Singjay

Last updated

Singjaying is a Jamaican style of reggae vocals combining toasting and singing in an elastic format that encourages rhythmically compelling and texturally impressive vocal embellishments. The performer is called a singjay, a combination of singer and deejay. [1]

The fusion of singing and deejaying occurred early in reggae music. Artists like Big Youth combined singing and toasting on tracks like "Sky Juice", "Every Negro Is A Star" and "Hit The Road Jack". However, the term "singjay" more accurately describes the transition from singer to deejay, rather than deejay to singer. This phenomenon happened years after the deejay style had gone mainstream. Among the earliest performers of what would later be known as singjaying is Michael Rose, who used to integrate highly rhythmic but completely meaningless deejay "scatting" in his roots songs. As the rhythm of reggae changed in the late 1970s and became what is now known as "rockers" style reggae, the themes changed as well. The classic roots themes were slowly being replaced by songs inspired by life at the dancehall. A change in vocal delivery accompanied this thematic change. Artists such as Echo Minott and Little John represent this "rockers" singjay style. Half Pint, known mostly for his "lovers" style, incorporated a singjay vocal style into his classic hit "Greetings". Around the mid-80s, the singjay style became the dominant and mainstream form of expression in Jamaican music. Dennis Alcapone, Prince Hammer, Prince Jazzbo, Dillinger, Clint Eastwood, Trinity, U Brown, U-Roy, I-Roy, Eek-A-Mouse, Anthony Red Rose, King Kong, Pinchers, Wayne Smith, Courtney Melody, Conroy Smith, Lilly Melody, Eccleton Jarrett, Nitty Gritty and Yami Bolo are all original singjays. Today's singjays include artists such asShalkal Carty, Mr. Vegas,and Mavado, among others. [2]

Related Research Articles

<span class="mw-page-title-main">Toasting (Jamaican music)</span> Talking or chanting to an instrumental rhythm

Toasting or deejaying is the act of talking, usually in a monotone melody, over a rhythm or beat by a deejay. It can either be improvised or pre-written. Toasting developed in Jamaica, before it took up that name and being part of the sound system era, a similar sound of it is found in mento and now can be heard over musical styles including ska, reggae, dancehall, dub, grime, hip hop, soca and bouyon music. The combination of singing and toasting is known as singjaying.

In Jamaican dancehall music, a riddim is the instrumental accompaniment to a song and is synonymous with the rhythm section. Jamaican music genres that use the term consist of the riddim plus the voicing sung by the deejay. A given riddim, if popular, may be used in dozens—or even hundreds—of songs, not only in recordings but also in live performances.

The music of Jamaica includes Jamaican folk music and many popular genres, such as mento, ska, rocksteady, reggae, dub music, dancehall, reggae fusion and related styles.

Dancehall is a genre of Jamaican popular music that originated in the late 1970s. Initially, dancehall was a more sparse version of reggae than the roots style, which had dominated much of the 1970s. In the mid-1980s, digital instrumentation became more prevalent, changing the sound considerably, with digital dancehall becoming increasingly characterized by faster rhythms. Key elements of dancehall music include its extensive use of Jamaican Patois rather than Jamaican standard English and a focus on the track instrumentals.

<span class="mw-page-title-main">U-Roy</span> Jamaican musician (1942–2021)

Ewart Beckford OD, known by the stage name U-Roy, was a Jamaican vocalist and pioneer of toasting. U-Roy was known for a melodic style of toasting applied with a highly developed sense of timing.

<span class="mw-page-title-main">Eek-A-Mouse</span> Musical artist

Eek-A-Mouse is a Jamaican reggae musician. He is one of the earliest artists to be described as a "singjay". Eek-A-Mouse is well known for pioneering his own style of scatting, differing from the-then toasting deejays in the 80s.

There are several subgenres of reggae music including various predecessors to the form.

<span class="mw-page-title-main">The Congos</span> Jamaican band

The Congos are a reggae vocal group from Jamaica which formed as the duo "Ashanti" Roy Johnson (tenor) and Cedric Myton (falsetto), later becoming a trio with the addition of Watty Burnett (baritone), and have been active on and off from the mid-1970s until the present day. They are best known for their Heart of the Congos album, recorded with Lee "Scratch" Perry.

Prince Far I was a Jamaican reggae deejay and producer, and a Rastafarian. He was known for his gruff voice and critical assessment of the Jamaican government. His track "Heavy Manners" used lyrics about government measures initiated at the time against violent crime.

<span class="mw-page-title-main">Big Youth</span> Musical artist

Manley Augustus Buchanan, better known as Big Youth, is a Jamaican deejay, mostly known for his work during the 1970s.

Lester Bullock, better known by the stage name Dillinger, is a Jamaican reggae artist. He was part of the second wave of deejay toasters who rose to prominence during the mid-1970s.

Keith Hudson, was a Jamaican reggae artist and record producer. He is known for his influence on the dub movement.

Scotty performed as a reggae vocalist and deejay.

<span class="mw-page-title-main">Macka B</span> Musical artist

Christopher MacFarlane, better known as Macka B, is a British-born Jamaican reggae artist, performer and activist with a career spanning thirty years and one of Britain's most influential dancehall DJs.

George Nooks, a.k.a.Prince Mohamed, Prince Mohammed, or George Knooks is a Jamaican reggae singer who initially found fame as a deejay.

Triston Palma is a Jamaican reggae singer/deejay. He has been active since the mid-1970s.

Beris Simpson, better known as Prince Hammer, is a Jamaican reggae deejay, singer, and record producer.

Daniel Clarke, better known as Danny Red, is a British Jamaican reggae musician.

Roy Anthony Cousins is a Jamaican reggae singer, producer, and record label owner, known for being lead singer and co creator of The Royals, his productions of artists such as Charlie Chaplin, Prince Far I, Scientist, Winston Francis, Earl Sixteen, Devon Russell, Junior Reid, Don Carlos, Pablove Black, Ken Parker, Knowledge, The Gaylads, The Meditations, Prince Hammer and Cornell Campbell, and his record labels, Uhuru, Tamoki, Wambesi, Dove & Tamoki-Wambesi/Tamoki Wambesi Dove.

Richard Patrick Bennett, better known by the stage name Charlie Chaplin, is a Jamaican dancehall and ragga singer and deejay. It was common for Jamaican deejays of the era to name themselves after film stars or characters. Bennett, however, had been nicknamed after the comedian since his youth. His career began in 1980 when he began working with U-Roy's Stur-Gav Hi-Fi collective. He became extremely popular throughout Jamaica, memorable for his focus on cultural and social themes instead of the "slack" lyrics that were popular at the time. His popularity as a live performer prompted Roy Cousins to produce some recording sessions with the young DJ. Chaplin's debut album was the Cousins-produced Presenting Charlie Chaplin in 1982, with several albums following for the producer over the next three years.

References

  1. Broughton, Simon; Ellingham, Mark (2000). World Music: The Rough Guide. Latin and North America, Caribbean, India, Asia and Pacific. Rough Guides. ISBN   9781858286365.
  2. "Singjay". December 27, 2004.