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William James "Count" Basie was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Thelma Carpenter, and Joe Williams.
Swing music is a style of jazz that developed in the United States during the late 1920s and early 1930s. It became nationally popular from the mid-1930s. The name derived from its emphasis on the off-beat, or nominally weaker beat. Swing bands usually featured soloists who would improvise on the melody over the arrangement. The danceable swing style of big bands and bandleaders such as Benny Goodman was the dominant form of American popular music from 1935 to 1946, known as the swing era, when people were dancing the Lindy Hop. The verb "to swing" is also used as a term of praise for playing that has a strong groove or drive. Musicians of the swing era include Duke Ellington, Benny Goodman, Count Basie, Cab Calloway, Benny Carter, Jimmy Dorsey, Tommy Dorsey, Woody Herman, Earl Hines, Harry James, Lionel Hampton, Glenn Miller, Artie Shaw, Jimmie Lunceford, and Django Reinhardt.
James Andrew Rushing was an American singer and pianist from Oklahoma City, Oklahoma, U.S., best known as the featured vocalist of Count Basie's Orchestra from 1935 to 1948.
The Cotton Club was a New York City nightclub from 1923 to 1940. It was located on 142nd Street and Lenox Avenue (1923–1936), then briefly in the midtown Theater District (1936–1940). The club operated during the United States' era of Prohibition and Jim Crow era racial segregation. Black people initially could not patronize the Cotton Club, but the venue featured many of the most popular black entertainers of the era, including musicians Fletcher Henderson, Duke Ellington, Jimmie Lunceford, Chick Webb, Louis Armstrong, Count Basie, Fats Waller, Willie Bryant; vocalists Adelaide Hall, Ethel Waters, Cab Calloway, Bessie Smith, Lillie Delk Christian, Aida Ward, Avon Long, the Dandridge Sisters, the Will Vodery choir, The Mills Brothers, Nina Mae McKinney, Billie Holiday, Midge Williams, Lena Horne, and dancers such as Katherine Dunham, Bill Robinson, The Nicholas Brothers, Charles 'Honi' Coles, Leonard Reed, Stepin Fetchit, the Berry Brothers, The Four Step Brothers, Jeni Le Gon and Earl Snakehips Tucker.
James Edward Heath, nicknamed Little Bird, was an American jazz saxophonist, composer, arranger, and big band leader. He was the brother of bassist Percy Heath and drummer Albert Heath.
Bill Robinson, nicknamed Bojangles, was an American tap dancer, actor, and singer, the best known and the most highly paid Black entertainer in the United States during the first half of the 20th century. His long career mirrored changes in American entertainment tastes and technology. His career began in the age of minstrel shows and moved to vaudeville, Broadway theatre, the recording industry, Hollywood films, radio, and television.
Oran Thaddeus "Hot Lips" Page was an American jazz trumpeter, singer, and bandleader. He was known as a scorching soloist and powerful vocalist.
The Nicholas Brothers were an entertainment act composed of brothers, Fayard (1914–2006) and Harold (1921–2000), who excelled in a variety of dance techniques, primarily between the 1930s and 1950s. Best known for their unique interpretation of a highly acrobatic technique known as "flash dancing", they were also considered by many to be the greatest tap dancers of their day, if not all time. Their virtuoso performance in the musical number "Jumpin' Jive" featured in the 1943 movie Stormy Weather has been praised as one of the greatest dance routines ever captured on film.
James Titus Godbolt, known professionally as Jimmy Slyde and also as the "King of Slides", was an American tap dancer known for his innovative tap style mixed with jazz.
Benjamin Moten was an American jazz pianist and band leader born and raised in Kansas City, Missouri, United States.
The Count Basie Orchestra is a 16- to 18-piece big band, one of the most prominent jazz performing groups of the swing era, founded by Count Basie in 1935 and recording regularly from 1936. Despite a brief disbandment at the beginning of the 1950s, the band survived long past the big band era itself and the death of Basie in 1984. It continues under the direction of trumpeter Scotty Barnhart.
Walter Sylvester Page was an American jazz multi-instrumentalist and bandleader, best known for his groundbreaking work as a double bass player with Walter Page's Blue Devils and the Count Basie Orchestra.
The Royal Theatre, located at 1329 Pennsylvania Avenue in Baltimore, Maryland, first opened in 1922 as the black-owned Douglass Theatre. It was the most famous theater along West Baltimore City's Pennsylvania Avenue, one of a circuit of five such theaters for black entertainment in big cities. Its sister theaters were the Apollo in Harlem, the Howard Theatre in Washington, D.C., the Regal Theatre in Chicago, and the Earl Theater in Philadelphia.
Kansas City jazz is a style of jazz that developed in Kansas City, Missouri during the 1920s and 1930s, which marked the transition from the structured big band style to the much more improvisational style of bebop. The hard-swinging, bluesy transition style is bracketed by Count Basie, who in 1929 signed with Bennie Moten's Kansas City Orchestra, and Kansas City native Charlie Parker, who promoted the bebop style in America.
Herschel "Tex" Evans was an American tenor saxophonist who was a member of the Count Basie Orchestra. He also worked with Lionel Hampton and Buck Clayton. He is also known for starting his cousin Joe McQueen's interest in the saxophone. Joe McQueen, living until 2019 at age 100, may well have been the last surviving person to have known Herschel during his lifetime.
Willie Eugene Bailey, known professionally as Bill Bailey, was an American tap dancer. The older brother of actress and singer Pearl Bailey, Bill was considered to be one of the best rhythm dancers of his time and was the first person to be recorded doing the Moonwalk, although he referred to it as the "Backslide," in the film Cabin in the Sky (1943), starring Ethel Waters, Eddie "Rochester" Anderson and Lena Horne.
"Jumpin' at the Woodside" is a song first recorded in 1938 by the Count Basie Orchestra, and considered one of the band's signature tunes. When first released it reached number 11 on the Billboard charts and remained on them for four weeks. Since then, it has become a frequently recorded jazz standard.
"Moten Swing" is a 1932 jazz standard by Bennie Moten and his Kansas City Orchestra. It was an important jazz standard in the move towards a freer form of orchestral jazz and the development of Swing music. Moten and his Orchestra, which included Count Basie on piano, achieved much success with it, although the song is most associated with Basie's Count Basie Orchestra, who recorded it in 1940.
The Paradise Club or Club Paradise was a nightclub and jazz club at 220 North Illinois Avenue in Atlantic City, New Jersey. It was one of two major black jazz clubs in Atlantic City during its heyday from the 1920s through 1950s, the other being Club Harlem. Entertaining a predominantly white clientele, it was known for its raucous floor shows featuring gyrating black dancers accompanied by high-energy jazz bands led by the likes of Count Basie, Jimmie Lunceford, and Lucky Millinder. In 1954 the Paradise Club merged with Club Harlem under joint ownership.
Miller Brothers and Lois, a renowned tap dance class act team, comprising Danny Miller, George Miller and Lois Bright, was a peak of platform dancing with the tall and graceful Lois said to distinguish the trio. The group performed the majority of their act on platforms of various heights, with the initial platform spelling out M-I-L-L-E-R. They performed over-the-tops, barrel turns and wings on six-foot-high pedestals. They toured theatres coast to coast with Jimmy Lunceford and his Orchestra, Cab Calloway and his Orchestra, and the Count Basie Band.
References
- 1 2 Cinema Treasures: Pearl Theatre
- ↑ Cheryl M. Willis (2016). Tappin' at the Apollo: The African American Female Tap Dance Duo Salt and Pepper. McFarland. p. 222. ISBN 9781476662701.
- 1 2 Golden, Jane; Rice, Robin; Pompilio, Natalie (2006). More Philadelphia Murals and the Stories They Tell. Temple University Press. p. 46. ISBN 978-1-59213-527-1.
- ↑ Hill, Constance Valis (23 April 2002). Brotherhood In Rhythm: The Jazz Tap Dancing of the Nicholas Brothers . Cooper Square Press. p. 52. ISBN 978-1-4617-3216-7.
- ↑ Heath, Jimmy; McLaren, Joseph. I Walked With Giants: The Autobiography of Jimmy Heath. Temple University Press. p. 303. ISBN 978-1-4399-0199-1.
- ↑ Vail, Ken (1 January 2003). Count Basie: Swingin' the Blues, 1936-1950. Scarecrow Press. p. 7. ISBN 978-0-8108-4882-5.
- ↑ Daniels, Douglas Henry (January 2006). One O'clock Jump: The Unforgettable History of the Oklahoma City Blue Devils. Beacon Press. p. 144. ISBN 978-0-8070-7136-6.
- ↑ Pennsylvania Biographical Dictionary. North American Book Dist LLC. January 1999. p. 56. ISBN 978-0-403-09950-4.
- ↑ Cinema Treasures
- ↑ "Pearl Theatre at Avenue North closes after 10 years" . Retrieved 2016-08-29.
