The Brooklyn Academy of Music (BAM) is a multi-arts center located in Brooklyn, New York City. It is known as a center for progressive and avant-garde performances, and offers theater, dance, music, opera, film programming across multiple venues in close proximity to each other.
The Kitchen is a non-profit, multi-disciplinary avant-garde performance and experimental art institution located at 512 West 19th Street, between Tenth and Eleventh Avenues in the Chelsea neighborhood of Manhattan, New York City. As the organization undergoes a multi-year renovation it is currently sited at a satellite loft space in the West Village located at 163B Bank Street, where exhibitions and performances are regularly held. It was founded in Greenwich Village in 1971 by Steina and Woody Vasulka, who were frustrated at the lack of an outlet for video art. The space takes its name from the original location, the kitchen of the Mercer Arts Center which was the only available place for the artists to screen their video pieces. Although first intended as a location for the exhibition of video art, The Kitchen soon expanded its mission to include other forms of art and performance. In 1974, The Kitchen relocated to a building at the corner of Wooster and Broome Streets in SoHo, and incorporated as a not-for-profit arts organization. In 1987 it moved to its current location.
The American Dance Festival (ADF) under the direction of Executive Director Jodee Nimerichter hosts its main summer dance courses including Summer Dance Intensive, Pre-Professional Dance Intensive, and the Dance Professional Workshops. It also hosts a six-week summer festival of modern dance performances, currently held at Duke University and the Durham Performing Arts Center in Durham, North Carolina. Several site-specific performances have also taken place outdoors at Duke Gardens and the NC Art Museum in Raleigh, NC.
William Tass Jones, known as Bill T. Jones, is an American choreographer, director, author and dancer. He is the co-founder of the Bill T. Jones/Arnie Zane Dance Company. The company's home in Manhattan. Jones is Artistic Director of New York Live Arts, whose activities encompass an annual presenting season together with allied education programming and services for artists. Independently of New York Live Arts and his dance company, Jones has choreographed for major performing arts ensembles, contributed to Broadway and other theatrical productions, and collaborated on projects with a range of fellow artists. Jones has been called "one of the most notable, recognized modern-dance choreographers and directors of our time."
The Cowles Center for Dance and the Performing Arts is a performing arts center and flagship for dance in downtown Minneapolis, Minnesota, United States. The Cowles Center was developed as an incubation project by Artspace Projects, Inc and includes the refurbished 500-seat Goodale Theater ; the Hennepin Center for the Arts, home to 20 leading dance and performing arts organizations; a state-of-the-art education studio housing a distance learning program; and an atrium connecting the buildings. The Cowles Center is a catalyst for the creation, presentation and education of dance in the Twin Cities.
Arthur Avilés is an American Bessie Award-winning dancer and choreographer of Puerto Rican descent. Avilés was born in Queens, New York, and raised in Long Island and the Bronx. He graduated from Bard College, a liberal arts college in Annandale-on-Hudson, New York. After graduating from Bard, he became a member of the Bill T. Jones/Arnie Zane Dance Company, and toured internationally with the company for eight years 1987 to 1995.
Dance Theater Workshop, colloquially known as DTW, was a New York City performance space and service organization for dance companies that operated from 1965 to 2011. DTW merged with the Bill T. Jones/Arnie Zane Dance Company to form New York Live Arts, which continues in operation as of 2023.
Dixon Place is a theater organization in New York City dedicated to the development of works-in-progress from a broad range of performers and artists. It exists to serve the creative needs of artists—emerging, mid-career and established—who are creating new work in theater, dance, music, literature, puppetry, performance, variety and visual arts.
The Joyce Theatre Foundation is a leading presenter of dance in New York City and nationally. It is runs, in part, from the Joyce Theater, a 472-seat dance performance venue located in the Chelsea neighborhood of Manhattan in New York City. The Joyce occupies the Elgin Theater, a former movie house that opened in 1941 and was gut-renovated and reconfigured in 1981–82.
Arnie Zane was an American photographer, choreographer, and dancer. He is best known as the co-founder and co-artistic director of the Bill T. Jones/Arnie Zane Dance Company.
The Bill T. Jones/Arnie Zane Dance Company is an American dance company based out of New York City. Founded in 1983 by Bill T. Jones and Arnie Zane, the company made its debut performance at the Brooklyn Academy of Music with the world premiere of Intuitive Momentum with lauded drummer Max Roach. The company has since drawn international acclaim, performing in more than 200 cities in 30 countries.
The Mark Morris Dance Center is the permanent home of the international touring modern dance company, the Mark Morris Dance Group (MMDG), in the Fort Greene neighborhood of Brooklyn, New York City. It is located at the address 3 Lafayette Avenue on the corner of Flatbush Avenue. Open since 2001, the center also houses rehearsal space for the dance community, outreach programs for local children and area residents, and a school offering dance classes to students of all ages.
The MCA Stage is the Museum of Contemporary Art, Chicago’s performing arts program. Founded in 1996 with the opening of the MCA’s new building in Chicago, Illinois.
Kelly Strayhorn Theater is a performing arts center located at 5941 Penn Avenue in the East Liberty neighborhood of Pittsburgh, Pennsylvania. named in honor of Pittsburgh natives Gene Kelly and Billy Strayhorn. The theater is committed to providing a platform for emerging artists, community producers, and progressive arts and cultural experiences that address contemporary issues.
Helen Louise Thorington was an American radio artist, composer, performer and writer. She was also the founder of New Radio and Performing Arts (1981), a nonprofit organization based in New York City; the founder and executive producer of New American Radio (1987-1998); and the founder and co-director of Turbulence.org (1996–2016).
Bronx Academy of Arts and Dance, also referred to as BAAD!, is a New York performing and visual art workshop space and performance venue located in The Bronx. The Academy is home to the Arthur Aviles Typical Theatre and The Bronx Dance Coalition.
Joseph V. Melillo was executive producer at the Brooklyn Academy of Music (BAM) from 1999 to 2018, and was named executive producer emeritus upon his departure. He is Columbia Artists' International Artistic Advisor, and was a 2019 Director’s Fellow at the Center for Ballet and the Arts at New York University.
Gabri Christa is a Dutch performance artist, choreographer, professor, film-maker and writer. She is an associate professor of Professional Practice at Barnard College and also the Director for the Movement Lab there.
Jonathan Green is an American writer, historian of photography, curator, teacher, museum administrator, photographer, filmmaker and the founding Project Director of the Wexner Center for the Arts. A recognized authority on the history of American photography, Green’s books Camera Work: A Critical Anthology (1973) and American Photography: A Critical History 1945–1980 (1984) are two notable commentaries and frequently referenced and republished accounts in the field of photography. At the same time Green’s acquisitions, exhibitions and publications consistently drew from the edges of established photographic practice rather than from its traditional center. He supported acquisitions by socially activist artists like Adrian Piper and graffiti artist Furtura 2000, and hosted exhibitions on Rape, AIDS, new feminist art, and the work of photographer, choreographer and dancer Arnie Zane, the Diana camera images of Nancy Rexroth, the Polaroids and imitation biplanes of folk artist Leslie Payne, and the digital photographic work of Mexican photographer Pedro Meyer. This alternative focus help prime Green and the competition jury to choose an unconventional, deconstructive architect, Peter Eisenman, previously known primarily as a teacher and theorist, as the architect for the Wexner Center for the Arts. Green has held professorial and directorial positions at Massachusetts Institute of Technology, Ohio State University, and University of California, Riverside.
Still/Here is a performance piece premiered in 1994 by American choreographer, dancer, and director Bill T. Jones. The piece was first performed at Brooklyn Academy of Music, with music by Kenneth Frazelle and Vernon Reid, and multimedia elements by Gretchen Bender. Jones utilized Survival Workshops in the development of this piece, drawing inspiration from those who have lived with a life-threatening illness. Still/Here uses a number of different mediums throughout the performance to capture the emotions of having a terminal illness, such as images, music, spoken text, videos, as well as dance.
