-page-title-main">National Archeologic Museum of Pontecagnano</span>

The Pontecagnano National Archaeological Museum is a museum in Pontecagnano Faiano, in the province of Salerno, Italy that opened in 2007. Since December 2014, the museum has been managed by the Campania Museum Complex.

<span class="mw-page-title-main">Temple of Hera, Mon Repos</span> Archaic temple in Corfu, Greece

The Temple of Hera or Heraion is an archaic temple in Corfu, Greece, built around 610 BC in the ancient city of Korkyra, in what is known today as Palaiopolis, and lies within the ground of the Mon Repos estate. The sanctuary of Hera at Mon Repos is considered a major temple, and one of the earliest examples of archaic Greek architecture.

<span class="mw-page-title-main">Paola Zancani Montuoro</span> Italian archaeologist (1901–1987)

Paola Zancani Montuoro was an Italian classical scholar, archaeologist, educator and writer who specialized in ancient Greek art in Italy. After participating in the restoration of monuments around Pompei, in 1934 together with Umberto Zanotti Bianco, she embarked on excavation work in Foce del Sele which revealed the Sanctuary of Hera. From 1960, she investigated the ancient sites of Sybaris and Francavilla Marittima in Magna Graecia. She was an active member of the Accademia dei Lincei from 1956, where she served as a correspondent and editor.

<span class="mw-page-title-main">First Temple of Hera (Paestum)</span>

The First Temple of Hera (Paestum)—also known as Temple of Hera I and the Basilica—is an archaic Doric order Greek temple in the ruins of the ancient city of Paestum, Italy. This Doric temple is considered one of the oldest Greek temples in Italy and is known for its distinctive architectural features. It was built around 550–525 BCE, within a century of the city's establishment by Greek colonists from Sybaris, who named the city Poseidonia.

References

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  11. Amadori, Maria Letizia; Costantini, Ilaria; Madariaga Mota, Juan Manuel; Valentini, Laura; Ferrucci, Fabiano; Mengacci, Valeria; Camaiti, Mara (2021). "Calcium antimonate: A new discovery in colour palette of Paestum wall paintings". Microchemical Journal. 168: 106401. doi:10.1016/j.microc.2021.106401.
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Further reading

40°25′24″N15°00′27″E / 40.4234°N 15.0075°E / 40.4234; 15.0075