Stephen Jay Greenblatt is an American Shakespearean, literary historian, and author. He has served as the John Cogan University Professor of the Humanities at Harvard University since 2000. Greenblatt is the general editor of The Norton Shakespeare (2015) and the general editor and a contributor to The Norton Anthology of English Literature.
Signs: Journal of Women in Culture and Society is a peer-reviewed feminist academic journal. It was established in 1975 by Jean W. Sacks, Head of the Journals Division, with Catharine R. Stimpson as its first editor in Chief, and is published quarterly by the University of Chicago Press. Signs publishes essays examining the lives of women, men, and non-binary people around the globe from both historical and contemporary perspectives, as well as theoretical and critical articles addressing processes of gendering, sexualization, and racialization.
Orientalism is a 1978 book by Edward W. Said, in which the author establishes the term "Orientalism" as a critical concept to describe the West's commonly contemptuous depiction and portrayal of The East, i.e. the Orient. Societies and peoples of the Orient are those who inhabit the places of Asia, North Africa, and the Middle East. Said argues that Orientalism, in the sense of the Western scholarship about the Eastern World, is inextricably tied to the imperialist societies who produced it, which makes much Orientalist work inherently political and servile to power.
Richard Dyer is an English academic who held a professorship in the Department of Film Studies at King's College London. Specialising in cinema, queer theory, and the relationship between entertainment and representations of race, sexuality, and gender, he was previously a faculty member of the Film Studies Department at the University of Warwick for many years and has held a number of visiting professorships in the United Kingdom, the United States, Italy, Sweden, Denmark, and Germany.
E. Patrick Johnson is the dean of the Northwestern University School of Communication. He is the Annenberg University Professor of Performance Studies and professor of African-American studies at Northwestern University. Johnson is the founding director of the Black Arts Consortium at Northwestern. His scholarly and artistic contributions focus on performance studies, African-American studies and women, gender and sexuality studies.
Joseph Andoni Massad is a Jordanian academic specializing in Middle Eastern studies, who serves as Professor of Modern Arab Politics and Intellectual History in the Department of Middle Eastern, South Asian, and African Studies at Columbia University. His academic work has focused on Palestinian, Jordanian, and Israeli nationalism.
S. N. Balagangadhara is a professor emeritus of the Ghent University in Belgium, and was director of the India Platform and the Research Centre Vergelijkende Cutuurwetenschap.
Robert Stam is an American film theorist working on film semiotics. He is a professor at New York University, where he teaches about the French New Wave filmmakers. Stam has published widely on French literature, comparative literature, and on film topics such as film history and film theory. Together with Ella Shohat, he co-authored Unthinking Eurocentrism: Multiculturalism and the Media.
Why I Hate Abercrombie & Fitch: Essays on Race and Sexuality is a book by Dwight A. McBride on ethno-relational mores in contemporary gay African America with a nod to black, feminist and queer cultural contexts "dedicated to integrating sexuality and race into black and queer studies."
Mario Perniola was an Italian philosopher, professor of aesthetics and author. Many of his works have been published in English.
Michael David Warner is an American literary critic, social theorist, and Seymour H. Knox Professor of English Literature and American Studies at Yale University. He also writes for Artforum, The Nation, The Advocate, and The Village Voice. He is the author of Publics and Counterpublics, The Trouble with Normal: Sex, Politics, and the Ethics of Queer Life, The English Literatures of America, 1500–1800, Fear of a Queer Planet, and The Letters of the Republic. He edited The Portable Walt Whitman and American Sermons: The Pilgrims to Martin Luther King, Jr.
Public Culture is a peer-reviewed, interdisciplinary academic journal of cultural studies, published three times a year by Duke University Press. It is sponsored by the Department of Media, Culture, and Communication at New York University.
Celine Parreñas Shimizu is a filmmaker and film scholar. She is well known for her work on race, sexuality and representations. She is currently Dean of the Arts Division at the University of California at Santa Cruz.
Frances Negrón-Muntaner is a Puerto Rican filmmaker, writer, and scholar. Her work is focused on a comparative exploration of coloniality, primarily in Puerto Rico and the United States, with special attention given to the intersections between race, ethnicity, gender, sexuality and politics. She is an associate professor of English and Comparative Literature and Director of the Center for the Study of Ethnicity and Race at Columbia University in New York City. She has also contributed to the Huffington Post, El Diario/La Prensa, and 80 Grados, and since 2008 has served as a Global Expert for the United Nations Rapid Response Media Mechanism. She is one of the best-known Puerto Rican lesbian artists currently living in the United States.
The Black Scholar (TBS), the third-oldest journal of Black culture and political thought in the United States, was founded in 1969 near San Francisco, California, by Robert Chrisman, Nathan Hare, and Allan Ross. It is arguably the most influential journal of Black Studies and central to the very emergence of that field. After being renewed and reinvigorated in 2012, it has continued its influence. In 2017, The Princeton Review of Academic Journals ranked it the number-one journal of Black Studies in the United States. Its associated Black Scholar Press has published books since the 1970s. The journal is currently housed at Boston University's Program in African American Studies.
Margaret Morganroth Gullette is a resident scholar at the Women's Studies Research Center at Brandeis University. She is a writer of nonfiction, an essayist, and activist. Her contributions to the field of cultural studies of age include four books, the latest of which is Agewise: Fighting the New Ageism in America (2011).
New historicism, a form of literary theory which aims to understand intellectual history through literature and literature through its cultural context, follows the 1950s field of history of ideas and refers to itself as a form of cultural poetics. It first developed in the 1980s, primarily through the work of the critic Stephen Greenblatt, and gained widespread influence in the 1990s. Greenblatt coined the term new historicism when he "collected a bunch of essays and then, out of a kind of desperation to get the introduction done, he wrote that the essays represented something called a 'new historicism'".
Joanne Barker became a faculty member within the American Indian Studies Department at San Francisco State University, in 2003. Much of her work focuses on indigenous feminism and the sovereignty and self determination of indigenous peoples. Her work takes a transnational approach, making connections between and across the borders of countries. Barker makes historical and scholarly connections between the oppression and resistance of marginalized communities. An example of this transnational approach can be seen by the work that Barker has done to show connections in the struggles of Palestinians in Israel and indigenous communities in the United States.
Lisa M. C. Weston is a scholar of medieval literature and Old English language. She teaches at Fresno State Department of English, and served as interim chair of the department in 2019.
Martha Feldman is an American musicologist and cultural historian. Since 1990 she has taught at the University of Chicago where she is Ferdinand Schevill Distinguished Service Professor in the Department of Music and the College. Feldman also holds appointments to the faculty of Theater and Performance Studies and serves as affiliated faculty in Romance Languages and Literatures and at the Center for the Study of Gender and Sexuality. Born in Philadelphia to a family of artists, she studied at the University of Pennsylvania, where she earned her doctorate in Music History and Theory in 1987. She is married to composer and jazz musician Patricia Barber.
