Infernal Affairs is a 2002 Hong Kong action thriller film co-directed by Andrew Lau and Alan Mak. Jointly written by Mak and Felix Chong, it stars Andy Lau, Tony Leung, Anthony Wong, Eric Tsang, Sammi Cheng and Kelly Chen. The film follows an undercover Hong Kong Police Force officer who infiltrates a Triad, and another officer who is secretly a spy for the same Triad. It is the first in the Infernal Affairs series and is followed by Infernal Affairs II and Infernal Affairs III.
A police woman is a female police officer.
New Jack City is a 1991 American action crime film based upon an original story and written by Thomas Lee Wright and Barry Michael Cooper, and directed by Mario Van Peebles in his feature film directorial debut. Released in the United States on March 8, 1991, the film stars Wesley Snipes as Nino Brown, a rising drug lord in New York City during the crack epidemic, and Ice-T as Scotty Appleton, a detective who vows to stop Nino's criminal activity by going undercover to work for Nino's gang. Allen Payne, Chris Rock, Judd Nelson, Bill Cobbs, and Van Peebles appear in supporting roles.
Kate Barker, better known as Ma Barker, was the mother of several American criminals who ran the Barker–Karpis Gang during the "public enemy era" when the exploits of gangs of criminals in the Midwestern United States gripped the American people and press. She traveled with her sons during their criminal careers.
The Gangster Disciple Nation, also known as Growth & Development, is an African American street and prison gang which was formed in 1968 by Larry Hoover and David Barksdale. The two rival gangsters united together to form the Black Gangster Disciple Nation (BGDN). Since 1989, after a decline in leadership caused friction between the two gangs, the BGDN has divided into different factions known today as the Gangster Disciple Nation and the other being the Black Disciple Nation.
Sudden Impact is a 1983 American neo-noir action thriller film, the fourth in the Dirty Harry series, directed, produced by and starring Clint Eastwood and co-starring Sondra Locke. The film tells the story of a gang rape victim (Locke) who decides to seek revenge on her rapists 10 years after the attack by killing them one by one. Inspector Callahan (Eastwood), famous for his unconventional and often brutal crime-fighting tactics, is tasked with tracking down the serial killer.
Kansas City Confidential is a 1952 American film noir and crime film directed by Phil Karlson starring John Payne and Coleen Gray. The film was released in the United Kingdom as The Secret Four. Karlson and Payne teamed a year later for 99 River Street, another film noir, followed by Hell's Island, a film noir in color.
Colors is a 1988 American police procedural action crime film starring Sean Penn and Robert Duvall, and directed by Dennis Hopper. The film takes place in the gang ridden neighborhoods of Los Angeles: late-1980s South Central Los Angeles, Echo Park, Westlake and East Los Angeles. The film centers on Bob Hodges (Duvall), an experienced Los Angeles Police Department C.R.A.S.H. officer, and his rookie partner, Danny McGavin (Penn), who try to stop the gang violence between the Bloods, the Crips, and Hispanic street gangs. Colors relaunched Hopper as a director 19 years after Easy Rider, and inspired discussion over its depiction of gang life and gang violence.
The Federal Bureau of Investigation (FBI) has been a staple of American popular culture since its christening in 1935. That year also marked the beginning of the popular "G-Man" phenomenon that helped establish the Bureau's image, beginning with the aptly titled James Cagney movie, G Men. Although the detective novel and other police-related entertainment had long enthralled audiences, the FBI itself can take some of the credit for its media prominence. J. Edgar Hoover, the Bureau's "patriarch", took an active interest to ensure that it was not only well represented in the media, but also that the FBI was depicted in a heroic, positive light and that the message, "crime doesn't pay", was blatantly conveyed to audiences. The context, naturally, has changed profoundly since the 1930s "war on crime", and especially so since Hoover's death in 1972.
The Black Gestapo is a 1975 American crime film about a vigilante named General Ahmed, who starts an inner-city "People's Army" to protect the black citizens of Watts. However, when the Army succeeds in chasing the mob out of town, Ahmed is replaced by his colleague Colonel Kojah, who reforms the movement into a National Socialist criminal organization in order to have complete control over the town.
Alice Stebbins Wells was one of the first American-born female police officers in the United States, hired in 1910 in Los Angeles.
Calling Bulldog Drummond is a 1951 British crime film directed by Victor Saville and featuring Walter Pidgeon, Margaret Leighton, Robert Beatty, David Tomlinson and Bernard Lee. It featured the character Bulldog Drummond created by the novelist Herman Cyril McNeile, which had seen a number of screen adaptations. A novel tie-in was also released in 1951. It was made by the British subsidiary of MGM at Elstree Studios. The film's sets were designed by the art director Alfred Junge.
The New York City Police Department (NYPD) originates in the Government of New York City attempts to control rising crime in early- to mid-19th-century New York City. The City's reforms created a full-time professional police force modeled upon London's Metropolitan Police, itself only formed in 1829. Established in 1845, the Municipal Police replaced the inadequate night watch system which had been in place since the 17th century, when the city was founded by the Dutch as New Amsterdam.
The Racketeer is a 1929 American Pre-Code drama film. Directed by Howard Higgin, the film is also known as Love's Conquest in the United Kingdom. It tells the tale of some members of the criminal class in 1920s America, and in particular one man and one woman's attempts to help him. Gossip columnist Hedda Hopper appears in a minor role. The film is one of the early talkies, and as a result, dialogue is very sparse.
T-Bird Gang is a 1959 American film directed by Richard Harbinger in his first and final film. It was co-written by and starring John Brinkley and Tony Miller with Edwin Nelson; all of them had appeared in several of Roger Corman's films.
Queen of the Mob is a 1940 American film, directed by James P. Hogan.
The integration of women into law enforcement positions can be considered a large social change. A century ago, there were few jobs open to women in law enforcement. A small number of women worked as correctional officers, and their assignments were usually limited to peripheral tasks. Women traditionally worked in juvenile facilities, handled crimes involving female offenders, or performed clerical tasks. In these early days, women were not considered as capable as men in law enforcement. Recently, many options have opened up, creating new possible careers.
Sweet Jesus, Preacherman is a 1973 American blaxploitation action film directed by Henning Schellerup and written by John Cerullo, M. Stuart Madden and Abbey Leitch. The film stars Roger E. Mosley, William Smith, Michael Pataki, Tom Johnigarn, Joe Tornatore and Damu King. The film was released on May 25, 1973, by Metro-Goldwyn-Mayer.
Lee Frost was a film director, producer, cinematographer, editor and occasional actor. Frost directed a string of exploitation films including Love Camp 7, Chain Gang Women, Chrome and Hot Leather, The Thing with Two Heads, The Black Gestapo, Dixie Dynamite and Private Obsession.
Women in policing in the United States, colloquially known as women police or female cop, began as early as the 1890s. Women make up 12.6% of all U.S. sworn police officers in 2018. Employed largely as prison matrons in the 19th century, women took on more and increasingly diverse roles in the latter half of the 20th century. They face a particular set of challenges given the history of their entry into the profession, their low rates of participation, and the complex identities they negotiate in the work place. Women who work in law enforcement have struggled for years to gain acceptance in their workplace. Some of their biggest challenges are their lack of representation, stereotypes around women, and intersectionality.
