The following outline is provided as an overview of and topical guide to alchemy:
Alchemy – A philosophical tradition recognized as protoscience, that includes the application of Hermetic principles, and practices related to mythology, religion, and spirituality.
Influences upon alchemy – alchemy developed dependent on a number of influences and experienced regional and period-specific variations:
Magnum opus – great work of alchemy consisting of:
Alchemists also engaged in practical and symbolic processes including:
1. Glyphs
2. Imagery
3. Visual Symbolism
Stills
Vessels
Heating devices
The most influential names in the history of alchemy include:
Definitions from Wiktionary
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Quotations from Wikiquote
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Alchemy is an ancient branch of natural philosophy, a philosophical and protoscientific tradition that was historically practiced in China, India, the Muslim world, and Europe. In its Western form, alchemy is first attested in a number of pseudepigraphical texts written in Greco-Roman Egypt during the first few centuries AD.
Hermes Trismegistus is a legendary Hellenistic period figure that originated as a syncretic combination of the Greek god Hermes and the Egyptian god Thoth. He is the purported author of the Hermetica, a widely diverse series of ancient and medieval pseudepigraphica that lay the basis of various philosophical systems known as Hermeticism.
The philosopher's stone, or more properly philosophers' stone, is a mythic alchemical substance capable of turning base metals such as mercury into gold or silver. It is also called the elixir of life, useful for rejuvenation and for achieving immortality; for many centuries, it was the most sought-after goal in alchemy. The philosopher's stone was the central symbol of the mystical terminology of alchemy, symbolizing perfection at its finest, enlightenment, and heavenly bliss. Efforts to discover the philosopher's stone were known as the Magnum Opus.
Andreas Libavius or Andrew Libavius was born in Halle, Germany c. 1550 and died in July 1616. Libavius was a renaissance man who spent time as a professor at the University of Jena teaching history and poetry. After which he became a physician at the Gymnasium in Rothenburg and later founded the Gymnasium at Coburg. Libavius was most known for practicing alchemy and writing a book called Alchemia, one of the first chemistry textbooks ever written.
In Renaissance alchemy, alkahest was the theorized "universal solvent". It was supposed to be capable of dissolving any other substance, including gold, without altering or destroying its fundamental components.
Vitriol is the general chemical name encompassing a class of chemical compound comprising sulfates of certain metals – originally, iron or copper. Those mineral substances were distinguished by their color, such as green vitriol for hydrated iron(II) sulfate and blue vitriol for hydrated copper(II) sulfate.
Alchemical symbols, originally devised as part of alchemy, were used to denote some elements and some compounds until the 18th century. Although notation was partly standardized, style and symbol varied between alchemists. Lüdy-Tenger published an inventory of 3,695 symbols and variants, and that was not exhaustive, omitting for example many of the symbols used by Isaac Newton. This page therefore lists only the most common symbols.
Pseudo-Geber is the presumed author or group of authors responsible for a corpus of pseudepigraphic alchemical writings dating to the late 13th and early 14th centuries. These writings were falsely attributed to Jabir ibn Hayyan, an early alchemist of the Islamic Golden Age.
Michael Sendivogius was a Polish alchemist, philosopher, and medical doctor. A pioneer of chemistry, he developed ways of purification and creation of various acids, metals and other chemical compounds. He discovered that air is not a single substance and contains a life-giving substance—later called oxygen—170 years before Scheele's discovery of the element. He correctly identified this 'food of life' with the gas given off by heating nitre (saltpetre). This substance, the 'central nitre', had a central position in Sendivogius' schema of the universe.
Azoth is a fictitious universal remedy or potent solvent sought after in the realm of alchemy, akin to alkahest—a distinct alchemical substance. The quest for Azoth was the crux of numerous alchemical endeavors, symbolized by the Caduceus. Initially coined to denote an esoteric formula pursued by alchemists, akin to the Philosopher's Stone, the term Azoth later evolved into a poetic expression for the element mercury. The etymology of 'Azoth' traces to Medieval Latin as a modification of 'azoc,' ultimately derived from the Arabic al-zā'būq (الزئبق), meaning 'the mercury.'
In alchemy and philosophy, prima materia, materia prima or first matter, is the ubiquitous starting material required for the alchemical magnum opus and the creation of the philosopher's stone. It is the primitive formless base of all matter similar to chaos, the quintessence or aether. Esoteric alchemists describe the prima materia using simile, and compare it to concepts like the anima mundi.
Iatrochemistry is a branch of both chemistry and medicine. Having its roots in alchemy, iatrochemistry seeks to provide chemical solutions to diseases and medical ailments.
Projection was the ultimate goal of Western alchemy. Once the philosopher's stone or powder of projection had been created, the process of projection would be used to transmute a lesser substance into a higher form; often lead into gold.
Corpuscularianism is a set of theories that explain natural transformations as a result of the interaction of particles. It differs from atomism in that corpuscles are usually endowed with a property of their own and are further divisible, while atoms are neither. Although often associated with the emergence of early modern mechanical philosophy, and especially with the names of Thomas Hobbes, René Descartes, Pierre Gassendi, Robert Boyle, Isaac Newton, and John Locke, corpuscularian theories can be found throughout the history of Western philosophy.
The body of light, sometimes called the 'astral body' or the 'subtle body,' is a "quasi material" aspect of the human body, being neither solely physical nor solely spiritual, posited by a number of philosophers, and elaborated on according to various esoteric, occult, and mystical teachings. Other terms used for this body include body of glory, spirit-body, luciform body, augoeides, astroeides, and celestial body.
Theatrum Chemicum is a compendium of early alchemical writings published in six volumes over the course of six decades. The first three volumes were published in 1602, while the final sixth volume was published in its entirety in 1661. Theatrum Chemicum remains the most comprehensive collective work on the subject of alchemy ever published in the Western world.
Alchemy in the medieval Islamic world refers to both traditional alchemy and early practical chemistry by Muslim scholars in the medieval Islamic world. The word alchemy was derived from the Arabic word كيمياء or kīmiyāʾ and may ultimately derive from the ancient Egyptian word kemi, meaning black.
In alchemy, the Magnum Opus or Great Work is a term for the process of working with the prima materia to create the philosopher's stone. It has been used to describe personal and spiritual transmutation in the Hermetic tradition, attached to laboratory processes and chemical color changes, used as a model for the individuation process, and as a device in art and literature. The magnum opus has been carried forward in New Age and neo-Hermetic movements which sometimes attached new symbolism and significance to the processes. The original process philosophy has four stages:
Johann of Laz, or Johannes von Laaz, Joannes de Lasnioro, was a Bohemian alchemist during the first half of the fifteenth century.
Solomon or Salomon Trismosin was a legendary Renaissance alchemist, claimed possessor of the philosopher's stone and teacher of Paracelsus. He is best known as the author of the alchemical works Splendor Solis and Aureum Vellus.
