An amplifier, electronic amplifier or (informally) amp is an electronic device that can increase the magnitude of a signal. It is a two-port electronic circuit that uses electric power from a power supply to increase the amplitude of a signal applied to its input terminals, producing a proportionally greater amplitude signal at its output. The amount of amplification provided by an amplifier is measured by its gain: the ratio of output voltage, current, or power to input. An amplifier is defined as a circuit that has a power gain greater than one.
An effects unit or effects pedal is an electronic device that alters the sound of a musical instrument or other audio source through audio signal processing.
High fidelity is the high-quality reproduction of sound. It is popular with audiophiles and home audio enthusiasts. Ideally, high-fidelity equipment has inaudible noise and distortion, and a flat frequency response within the human hearing range.
An audio power amplifier is an electronic amplifier that amplifies low-power electronic audio signals, such as the signal from a radio receiver or an electric guitar pickup, to a level that is high enough for driving loudspeakers or headphones. Audio power amplifiers are found in all manner of sound systems including sound reinforcement, public address, home audio systems and musical instrument amplifiers like guitar amplifiers. It is the final electronic stage in a typical audio playback chain before the signal is sent to the loudspeakers.
An instrument amplifier is an electronic device that converts the often barely audible or purely electronic signal of a musical instrument into a larger electronic signal to feed to a loudspeaker. An instrument amplifier is used with musical instruments such as an electric guitar, an electric bass, electric organ, electric piano, synthesizers and drum machine to convert the signal from the pickup or other sound source into an electronic signal that has enough power, due to being routed through a power amplifier, capable of driving one or more loudspeaker that can be heard by the performers and audience.
A guitar amplifier is an electronic device or system that strengthens the electrical signal from a pickup on an electric guitar, bass guitar, or acoustic guitar so that it can produce sound through one or more loudspeakers, which are typically housed in a wooden cabinet. A guitar amplifier may be a standalone wood or metal cabinet that contains only the power amplifier circuits, requiring the use of a separate speaker cabinet–or it may be a "combo" amplifier, which contains both the amplifier and one or more speakers in a wooden cabinet. There is a wide range of sizes and power ratings for guitar amplifiers, from small, lightweight "practice amplifiers" with a single 6-inch speaker and a 10-watt amp to heavy combo amps with four 10-inch or four 12-inch speakers and a 100-watt amplifier, which are loud enough to use in a nightclub or bar performance.
A valve amplifier or tube amplifier is a type of electronic amplifier that uses vacuum tubes to increase the amplitude or power of a signal. Low to medium power valve amplifiers for frequencies below the microwaves were largely replaced by solid state amplifiers in the 1960s and 1970s. Valve amplifiers can be used for applications such as guitar amplifiers, satellite transponders such as DirecTV and GPS, high quality stereo amplifiers, military applications and very high power radio and UHF television transmitters.
A push–pull amplifier is a type of electronic circuit that uses a pair of active devices that alternately supply current to, or absorb current from, a connected load. This kind of amplifier can enhance both the load capacity and switching speed.
Electro-Harmonix is a New York City-based company that makes electronic audio processors and sells rebranded vacuum tubes. The company was founded by Mike Matthews in 1968. It is best known for a series of guitar effects pedals introduced in the 1970s and 1990s. EHX also made a line of guitars in the 1970s.
A pentode is an electronic device having five electrodes. The term most commonly applies to a three-grid amplifying vacuum tube or thermionic valve that was invented by Gilles Holst and Bernhard D.H. Tellegen in 1926. The pentode was developed from the screen-grid tube or shield-grid tube by the addition of a grid between the screen grid and the plate. The screen-grid tube was limited in performance as an amplifier due to secondary emission of electrons from the plate. The additional grid is called the suppressor grid. The suppressor grid is usually operated at or near the potential of the cathode and prevents secondary emission electrons from the plate from reaching the screen grid. The addition of the suppressor grid permits much greater output signal amplitude to be obtained from the plate of the pentode in amplifier operation than from the plate of the screen-grid tube at the same plate supply voltage. Pentodes were widely manufactured and used in electronic equipment until the 1960s to 1970s, during which time transistors replaced tubes in new designs. During the first quarter of the 21st century, a few pentode tubes have been in production for high power radio frequency applications, musical instrument amplifiers, home audio and niche markets.
Clipping is a form of waveform distortion that occurs when an amplifier is overdriven and attempts to deliver an output voltage or current beyond its maximum capability. Driving an amplifier into clipping may cause it to output power in excess of its power rating.
The Ibanez Tube Screamer (TS808/TS9) is a guitar overdrive pedal, made by Ibanez. The pedal has a characteristic mid-boosted tone popular with blues, rock and metal players. The Tube Screamer has been used by many guitarists to create their signature sound, and is one of the most successful, widely copied, and custom-modified ("modded") overdrive pedals in the history of the electric guitar.
A valve audio amplifier (UK) or vacuum tube audio amplifier (US) is a valve amplifier used for sound reinforcement, sound recording and reproduction.
The Fuzz Face is an effects pedal for electric guitar, used also by some electric bass players. It is designed to produce a distorted sound referred to as "fuzz", originally achieved through accident such as broken electrical components or damaged speakers.
Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone. Distortion is most commonly used with the electric guitar, but may also be used with other electric instruments such as electric bass, electric piano, synthesizer and Hammond organ. Guitarists playing electric blues originally obtained an overdriven sound by turning up their vacuum tube-powered guitar amplifiers to high volumes, which caused the signal to distort. While overdriven tube amps are still used to obtain overdrive, especially in genres like blues and rockabilly, a number of other ways to produce distortion have been developed since the 1960s, such as distortion effect pedals. The growling tone of a distorted electric guitar is a key part of many genres, including blues and many rock music genres, notably hard rock, punk rock, hardcore punk, acid rock, and heavy metal music, while the use of distorted bass has been essential in a genre of hip hop music and alternative hip hop known as "SoundCloud rap".
Luxman is a brand name of Japanese Luxman Corporation (ラックスマン株式会社) that manufactures luxury audio components. Luxman produces a variety of high-end audio products, including turntables, amplifiers, receivers, tape decks, CD players and speakers.
Home audio systems refer to audio consumer electronics designed for home entertainment, such as integrated systems like shelf stereos and music centers, as well as individual components like loudspeakers and surround sound receivers. The evolution of home audio began with Edison's phonograph, transitioning from monaural to stereophonic sound in the 1950s and 60s. The term "hi-fi" emerged, highlighting sound accuracy and minimal distortion. Audio equipment evolved from large wooden cabinets to compact units. The 1970s introduced enhancements like quadraphonic sound and technologies like Dolby Pro Logic. The 1970s and 1980s also saw the rise of component-based stereo systems. Cassette decks became a staple in the 1970s. Integrated systems, termed "music centers" gained popularity in the 1980s. Table systems and compact radio receivers emerged as entertainment devices, with some offering features like cassette players and CD functionalities. Audiophile systems prioritize high-quality music formats and specialized equipment like premium turntables, digital-to-analog converters, and other high-end devices, with some enthusiasts preferring the unique sound characteristics of vinyl records and vacuum tubes. Modern systems often emphasize home cinema applications to enhance the audio experience beyond standard TV speakers.
Tube sound is the characteristic sound associated with a vacuum tube amplifier, a vacuum tube-based audio amplifier. At first, the concept of tube sound did not exist, because practically all electronic amplification of audio signals was done with vacuum tubes and other comparable methods were not known or used. After introduction of solid state amplifiers, tube sound appeared as the logical complement of transistor sound, which had some negative connotations due to crossover distortion in early transistor amplifiers. However, solid state amplifiers have been developed to be flawless and the sound is later regarded neutral compared to tube amplifiers. Thus the tube sound now means 'euphonic distortion.' The audible significance of tube amplification on audio signals is a subject of continuing debate among audio enthusiasts.
Fuzz bass is a style of playing the electric bass or modifying its signal that produces a buzzy, distorted, overdriven sound, as the name implies. Overdriving a bass signal significantly changes the timbre, adds higher overtones (harmonics), increases the sustain, and, if the gain is turned up high enough, creates a "breaking up" sound characterized by a growling, buzzy tone.
Vintage musical equipment is older music gear, including instruments, amplifiers and speakers, sound recording equipment and effects pedals, sought after, maintained and used by record producers, audio engineers and musicians who are interested in historical music genres. While any piece of equipment of sufficient age can be considered vintage, in the 2010s the term is typically applied to instruments and gear from the 1970s and earlier. Guitars, amps, pedals, electric keyboards, sound recording equipment from the 1950s to 1970s are particularly sought. Musical equipment from the 1940s and prior eras is often expensive, and sought out mainly by museums or collectors.
