Patricia Marroquin Norby

Last updated
Patricia Marroquin Norby
Born
Patricia Marroquin

1970 (age 5354)
Alma mater Clarke University (BFA)
University of Wisconsin-Madison (MFA)
University of Minnesota, Twin Cities (PhD)
OccupationCurator
Known forFirst associate curator of Native American art at the Metropolitan Museum of Art
SpouseNathan Norby

Patricia Marroquin Norby (born 1970) is an American associate curator of Native American art at the Metropolitan Museum of Art. [1] On September 14, 2020, she became the first full-time curator of Native American art at the museum. [2]

Contents

Background

Patricia Marroquin, born in 1970 in Chicago, Illinois. [3] She is of Purépecha [1] [3] [4] and Apache descent which she suppressed throughout her childhood and did not embrace until her college years. [4] She learned about Mexican Purépecha healing traditions from her great-grandmother Maria Jesus Torres, who used leaves, herbs, and animal fat. [4] Her heritage influences her interest in art. Her great-grandparents moved from Mexico to Chicago in the 1930s. [4] She is married to Nathan Norby, a veterinarian. [4] Norby moved to Washington, D.C. in 2002. [5]

Education and early career

Norby graduated from Clarke University in Dubuque, Iowa, with a Bachelor's degree in fine arts. She earned her Master's of Fine Art from the University of Wisconsin–Madison in printmaking, photography, and video in 2002 [4] [5] and then had two internships at Washington, D.C. museums. [5] She created an exhibition of Native American works of art from the George Gustav Heye Center collections of the Smithsonian Institution and artifacts stored at the Library of Congress from the Bureau of Indian Affairs. [5]

In 2006, her work was exhibited in Art and Bus in Eau Claire, Wisconsin. [6] The same year, she used black ink and leaves to create "Family Medicine" and dried leaves in other works of art, which were published in a Chicana and Chicano art magazine. [4] By 2006, she opened a business called Native Roots that sold organic foods made with values of indigenous people and jewelry made by Native Americans. [5]

Norby has a doctoral degree from the University of Minnesota, Twin Cities, in American studies [7] with a specialization in Native American art history and visual culture. [1] [8] She explored ways in which "European Americans have historically manipulated American Indian images to create a non-American Indian perspective" [9] and how modern nuclear power and industrial agriculture are reflected in fine art in her dissertation, "Visual Violence in the Land of Enchantment" of 2013. [10] Norby filmed interviews with Native Americans about their urban life experiences the film called "Powwow". [5]

Career

Norby was the director of the D'Arcy McNickle Center for American Indian and Indigenous Studies at the Newberry Library in Chicago.[ when? ] [11] In 2016, she presented "Indians in the Archives: American Indian Art at the Newberry". [12]

She was an assistant professor of American Indian studies at the University of Wisconsin–Eau Claire.[ when? ] [7] Norby served a short stint as senior executive and assistant director of the National Museum of the American Indian in New York.[ when? ] [13]

Norby explored the value of including Native American artists and communities in cultural institutions in the United States in "Museums Pivot: Shifting Paradigms for Collaboration" at the Indian Arts Research Centers' program, where she was keynote speaker, in 2021. [10] In an interview for the article "A new voice at an old institution: Patricia Marroquin Norby," Norby states that cultural institutions in the United States are reviewing past practices regarding management and exhibition of Native American art and developing approaches that involve indigenous people and highlight Native American and Indigenous works of art. [10] She discussed "Affirming Indigenous Representation: The Future of Native Art and Collections at the Metropolitan Museum of Art" online in March 2021. [10]

Norby is the first full-time curator of Native American art at the Metropolitan Museum of Art. [10] She held an exhibit of "Ground in Clay", which reflect the handing down of design aesthetics and techniques over a century. Boiled bee plant, used for painting, blackens when fired. Water and sky are references in the design of birds, seedlings, clouds, and rain. [14]

By 2016, she was a member of the board of trustees for the Field Museum of Natural History. [15] As of November 2021, Norby is one of several indigenous board members of the Southwestern Association for Indian Arts. Others include board chair L. Stephanie Poston (Sandia Pueblo), and board members Walter Lamar (Blackfeet Tribe), Russell Sanchez (San Ildefonso Pueblo), and JoAnn Chase (Mandan, Hidatsa and Arikara). [16]

Publications

Related Research Articles

<span class="mw-page-title-main">Metropolitan Museum of Art</span> Art museum in New York City

The Metropolitan Museum of Art, colloquially referred to as the Met, is an encyclopedic art museum in New York City. It is the largest art museum in the Americas and the fourth-largest in the world. With 5.36 million visitors in 2023, it is the most-visited museum in the United States and the fourth-most visited art museum in the world.

<span class="mw-page-title-main">Georgia O'Keeffe</span> American modernist artist (1887–1986)

Georgia Totto O'Keeffe was an American modernist painter and draftswoman whose career spanned seven decades and whose work remained largely independent of major art movements. Called the "Mother of American modernism", O'Keeffe gained international recognition for her meticulous paintings of natural forms, particularly flowers and desert-inspired landscapes, which were often drawn from and related to places and environments in which she lived.

Barbara Buhler Lynes is an art historian, curator, professor, and preeminent scholar on the art and life of Georgia O'Keeffe. She retired on February 14, 2020 from her position as the Sunny Kaufman Senior Curator at the NSU Museum of Art in Fort Lauderdale, Florida to continue her scholarly work on O'Keeffe and American modernism. From 1999 to 2012, she served as the founding curator of the Georgia O'Keeffe Museum in Santa Fe, New Mexico, where she curated or oversaw more than thirty exhibitions of works by O'Keeffe and her contemporaries. Lynes was also the Founding Emily Fisher Landau Director of the Georgia O'Keeffe Museum Research Center from 2001 to 2012. Prior to her work at the Georgia O'Keeffe Museum, Lynes served as an independent consultant to the National Gallery of Art in Washington, D.C. from 1992 to 1999 and has taught art history at Vanderbilt University, Dartmouth College, Montgomery College, and the Maryland Institute College of Art (MICA).

Jaune Quick-to-See Smith is a Native American visual artist and curator. She is an enrolled member of the Confederated Salish and Kootenai Tribes and is also of Métis and Shoshone descent. She is an educator, storyteller, art advocate, and political activist. Over the course of her five-decade long career, Smith has gained a reputation for her prolific work, being featured in over 90 solo exhibitions, curating over 30 exhibitions, and lecturing at approximately 200 museums, universities, and conferences. Her work draws from a Native worldview and comments on American Indian identity, histories of oppression, and environmental issues.

Gail Tremblay was an American writer and artist from Washington State. She is known for weaving baskets from film footage that depicts Native American people, such as Western movies and anthropological documentaries. She received a Washington State Governor's Arts and Heritage Award in 2001.

Ralph Tracy "Ted" Coe was a notable art collector and scholar, best known for developing modern appreciation of Native American art. "He was kind of the beginning player, enormously significant in the growth of appreciation of Native American art in the 20th century", noted a curator from the Metropolitan Museum of Art. His collection of over 2,000 objects of Indigenous art form the basis of the Ralph T. Coe Center for the Arts collection holdings.

America Meredith is a painter, curator, educator, and editor of First American Art Magazine. America Meredith is an artist and comes from a Swedish-Cherokee background who blends pop imagery from her childhood with European and Native American styles.

<span class="mw-page-title-main">D'Arcy McNickle Center for American Indian and Indigenous Studies</span>

The D’Arcy McNickle Center for American Indian and Indigenous Studies is a research center within the Newberry Library in Chicago, Illinois.

<span class="mw-page-title-main">Wendy Red Star</span> Native American contemporary artist

Wendy Red Star is an Apsáalooke contemporary multimedia artist born in Billings, Montana, in the United States. Her humorous approach and use of Native American images from traditional media draw the viewer into her work, while also confronting romanticized representations. She juxtaposes popular depictions of Native Americans with authentic cultural and gender identities. Her work has been described as "funny, brash, and surreal".

Jolene Rickard, born 1956, citizen of the Tuscarora Nation, Turtle clan, is an artist, curator and visual historian at Cornell University, specializing in indigenous peoples issues. Rickard co-curated two of the four permanent exhibitions for the Smithsonian’s National Museum of the American Indian.

Dyani White Hawk is a contemporary artist and curator of Sicangu Lakota, German, and Welsh ancestry based out of Minnesota. From 2010 to 2015, White Hawk was a curator for the Minneapolis gallery All My Relations. As an artist, White Hawk's work aesthetic is characterized by a combination of modern abstract painting and traditional Lakota art. White Hawk's pieces reflect both her Western, American upbringing and her indigenous ancestors mediums and modes for creating visual art.

Jamie Okuma is a Native American visual artist and fashion designer from California. She is known for beadwork, mixed-media soft sculpture, and fashion design. She is Luiseño, Wailaki, Okinawan, and Shoshone-Bannock. She is also an enrolled member of the La Jolla band of Indians in Southern California where she is currently living and working.

<span class="mw-page-title-main">Maria Chabot</span>

Maria Chabot (1913–2001), was an advocate for Native American arts, a rancher, and a friend of Georgia O'Keeffe. She led the restoration of her house in Abiquiú, New Mexico, and took the photograph of O'Keeffe entitled Women Who Rode Away, in which the artist was on the back of a motorcycle driven by Maurice Grosser. Their correspondence was published in the book Maria Chabot—Georgia O'Keeffe: Correspondence 1941-1949.

<span class="mw-page-title-main">Candice Hopkins</span> Carcross/Tagish First Nation curator

Candice Hopkins is a Carcross/Tagish First Nation independent curator, writer, and researcher who predominantly explores areas of indigenous history, and art.

Cara Romero is an American photographer known for her digital photography that examines Indigenous life through a contemporary lens. She lives in both Santa Fe, New Mexico and the Mojave Desert. She is an enrolled citizen of the Chemehuevi Indian Tribe.

<span class="mw-page-title-main">Rose B. Simpson</span> Mixed-media artist

Rose B. Simpson of Khaʼpʼoe Ówîngeh is a mixed-media artist who works in ceramic, metal, fashion, painting, music, performance, and installation. She lives and works in Santa Clara Pueblo, New Mexico. Her work has been exhibited at SITE Santa Fe ; the Heard Museum ; the Museum of Contemporary Native Art, Santa Fe (2010); the National Museum of the American Indian, Smithsonian (2008); the Denver Art Museum; Pomona College Museum of Art (2016); Ford Foundation Gallery (2019); The Wheelwright Museum of the American Indian (2017); the Minneapolis Institute of Art (2019); the Savannah College of Art and Design (2020); the Nevada Museum of Art (2021); Whitney Museum of American Art, and the Norton Museum of Art (2024).

Georgiana Uhlyarik-Nicolae, also known as Georgiana Uhlyarik is a Romanian-born Canadian art curator, art historian, and teacher. She is currently the Fredrik S. Eaton Curator of Canadian Art at the Art Gallery of Ontario (AGO). She has been part of the team or led teams that created numerous exhibitions, on subjects such as Betty Goodwin, Michael Snow, and Kathleen Munn among others and collaborated with art organizations such as the Tate Modern, and the Jewish Museum, New York.

Melissa Cody is a Navajo textile artist from No Water Mesa, Arizona, United States. Her Germantown Revival style weavings are known for their bold colors and intricate three dimensional patterns. Cody maintains aspects of traditional Navajo tapestries, but also adds her own elements into her work. These elements range from personal tributes to pop culture references.

Nancy Marie Mithlo is a Chiricahua Apache curator, writer, and professor. Mithlo has worked as the chair of American Indian Studies at the Autry National Center Institute and as a professor of gender studies and American Indian Studies at the University of California, Los Angeles. She is the author and editor of several books about Native Americans and Indigenous art. Her exhibitions have been shown concurrently with the Venice Biennale.

Evelyn Terry, also known as Evelyn P. Terry or Evelyn Patricia Terry is an American visual artist, art educator, writer, lecturer, exhibition curator and community advocate from Milwaukee, Wisconsin. Terry's mediums include printmaking, drawing, painting, installation, and public art.

References

  1. 1 2 3 Greenberger, Alex (2020-09-08). "Met Hires Patricia Marroquin Norby as Its First Full-Time Native American Art Curator, Signaling 'Significant Evolution'". ARTnews.com. Retrieved 2020-09-13.
  2. "Met Announces Patricia Marroquin Norby as First Full-Time Curator of Native American Art". www.artforum.com. Retrieved 2020-09-13.
  3. 1 2 "Badgering: Patricia Marroquin Norby MA'01, MFA'02". Wisconsin Alumni Association. University of Wisconsin. Retrieved 5 April 2023.
  4. 1 2 3 4 5 6 7 Dowd, Andrew (2006-01-29). "Catching a dream". Leader-Telegram. p. 41. Retrieved 2023-07-21.
  5. 1 2 3 4 5 6 "Dream/Artist's latest projects are films covering Osseo's history". Leader-Telegram. 2006-01-29. p. 42. Retrieved 2023-07-21.
  6. "Traveling Show". Leader-Telegram. 2006-09-14. p. 16. Retrieved 2023-07-21.
  7. 1 2 Bahr, Sarah (2020-09-09). "The Met Hires Its First Full-Time Native American Curator". The New York Times. ISSN   0362-4331 . Retrieved 2020-09-13.
  8. 1 2 Norby, Patricia Marroquin (2013). Visual Violence in the Land of Enchantment. OCLC   857404378.
  9. "Logo / Taunting at meetings alleged". Leader-Telegram. 2010-06-29. pp. A2. Retrieved 2023-07-21.
  10. 1 2 3 4 5 Abatemarco, Michael (2021-03-26). "A new voice at an old institution: Patricia Marroquin Norby". The Santa Fe New Mexican. pp. Z14. Retrieved 2023-07-21.
  11. "The Abiqueños and the Artist: Rethinking Georgia O'Keeffe". College and Graduate School of Arts and Sciences, University of Virginia.
  12. "Indians in the Archives: American Indian Art at the Newberry". Chicago Tribune. 2016-03-03. pp. 1–8. Retrieved 2023-07-21.
  13. Kim, Allen. "The Metropolitan Museum of Art has hired its first full-time Native American curator". CNN. Retrieved 2020-09-13.
  14. Abatemarco, Michael (2022-08-05). "Cochiti Kiua". The Santa Fe New Mexican. pp. Z38. Retrieved 2023-07-21.
  15. In the field: the bulletin of the Field Museum of Natural History. Chicago: Field Museum of Natural History. Winter–Spring 2016. pp. n1.
  16. "Southwestern Association for Indian Arts". The Santa Fe New Mexican. 2021-11-02. pp. A8. Retrieved 2023-07-21.
  17. Norby, Patricia Marroquin (2015). "The Red Sweater: Family, Intimacy, and Visual Self-Representations". American Indian Culture and Research Journal: 33–44. OCLC   6025822561 . Retrieved 14 October 2020.
  18. Scudeler, June; Norby, Patricia Marroquin (2015). "Art, Aesthetics, and Indigenous Ways of Knowing". American Indian Culture and Research Journal: ix–xi. OCLC   6025823397 . Retrieved 14 October 2020.
  19. "Julie Pelletier Joins Newberry as Acting Director of McNickle Center for American Indian and Indigenous Studies | Newberry". www.newberry.org. Retrieved 14 October 2020.
  20. "Patricia Marroquin Norby Named Associate Curator of Native American Art at The Metropolitan Museum of Art". The Met Museum. Retrieved 14 October 2020.

Further reading