Shary Boyle

Last updated

Shary Boyle
Born
Shary Boyle

(1972-05-26) May 26, 1972 (age 51)
Toronto, Ontario, Canada
Education Ontario College of Art and Design
Known for Sculptor, Performance artist
Movement Feminist art movement
Awards Gershon Iskowitz Prize (2009), Hnatyshyn Foundation Visual Arts Award (2010)
Website http://www.sharyboyle.com

Shary Boyle D.F.A. (born May 26, 1972) [1] is a contemporary Canadian visual artist working in the mediums of sculpture, drawing, painting and performance art. She lives and works in Toronto. [2]

Contents

Early life and education

Boyle was born in the Toronto suburb of Scarborough, Ontario, the youngest of five children. [3] [1] She attended Wexford Collegiate School for the Arts high school where she studied art and music theatre, then went on to post-secondary studies at the Ontario College of Art, graduating in 1994. [3] She was involved in the Toronto punk and hardcore music scene in her high school and early college years, singing in a band. [4] Her early interest in music and performance incorporated costume, poster and T-shirt design and the creation and free distribution of small photocopied 'zines. [5] Her earliest 'zines and drawings were compiled in the compilation publication "Witness My Shame" (Conundrum Press, 2004). [4] Between 1998-2006 Boyle supplemented her art practice of drawing and painting through published illustration.

In 1998, she began to work with a synthetic polymer clay called Sculpey. [4] Doll maker Vivian Hausle in Seattle in 2002 taught her to understand the medium of porcelain as well as lace draping, a technique for filigrees in lace. [4]

Art work

Shary Boyle works across media and genres, and is known for her representational and narrative symbolism that is personal and at times disturbing. [3] Her work explores themes of gender, identity, sexuality, power and class, evoking emotional and psychic resonance through craftsmanship. [6] She is particularly known for her explorations of the figure through porcelain sculpture. Boyle's earliest porcelain 'figurine' series (2002-2006) used commercial molds and traditional porcelain lace techniques to create sculptures that mined the historical relationship between decoration and excessive ornamentation as it relates to women and gender issues. The series was introduced in a solo exhibition at the Power Plant in Toronto called Lace Figures, curated by Reid Sheir, 2006. [1] Boyle's early experiments with porcelain and her subversion of female hobby-craft from kitsch to contemporary art is credited with reviving porcelain and ceramics as a contemporary art medium in the early 2000s in Toronto, bridging a class divide and questioning the hierarchy between 'low' and 'high' art.

Selected exhibitions

In 2006, she had a 2 person Exhibition with Ben Reeves at Open Studios, Toronto. [7] In 2008, the Southern Alberta Art Gallery in Lethbridge showcased her work in a solo show titled The History of Light, [8] and in 2009 Boyle's work was first exhibited with Kinngait artist Shuvinai Ashoona in the exhibition Noise Ghost at the Justina M. Barnicke Gallery, Art Museum University of Toronto, curated by Nancy Campbell. [9] In 2010, Boyle's first national touring exhibition Flesh and Blood opened at the Art Gallery of Ontario. This exhibition of 28 works — sculpture, installation, paintings, projections - was a joint venture between the Art Gallery of Ontario, Galerie de l’UQAM and the Vancouver Contemporary Art Gallery, and was curated by Louise Déry. [3] [10] Boyle represented Canada at the 2013 Venice Biennale with her project Music for Silence, an installation of which the central component was The Cave Painter in plaster, of a mermaid, holding a newborn to her breast [11] [4] [1] In 2014, she participated in Shine a Light: Canadian Biennial 2014. [12]

Participation in the Venice Biennial was a milestone in her career. Since then, she has had many solo and participated in group exhibitions, most notably with other artists, such as her 10-year drawing/text collaboration with video artist Emily Vey Duke called Shary Boyle & Emily Vey Duke: The Illuminations Project at Oakville Galleries. [13] She also has collaborated for a second time with Shuvinai Ashoona, travelling to the Kinngait Studios on Baffin Island, Nunavik, to do so in 2015 The drawings they created together, as well as their independent drawings and sculptures, were presented in a show titled Universal Cobra in 2015 at the private gallery of Pierre-Francois Ouellette Art Contemporain in Montreal in a co-produced exhibition with Feheley Fine Art in Toronto. The publication "Shuvinai Ashoona and Shary Boyle. Universal Cobra" (You’ve Changed Imprints) was released in 2016. [14]

Among other group shows in which she took part, many abroad, are Ceramix: Ceramics and art from Rodin to Schutte, organized by the Bonnefantenmuseum in the Netherlands and travelling to La Maison Rouge in Paris, and Cite de la ceramique in Sevres, France in 2016, [15] and the Gyeonggi International Ceramic Biennale in Seoul, South Korea in 2017. She also proposed, researched and co-organized the show Earthlings, an artist-curated exhibition produced by the Esker Foundation in Calgary in 2017. [16]

In addition to her sculpture and performance work, Boyle performs with musicians, creating shadow vignettes and "live" drawings, which are animated and projected onstage using vintage overhead projectors. In 2006, Boyle was invited to perform at the Hammer Museum in Los Angeles in a show titled A Night with Kramers Ergot, where she presented a live solo performance in costume with a curated soundtrack. Boyle collaborated with Doug Paisley to form an opening act for Will Oldham's 10-date 2006 California tour. [17] She has also worked with Feist in Paris, Peaches in Berlin, and Christine Fellows in Canada. [18] [4] In 2012, she collaborated with the latter to present an original theater piece, Everything Under the Moon at the Enwave Theatre in Toronto. [19] In 2014, Boyle and Fellows collaborated on a new live multi-disciplinary performance called Spell to Bring Lost Creature Home, by invitation of the Northern Arts and Cultural Centre. The pair presented Spell to Bring Lost Creatures Home on a five-date small plane tour of the Northwest Territories in October 2014, and across Canada for 10 dates in 2015. [20] In 2016 Boyle presented her first commissioned stage design for Voix de Ville!, a production of the Niagara Artists Centre at the FirstOntario Performing Arts Centre in St Catharines.

Her commission for the public artwork Cracked Wheat by the Gardiner Museum in Toronto was installed in front of the museum in 2019. [21] In 2021, the Gardiner Museum gave Boyle a solo exhibition Outside the palace of Me, an installation with drawing, ceramic sculpture, mirrors and an interactive score, in which she mined her anxiety about global crises. [22] In 2023, Outside the Palace of Me travelled to the Vancouver Art Gallery. [23]

Collections

Boyle's work is included in many public and private collections, including the National Gallery of Canada, Ottawa, the Montreal Museum of Fine Arts, the Art Gallery of Nova Scotia, Halifax, the Musée d'art contemporain de Montréal, and the Art Gallery of Ontario, Toronto. [6] She worked exclusively with the Toronto contemporary commercial art gallery Jessica Bradley Art + Projects from 2007 until she left to become independent in 2014. [1]

Residencies

Boyle is also a public speaker, with an extensive and broadly-based history. In 2014, Boyle was lead faculty on The Universe and Other Systems residency at The Banff Centre. [24] In 2016, she travelled to Kangiqliniq (Rankin Inlet), Nunavik to meet the ceramic artists working at Matchbox Studios, inviting John Kurok and Pierre Aupilardjuk to join her on a ceramic residency at Medalta Historic Potteries in Medicine Hat, Alberta for 2016.

Awards & Distinctions

Boyle has won a number of awards and distinctions. [1]

Related Research Articles

<span class="mw-page-title-main">Pitseolak Ashoona</span> Canadian Inuk artist

Pitseolak Ashoona was an Inuk Canadian artist admired for her prolific body of work. She was also a member of the Royal Canadian Academy of Arts.

William Goodridge Roberts (1904–1974) was a Canadian painter known for his landscape paintings, still lifes, figure paintings and interiors. He was also a teacher.

<span class="mw-page-title-main">Annie Pootoogook</span> Canadian Inuk artist

Annie Pootoogook was a Canadian Inuk artist known for her pen and coloured pencil drawings. In her art, Pootoogook often portrayed the experiences of those in her community of Kinngait, in northern Canada, and memories and events from her own life.

<span class="mw-page-title-main">Gardiner Museum</span> Ceramics museum in Ontario, Canada

The George R. Gardiner Museum of Ceramic Art is a ceramics museum in Toronto, Ontario, Canada. The museum is situated within University of Toronto's St. George campus, in downtown Toronto. The 4,299.2-square-metre (46,276 sq ft) museum building was designed by Keith Wagland, with further expansions and renovations done by KPMB Architects.

<span class="mw-page-title-main">Inuit art</span> Art created by Inuit of the Arctic

Inuit art, also known as Eskimo art, refers to artwork produced by Inuit, that is, the people of the Arctic previously known as Eskimos, a term that is now often considered offensive. Historically, their preferred medium was walrus ivory, but since the establishment of southern markets for Inuit art in 1945, prints and figurative works carved in relatively soft stone such as soapstone, serpentinite, or argillite have also become popular.

<span class="mw-page-title-main">Canadian art</span> Canadian art

Canadian art refers to the visual as well as plastic arts originating from the geographical area of contemporary Canada. Art in Canada is marked by thousands of years of habitation by Indigenous peoples followed by waves of immigration which included artists of European origins and subsequently by artists with heritage from countries all around the world. The nature of Canadian art reflects these diverse origins, as artists have taken their traditions and adapted these influences to reflect the reality of their lives in Canada.

<span class="mw-page-title-main">Agnes Etherington Art Centre</span> Art museum in Ontario, Canada

The Agnes Etherington Art Centre is located in Kingston, Ontario, in the heart of the historic campus of Queen's University. Situated on traditional Anishinaabe and Haudenosaunee Territory, the gallery has received a number of awards for its exhibitions from the Canada Council for the Arts, the Ontario Association of Art Galleries and others.

Mary Anne Barkhouse is a jeweller and sculptor residing in Haliburton, Ontario, Canada. She belongs to the Nimpkish band of the Kwakiutl First Nation.

<span class="mw-page-title-main">Janet Kigusiuq</span> Inuit artist

Janet Kigusiuq was an Inuk artist.

<span class="mw-page-title-main">Shuvinai Ashoona</span> Canadian Inuk artist

Shuvinai Ashoona is an Inuk artist who works primarily in drawing. She is known for her detailed pen and pencil drawings depicting northern landscapes and contemporary Inuit life.

Simone Jones is a multidisciplinary Canadian artist known for her kinetic artworks.

<span class="mw-page-title-main">Napachie Pootoogook</span>

Napachie Pootoogook was a Canadian Inuit graphic artist.

<span class="mw-page-title-main">Susan Collett</span> Canadian artist (born 1961)

Susan Collett RCA IAC is a Canadian artist in printmaking and ceramics. In 1986, she graduated from the Cleveland Institute of Art, earning a B.F.A. in printmaking with a minor in ceramics.

Anne Kahane was an Austrian-born Canadian artist. Best known for her figures carved in wood, Kahane began her career as a printmaker and commercial artist. In addition to her work as a sculptor using wood, brass, and aluminum, Kahane's artistic repertoire also included drawing and printmaking.

Kiugak Ashoona was a Canadian Inuk artist renowned for his sculptural work and his expansive artistic portfolio. He experienced the longest career of any Cape Dorset artist, and is a member of the Order of Canada and the Royal Canadian Academy of Arts. In 1999, he was awarded the Canada Council Molson Prize for his outstanding lifetime contribution to the cultural and intellectual life of Canada.

Michelle Jacques is a Canadian curator and educator known for her expertise in combining historical and contemporary art, and for her championship of regional artists. Originally from Ontario, born in Toronto to parents of Caribbean origin, who immigrated to Canada in the 1960s, she is now based in Saskatoon, Saskatchewan.

Daniel Solomon is an abstract painter who uses intense, vibrant colour in his work, combined with complex, pictorial space, inspired by artists such as Jack Bush and is a painter and professor in Drawing and Painting at OCAD University.

Julie Voyce is a Canadian multimedia artist, known for her fanciful imagery, and for printmaking.

Barbara Fischer is an art curator and writer who specializes in contemporary art in all media with an emphasis on sculpture, installation, and projection/lens-based work. The Toronto Star called her the "unassuming nuclear reactor of the Toronto arts scene", adding that she is "doing seemingly impossible work that, at the same time, is both vital and otherwise neglected: building a memory bank of artistic expression in a city plagued with willful amnesia."

Jean Blodgett was an American-born curator and prolific writer devoted to Inuit art who spent her career in Canada. She was known as a force in her field, the curator who began the serious art historical study of Inuit art in the early 1970s, at a time when few worked on the subject. Her books were popular. Kenojuak went through six editions.

References

  1. 1 2 3 4 5 6 Whyte, Murray. "Shary Boyle". www.thecanadianencyclopedia.ca. Canadian Encyclopedia. Retrieved January 19, 2021.
  2. ↑ "Shary Boyle - Canadian Art". March 13, 2017. Archived from the original on March 13, 2017. Retrieved March 26, 2019.
  3. 1 2 3 4 5 Medley, Mark. "Shary Boyle, beloved in Canada's art world, doesn't think she needs to leave the country to achieve international acclaim". archive.vn. National Post, Sep 11, 2010. Archived from the original on January 29, 2013. Retrieved January 19, 2021.
  4. 1 2 3 4 5 6 Almost Famous: Shary Boyle steps onto the world stage at the Venice Biennale Archived March 27, 2019, at the Wayback Machine ". The Walrus , July/August 2013.
  5. 1 2 Sandals, Leah; als. "Shary Boyle Turns Up the Volume at the Venice Biennale". Canadian Art. Retrieved December 3, 2020.
  6. 1 2 Drouin-Brisebois, Josée; Déry, Louise (2013). Shary Boyle: Music for Silence. Ottawa, Ontario, Canada: National Gallery of Canada. pp. 178–179. ISBN   9780888849144.
  7. ↑ "Biography" (PDF). website-metiviergallery.artlogic.net. Metivier Gallery, Toronto. Retrieved February 7, 2024.
  8. ↑ "Shary Boyle: The Monster Under the Bed". canadianart.ca. Canadian Art, March 20, 2008. Retrieved January 20, 2021.
  9. ↑ "Noise Ghost". artmuseum.utoronto.ca. Art Museum, University of Toronto. Retrieved January 20, 2021.
  10. ↑ Shary Boyle at the AGO: Outsider gets in Archived January 25, 2013, at the Wayback Machine ". Toronto Star , September 11, 2010. Retrieved June 3, 2011.
  11. ↑ Whyte, Murray. "The Mermaid's Cave: Shary Boyle's Path to the Venice Biennale". canadianart.ca. Canadian Art, August 2, 2013. Retrieved January 21, 2021.
  12. ↑ "Canadian Biennale 2014". October 17, 2014. Retrieved September 16, 2021.
  13. ↑ "Shary Boyle & Emily Vey Duke: The Illuminations Project". e-artexte.ca/. Oakville Galleries. Retrieved January 20, 2021.
  14. ↑ Campbell, Nancy G. "SHUVINAI ASHOONA Life & Work" (PDF). /www.aci-iac.ca. Art Canada Institute. Retrieved January 20, 2021.
  15. ↑ "Shary Boyle (Toronto): White Elephant". www.cafka.org. Contemporary Art Forum Kitchener and Area. Retrieved January 21, 2021.
  16. ↑ "Inuit Art Quarterly 5 Dec 2019". Press Reader. Retrieved January 20, 2021– via PressReader.
  17. 1 2 "Shary Boyle", National Gallery of Canada. Archived March 28, 2019, at the Wayback Machine . Retrieved March 31, 2014.
  18. ↑ "Artist Shary Boyle gets 3-city show Archived June 25, 2012, at the Wayback Machine ". CBC News, July 28, 2010. Retrieved June 3, 2011.
  19. 1 2 "Shary Boyle". The Banff Center. Archived from the original on March 6, 2015. Retrieved March 12, 2017.
  20. ↑ Thompson, Roxanna (October 23, 2014). "Weaving a spell in Fort Simpson". Northern News Services Online. Archived from the original on March 13, 2017. Retrieved March 27, 2019.
  21. ↑ "Cracked Wheat". www.gardinermuseum.on.ca. Gardiner Museum, Toronto. Retrieved January 20, 2021.
  22. ↑ "Shary Boyle: Outside the Palace of Me". www.gardinermuseum.on.ca. Gardiner Museum, 2021. Retrieved January 21, 2021.
  23. ↑ "Exhibitions". www.vanartgallery.bc.ca. Vancouver Art Gallery. Retrieved March 14, 2023.
  24. ↑ "The Universe and Other Systems with Shary Boyle". The Banff Centre. March 7, 2015. Archived from the original on April 2, 2015. Retrieved March 12, 2017.
  25. ↑ "Toronto artist Shary Boyle wins $25,000 prize" Archived March 27, 2019, at the Wayback Machine , Canadian Press, October 27, 2009. Reprinted Archived January 19, 2012, at the Wayback Machine in CTV News. Retrieved June 3, 2011.
  26. ↑ "Toronto's Shary Boyle wins Hnatyshyn award Archived November 9, 2012, at the Wayback Machine ". CBC News, December 2, 2010. Retrieved June 3, 2011.
  27. ↑ "OCAD University awards five new honorary doctorates | OCAD University". www.ocadu.ca. Retrieved November 5, 2021.

Bibliography

This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.