Osun-Osogbo

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Osun-Osogbo Sacred Grove
UNESCO World Heritage Site
First Palace in Osogbo Inside Osun Sacred Grove forest.jpg
First Palace In Osun-Osogbo Sacred Groove
Location Osogbo, Nigeria
Reference 1118
Inscription2005 (29th Session)
Area75 ha (190 acres)
Buffer zone47 ha (120 acres)
Coordinates 7°45′20″N4°33′08″E / 7.75556°N 4.55222°E / 7.75556; 4.55222
Nigeria relief location map.jpg
Red pog.svg
Location of Osun-Osogbo in Nigeria
Osun-Osogbo Main Entrance Gate Osun Sacred Grove forest Osogbo Main Gate.jpg
Osun-Osogbo Main Entrance Gate

Osun-Osogbo is a sacred grove along the banks of the Osun river just outside the city of Osogbo, Osun State of Nigeria.

Contents

The Osun-Osogbo Grove is several centuries old [1] and is among the last of the sacred forests that once adjoined the edges of most Yoruba cities before extensive urbanization. In recognition of its global significance and cultural value, the Sacred Grove was inscribed as a UNESCO World Heritage Site in 2005. [2]

The 1950s witnessed the desecration of the Osun-Osogbo Grove: shrines were neglected and priests abandoned the grove as customary responsibilities and sanctions weakened. Prohibited actions like fishing, hunting and falling of trees in the Grove was done indiscriminately until an Austrian national named Susanne Wenger (1915-2009) [3] helped to reinstate traditional protections. [4]

With the support and encouragement of the Ataoja (the royal king of the time) and the support of the concerned local people. Wenger "formed the New Sacred Art movement to challenge land speculators, repel poachers, protect shrines and begin the long process of bringing the sacred place back to life by establishing it again, as the sacred heart of Osogbo". [5] Wenger later came to be honoured the titled "Adunni Olorisha" for her custodial efforts and her consistent devotion to the gods of the grove.

Osun-Osogbo Festival

Ever since that year, the Osun-Osogbo Festival has been celebrated in August at the Grove. The festival attracts thousands of Osun worshippers, spectators and tourists from all over the world.

History of the Festival

Osun-Osogbo Festival is believed to have a history of more than 700 years. Historically, an ancestral occurrence led to the celebration of this festival. Once upon a time, a group of migrants who were led by a great hunter called Olutimehin settled on the bank of the Osun river to save themselves from famine. On the river-side, Yeye Osun the river goddess appeared from the water in front of Olutimehin and requested him to lead people to a special place (the present-day Osogbo town). [6] The goddess promised to protect the group and bring them prosperity in return for an annual sacrifice to her. The group accepted the proposition, and today the annual sacrifice to the Osun River Goddess is still celebrated as the Osun-Osogbo Festival. [7]

Celebrations

In modern times, August is a month of celebration for the people of Osogbo land that includes the traditional cleansing of the city and the cultural reunion of the people with their ancestors, the founders of the Osogbo Kingdom. [8]

The Osun-Osogbo Festival itself is a two-week-long programme. The traditional cleansing of Osogbo is called 'Iwopopo', which is followed after three days by the lighting of the 500-year-old sixteen-point lamp called 'Ina Olojumerindinlogun'(16 face lamp). Then comes the 'Iboriade', an assemblage of the crowns of the past rulers, the Ataojas of Osogbo, for blessings. [9]

The Festival culminates in a procession to the shrine in the sacred grove where a large crowd builds up. Drumming, dancing, musical performing, wearing elaborate costumes, speaking of the Yoruba language, recitation of praise poetry, and so on add pomp and colour to the proceedings. This event is led by the sitting Ataoja of Osogbo along with a ritualized performer called the Arugba(calabash carrier) and a committee of priestesses, who reenact the very first meeting between Oluwatimilehin and Yeye Osun. [10] Arugba is played by a young woman of a kingly lineage who offer the sacrifice to the deity.

In 2020, the procession was limited to the ritual performers and public participation was suspended due to COVID-19. [11]

Ina, the sacred lamp lit at the beginning of the annual Osun-Osogbo festival Ina oloju merindinlogun.jpg
Ina, the sacred lamp lit at the beginning of the annual Osun-Osogbo festival

Benefits of the Festival

The festival is of immense benefit to the tourism sector of Nigeria. It enables the community to sell its culture to tourists coming from both within the country and from all over the world. [12]

The Osun-Osogbo festival also serves as a strong unifying factor in Osogbo land, as irrespective of the different social, economic, religious and political convictions of the people, they all come together annually to celebrate the goddess. [12]

A statue signifying the maternity nature of iya osun at the sacred grove of osun A statue signifying the maternity nature of iya osun at the sacred grove of oshun2-1.jpg
A statue signifying the maternity nature of iya osun at the sacred grove of osun
Arugba; during one of the annual festivals. Arugba Osun-Osogbo worshipper 11.jpg
Arugba; during one of the annual festivals.
Osun-worshippers at the groove during one of the festivals Osun-worshipper at the sacred groove.jpg
Osun-worshippers at the groove during one of the festivals
Tourists and worshippers scamper around the Osun groove Osun-worshipper 09.jpg
Tourists and worshippers scamper around the Osun groove
A devoted Osun worshipper with a peg of water fetched at the Osun River, perceived for the spiritual objective. Osun-worshipper 01.jpg
A devoted Osun worshipper with a peg of water fetched at the Osun River, perceived for the spiritual objective.
Carnival-like festival with worshippers in glamorous attires and sacrifices. Osun-worshipper 03.jpg
Carnival-like festival with worshippers in glamorous attires and sacrifices.

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References

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  2. Peter Probst. Osogbo and the Art of Heritage. Monuments. Deities, and Money. Bloomington: Indiana University Press, 2011.
  3. "Susanne Wenger, a decade after the glow". The Guardian Nigeria News - Nigeria and World News. 2019-09-15. Retrieved 2022-06-03.
  4. Peter Probst. "Modernism against Modernity. A Tribute to Susanne Wenger." Critical Interventions, Journal of African Art History and Visual Culture, 2009, No.3/4, 245-255. Peter Probst. "From Iconoclasm to Heritage. The Osogbo Art Movement and the Dynamics of Modernism in Nigeria." A Companion to Modern African Art. Edited by Gitti Salami and Monica Blackmun Visona (eds.) Malden, MA: Wiley-Blackwell, 2013, pp. 294-310.
  5. "Osun Osogbo: Carnival of culture in a sacred forest". The Punch - Nigeria's Most Widely Read Newspaper. Archived from the original on 3 June 2015. Retrieved 18 August 2015.
  6. Oyintiloye, Olatunbosun (23 September 2012). "What you did not know about Osun Osogbo". Vanguard. Retrieved 9 October 2022.
  7. Agu, Zain (2018-08-07). "When will Osun Osogbo festival be this year?". Legit.ng - Nigeria news. Retrieved 2019-08-19.
  8. "About - Osun Osogbo Festival". osunosogbofestival.com. Retrieved 18 August 2015.
  9. User (19 October 2016). "The great cultural re-union at Osun-Osogbo festival". Tribune online. Retrieved 28 January 2024.{{cite web}}: |last= has generic name (help)
  10. Fasan, Rotimi (2016-09-01). "Arugba: superwoman, power and agency". Journal of African Cultural Studies. 28 (3): 283–291. doi:10.1080/13696815.2016.1163254. ISSN   1369-6815. S2CID   192551770.
  11. "Oun Osogbo government bans procession allows only worshippers to shrine". Vanguard.
  12. 1 2 "THE OSUN OSOGBO FESTIVAL (ITS FUNCTIONS AND AESTHETICS)". myproject.com.ng. Retrieved 11 November 2017.