Shadrach, Meshach, and Abednego Hananiah, Mishael, and Azariah | |
---|---|
Three Holy Children | |
Venerated in | Judaism Christianity Islam |
Major shrine | Tomb of Daniel, Susa |
Feast | 16 December – Roman Rite 17 December – Byzantine Rite Tuesday after fourth Sunday of Pentecost – Armenian Rite January 24 - Mozarabic Rite [1] |
Attributes | Three men in the fiery furnace |
Shadrach, Meshach, and Abednego (Hebrew names Hananiah, Mishael, and Azariah) are figures from chapter 3 of the biblical Book of Daniel. In the narrative, the three Jewish men are thrown into a fiery furnace by Nebuchadnezzar II, King of Babylon for refusing to bow to the king's image. The three are preserved from harm and the king sees four men walking in the flames, "the fourth ... like a son of God". They are first mentioned in Daniel 1, where alongside Daniel they are brought to Babylon to study Chaldean language and literature with a view to serving at the King's court, and their Hebrew names are replaced with Chaldean or Babylonian names. [2]
The first six chapters of Daniel are stories dating from the late Persian/early Hellenistic period, and Daniel's absence from the story of the Hebrew children in the fiery furnace suggests that it may originally have been independent. [3] It forms a pair with the story of Daniel in the lions' den, both making the point that the God of the Jews will deliver those who are faithful to him. [4]
King Nebuchadnezzar set up a golden image in the plain of Dura (meaning dwelling) and commanded that all his officials bow before it. All who failed to do so would be thrown into a blazing furnace. Certain officials informed the king that the three Jewish youths Hananiah, Mishael, and Azariah, who bore the Babylonian names Shadrach, Meshach, and Abednego, and whom the king had appointed to high office in Babylon, were refusing to worship the golden statue. The three were brought before Nebuchadnezzar, where they informed the king that God would be with them. Nebuchadnezzar commanded that they be thrown into the fiery furnace, heated seven times hotter than normal, but when the king looked, he saw four figures walking unharmed in the flames, the fourth "like a son of God." Seeing this, Nebuchadnezzar brought the youths out of the flames, and the fire had not had any effect on their bodies. The hair of their heads was not singed, their cloaks were not harmed, and no smell of fire was on them. The king then promoted them to high office, decreeing that anyone who spoke against God should be torn limb from limb. [2]
It is generally accepted that the Book of Daniel originated as a collection of stories among the Jewish community in Babylon and Mesopotamia in the Persian and early Hellenistic periods (5th to 3rd centuries BCE), expanded by the visions of chapters 7–12 in the Maccabean era (mid-2nd century). [5] Some researchers have concluded that Daniel is a legendary figure. [6] It is possible that the name Daniel was chosen for the hero of the book because of his reputation as a wise seer in Hebrew tradition. [7] The tales are in the voice of an anonymous narrator, except for chapter 4, which is in the form of a letter from king Nebuchadnezzar. [8] Chapter 3 is unique in that Daniel does not appear in it.
Daniel 3 forms part of a chiasmus (a poetic structure in which the main point or message of a passage is placed in the centre and framed by further repetitions on either side) within Daniel 2–7, paired with Daniel 6, the story of Daniel in the lions' den: [9]
Chapters 3 and 6 contain significant differences. The story of the fiery furnace does not include Daniel, while the story of the lions' den does not include Daniel's friends; the first story takes place under Nebuchadnezzar and the second under Darius; and in the first story the disobedience to the earthly ruler takes place in public, while in the second Daniel petitions God in private. The stories thus supplement each other to make the point that the god of the Jews will deliver those who are faithful to him. [4]
The legendary nature of the story is revealed by the liberal use of hyperbole – the size of the statue, the use of every kind of music, the destruction of the executioners, and the king's rage followed by his confession of the superiority of the God of Israel. The plot is a type known in folklore as "the disgrace and rehabilitation of a minister," the plot of which involves a man in a state of prosperity who is sentenced to death or prison by the plots of his enemies but vindicated and restored to honour. [10]
When Nebuchadnezzar confronts the defiant Jewish youths who refuse to submit to his will he asks them what god will deliver them from his hands. Their reply is the theological high point of the story: without addressing the king by his title, they tell him that the question is not whether they are willing to bow before the king's image, but whether God is present and willing to save. [11] When the three are thrown into the furnace the king sees four men walking in the flames, the fourth like "a son of gods," [12] a divine being.
Daniel's absence from the tale of Shadrach, Meshach and Abednego suggests that it may originally have been an independent story. (According to the Talmud (Sanhedrin 93a), Daniel was out of the country at the time of the incident.)
The Hebrew names of the three youths were Hananiah (חֲנַנְיָהḤănanyā), "Yah is gracious", Mishael (מִישָׁאֵלMīšā’ēl), "Who is what El is?" and Azariah (עֲזַרְיָהǍzaryā), "Yah has helped", but by the king's decree they were assigned Chaldean names, so that Hananiah became Shadrach (שַׁדְרַך Šaḏraḵ), Mishael became Meshach (מֵישַׁךְ Mēšaḵ) and Azariah became Abednego (עֲבֵד נְגוֹ ‘Ǎḇēḏ-Nəgō). [13]
The Chaldean names are related to the Hebrew ones, with the names El and Yah replaced by Babylonian theonyms: Šaḏraḵ may reflect Šudur Aku "Command of Aku (the moon god)", [14] Mêšaḵ is probably a variation of Mi-ša-aku, meaning "Who is as Aku is?", and Abednego is either "Slave of the god Nebo/Nabu" or a variation of Abednergal, "Slave of the god Nergal."
The word "Dura" (where the statue is erected) means simply "plain" or "fortress" and is not any specific place; the Greek historian Herodotus mentions a golden image of the god Bel in Babylon, but the gigantic size of this statue might suggest that its origins lie in folklore. [15] The statue's dimensions (6×60 cubits) are linked intertextually with those of Ezra–Nehemiah's Second Temple (60×60 cubits), suggesting that the king's image is contrasted with the post-exilic place of worship for faithful Jews like Daniel. [16]
The Greek Septuagint version of Daniel 3 includes the deuterocanonical Prayer of Azariah and Song of the Three Holy Children. [17] The song is alluded to in odes seven and eight of the canon, a hymn sung in the matins service and on other occasions in the Eastern Orthodox Church. The reading of the story of the fiery furnace, including the song, is prescribed for the vesperal Divine Liturgy celebrated by the Orthodox on Holy Saturday. The Latin canticle Benedicite, opera omnia Domini is based on the "song of the three youths". In the Roman Catholic Church, it is used at Lauds for Sundays and feast days. In the Anglican Book of Common Prayer, it is an alternative to the Te Deum at Morning Prayer, and is often used during Lent and Advent.
In the Eastern Orthodox Church, the feast day of the three youths, along with Daniel, is 17 December. The Orthodox also commemorate them on the two Sundays before the Nativity of Christ.
In the Armenian Apostolic Church, one of the Oriental Orthodox or ancient non-Chalcedonian churches, the feast day of the three youths, along with Daniel, is commemorated on the Tuesday after the fourth Sunday of Pentecost. [18]
The Lutheran Church–Missouri Synod also includes Daniel and the three youths in the Calendar of Saints on 17 December.
The Book of Daniel is a biblical apocalypse authored during the 2nd century BC and set during the 6th century BC. Ostensibly "an account of the activities and visions of Daniel, a noble Jew exiled at Babylon", the text features a prophecy rooted in Jewish history, as well as a portrayal of the end times that is both cosmic in scope and political in its focus. The message of the text intended for the original audience, was that just as the God of Israel saves Daniel from his enemies, so he would save the Israelites in their present oppression.
The oldest surviving Hebrew Bible manuscripts, the Dead Sea Scrolls, date to c. the 2nd century BCE. Some of these scrolls are presently stored at the Shrine of the Book in Jerusalem. The oldest text of the entire Christian Bible, including the New Testament, is the Codex Sinaiticus dating from the 4th century CE, with its Old Testament a copy of a Greek translation known as the Septuagint. The oldest extant manuscripts of the vocalized Masoretic Text date to the 9th century CE. With the exception of a few biblical sections in the Nevi'im, virtually no biblical text is contemporaneous with the events it describes.
The Prayer of Azariah and Song of the Three Holy Children, abbreviated Pr Azar, is a passage which appears after Daniel 3:23 in some translations of the Bible, including the ancient Greek Septuagint translation.
Belshazzar's feast, or the story of the writing on the wall, chapter 5 in the Book of Daniel, tells how Belshazzar holds a great feast and drinks from the vessels that had been looted in the destruction of the First Temple. A hand appears and writes on the wall. The terrified Belshazzar calls for his wise men, but they are unable to read the writing. The queen advises him to send for Daniel, renowned for his wisdom. Daniel reminds Belshazzar that his father Nebuchadnezzar, when he became arrogant, was thrown down until he learned that God has sovereignty over the kingdom of men. Belshazzar had likewise blasphemed God, and so God sent this hand. Daniel then reads the message and interprets it: God has numbered Belshazzar's days, he has been weighed and found wanting, and his kingdom will be given to the Medes and the Persians.
That very night Belshazzar, the Chaldean [Babylonian] king, was killed. And Darius the Mede received the kingdom […]
The Burning Fiery Furnace is an English music drama with music composed by Benjamin Britten, his Opus 77, to a libretto by William Plomer. One of Britten's three Parables for Church Performances, this work received its premiere at the St Bartholomew's Church, Orford, Suffolk, England, on 9 June 1966 by the English Opera Group.
Darius the Mede is mentioned in the Book of Daniel as King of Babylon between Belshazzar and Cyrus the Great, but he is not known to secular history and there is no space in the historical timeline between those two verified rulers. Belshazzar, who is often mentioned as king in the book of Daniël, was in fact the crown-prince and governer while his father was in Arabia from ca. 553 tot 543 BCE, but Nabonidus had returned to Babylon years before the fall of the Babylonian empire.
Daniel 2 tells how Daniel related and interpreted a dream of Nebuchadnezzar II, king of Babylon. In his night dream, the king saw a gigantic statue made of four metals, from its head of gold to its feet of mingled iron and clay; as he watched, a stone "not cut by human hands" destroyed the statue and became a mountain filling the whole world. Daniel explained to the king that the statue represented four successive kingdoms beginning with Babylon, while the stone and mountain signified a kingdom established by God which would never be destroyed nor given to another people. Nebuchadnezzar then acknowledges the supremacy of Daniel's God and raises him to high office in Babylon.
The additions to Daniel are three chapters not found in the Hebrew/Aramaic text of Daniel. The text of these chapters is found in the Septuagint, the earliest extant Greek translation of the Hebrew Bible from the original Hebrew.
"Shadrach" is a song by American hip hop group Beastie Boys from their second studio album Paul's Boutique (1989). It was released as the album's second single on October 30, 1989, as a 7-inch vinyl backed with the non-album track "And What You Give Is What You Get". Both songs appear on the EP An Exciting Evening at Home with Shadrach, Meshach and Abednego (1989).
Daniel 7 tells of Daniel's vision of four world-kingdoms replaced by the kingdom of the saints or "holy ones" of the Most High, which will endure for ever. Four beasts come out of the sea, the Ancient of Days sits in judgment over them, and "one like a son of man" is given eternal kingship. An angelic guide interprets the beasts as kingdoms and kings, the last of whom will make war on the "holy ones" of God, but they will be destroyed and the "holy ones" will be given eternal dominion and power.
Daniel 8 is the eighth chapter of the Book of Daniel. It tells of Daniel's vision of a two-horned ram destroyed by a one-horned goat, followed by the history of the "little horn", which is Daniel's code-word for the Greek king Antiochus IV Epiphanes.
Allusions in rabbinic literature to the Biblical story of Daniel contain various expansions, elaborations and inferences beyond the text presented in the Book of Daniel. These stories are describing Jewish success in the Diaspora, where it was important to emphasize Jewish wisdom and statecraft during periods of foreign domination in order to strengthen the sense of worth and ethnic pride of the Jewish people.
Daniel is an anonymous Old English poem based loosely on the Biblical Book of Daniel, found in the Junius Manuscript. The author and the date of Daniel are unknown. Critics have argued that Cædmon is the author of the poem, but this theory has been since disproven. Daniel, as it is preserved, is 764 lines long. There have been numerous arguments that there was originally more to this poem than survives today. The majority of scholars, however, dismiss these arguments with the evidence that the text finishes at the bottom of a page, and that there is a simple point, which translators assume indicates the end of a complete sentence. Daniel contains a plethora of lines which Old English scholars refer to as “hypermetric” or long.
Daniel is the main character of the Book of Daniel. According to the Hebrew Bible, Daniel was a noble Jewish youth of Jerusalem taken into captivity by Nebuchadnezzar II of Babylon, serving the king and his successors with loyalty and ability until the time of the Persian conqueror Cyrus, all the while remaining true to the God of Israel. While some conservative scholars hold that Daniel existed and his book was written in the 6th century BCE, most scholars agree that Daniel is not a historical figure and that much of the book is a cryptic allusion to the reign of the 2nd century BCE Hellenistic king Antiochus IV Epiphanes.
Chapters 10, 11, and 12 in the Book of Daniel make up Daniel's final vision, describing a series of conflicts between the unnamed "King of the North" and "King of the South" leading to the "time of the end", when Israel will be vindicated and the dead raised, some to everlasting life and some to shame and everlasting contempt.
Daniel in the lions' den tells of how the biblical Daniel is saved from lions by the God of Israel "because I was found blameless before him". It parallels and complements chapter 3, the story of Shadrach, Meshach, and Abednego: each begins with the jealousy of non-Jews towards successful Jews and an imperial edict requiring them to compromise their religion, and concludes with divine deliverance and a king who confesses the greatness of the God of the Jews and issues an edict of royal protection. The tales making up chapters 1–6 of Daniel date no earlier than the Hellenistic period and were probably originally independent, but were collected in the mid-2nd century BC and expanded shortly afterwards with the visions of the later chapters to produce the modern book.
Daniel 1 tells how Daniel and his three companions were among captives taken by Nebuchadnezzar II from Jerusalem to Babylon to be trained in Babylonian wisdom. There they refused to take food and wine from the king and were given knowledge and insight into dreams and visions by God, and at the end of their training they proved ten times better than all the magicians and enchanters in the kingdom.
Daniel 4, the fourth chapter of the Bible's Book of Daniel, is presented in the form of a letter from king Nebuchadnezzar II in which he learns a lesson of God's sovereignty, "who is able to bring low those who walk in pride". Nebuchadnezzar dreams of a great tree that shelters the whole world, but an angelic "watcher" appears and decrees that the tree must be cut down and that for seven years, he will have his human mind taken away and will eat grass like an ox. This comes to pass, and at the end of his punishment, Nebuchadnezzar praises God. Daniel's role is to interpret the dream for the king.
An Exciting Evening at Home with Shadrach, Meshach and Abednego is an EP by rap trio Beastie Boys. It was released on October 30, 1989.
The Acts of Mar Mari [ܦܪܲܟܣܝ̣ܣ ܕܡܳܪܝ ܡܳܐܪܝ̣] is a Syriac Christian apocryphal acts. It pertains to the introduction of Christianity in northern and southern Mesopotamia by Addai's disciple Saint Mari in the first century and in the beginning of the second century AD.
Son of Man: The interpretation and influence of Daniel 7.