Sore Throat (band)

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Sore Throat
Also known asSoar Throat, Saw Throat
Origin Huddersfield, England
Genres Crust punk, grindcore
Years active1987–1990, 1991 [1]
LabelsManic Ears, Earache
Past membersRich "Militia" Walker
Brian "Bri" Talbot
John "Doom" Pickering
Nick Royles
Paul "Hammy" Halmshaw

Sore Throat were a British crust punk band formed in Huddersfield in 1987. [2] They are known for being one of the earliest exponents of the grindcore subgenre known as "noisecore", as well as for launching the careers of several prominent members of the British heavy metal community.

Contents

Biography

Sore Throat were formed in 1987 by Richard "Militia" Walker (vocals; of Wartorn and Warfear) and Nick Royles (drums). After a short-lived false start that involved Mick Harris & Jim Whitley from Napalm Death on vocals and bass respectively, with Rich actually playing guitar, they soon recruited John "Doom" Pickering (bass; previously a member of Doom, Pelvic Thrust, Police Bastard, and Cain), Brian "Bri" Talbot (guitar; also previously associated with Doom and Pelvic Thrust, as well as Ackworth St. Chaos Front, Metal Motherfuckers from Mars, Bugeyed, Warfear, Woodhouse Rejects, Stalingrad, Blood Sucking Feaks, Devils, and Virtual Reality). The band were vehemently opposed to what they saw as commercialism with the hardcore scene, and used ridicule to lyrically lambast the likes of Napalm Death, Sex Pistols, Suicidal Tendencies, D.R.I., OLD, Wehrmacht, and S.O.D. Other lyrics mocked Nazis, capitalism, and the straight edge movement. The band developed a style completely based on improvisation: all of their musical output was made up on the spot, without rehearsals, during recording sessions.

The band's first release was the Aural Butchery demo, recorded on 20 August 1987, and like other early releases such as the 42 track Death to Capitalist Hardcore EP (1988) and the Noise Annoys demo (1988) consisted largely of raw, sub-one minute blast of grindcore noise; Death to Capitalist Hardcore was later ranked number 14 in Terrorizer Magazine's list of essential European grindcore albums. [3] A line-up change resulted in Paul "Hammy" Halmshaw taking over on drums and after signing to the Meantime label in 1988, Sore Throat released their debut album, Unhindered by Talent, which continued the trend, albeit with a number of more traditional, Discharge-style numbers. Their second album, Disgrace to the Corpse of Sid on Earache, showed even more diversity, incorporating distortion, blast beats, screams and grunts, and sound samples. It featured 101 tracks in total. However, whilst the A side of the album consisted of the band's patented noisecore, the B side contained more doom-inspired crust punk, along the lines of Amebix. The band also released the Inde$troy album in 1989 under the moniker Saw Throat, through Manic Ears Records.

Sore Throat released their final full-length album, Never Mind the Napalm... Here's Sore Throat, in 1989, returning to their crust punk roots. A number of other releases followed, including the Soar Throat EP, the And We Don't Care compilation and the Poison Idea / No Handle Beer demo (featuring two Poison Idea covers and one original track), but Sore Throat disbanded in 1990 due to the band coming to "its logical conclusion."

Vocalist Rich Walker was already involved with Sludgelord and went on to play in the doom metal band Solstice and epic heavy metal group Isen Torr, as well as some hardcore bands like Wartorn, Warfear, Discontrol, Nailbomb and Harmony As One, all of whom released records in the early 1990s. He currently runs his own label The Miskatonic Foundation and plays guitar in Solstice. Guitarist Brian Talbot went on to play with doom metal group Khang (latterly Lazarus Blackstar). Bassist John Pickering became a DJ at Radio Kerrang! Original drummer Nick Royles went on to play in several straight edge bands namely Withstand, In Touch, No Way Out, Steadfast, Ironside, Unborn, Season of War and Unquiet Grave. He ran Sure Hand Records and the influential How We Rock Fanzine in the 90s. He also became a DJ with his own club night playing Gypsy Punk and Balkan turbo folk. Currently playing in Howl and Cracked Cop Skulls. Paul Halmshaw founded Peaceville Records.

In 1991, the band briefly reformed with Royles returning on drums. They played a single performance at the 1 in 12 Club, and planned to release an EP, however broke up for a second time before it could be negotiated. [1]

On 4 February 2022, the band announced on their official Facebook page that they "were bored last Monday afternoon so we recorded 25 new songs of which 22 will be released as a 22 song 12-inch vinyl EP". The title was revealed to be Starving Wolves Stand & Fight! with the release date being 6 May on Bandcamp.

Members

Discography

Official releases

Compilations featuring Sore Throat

Bootlegs

Aside from their official discography, Sore Throat have been heavily bootlegged. Rich Walker commented that bootlegging of T-shirts has been especially prevalent. [4] All Sore Throat albums have also been bootlegged on both CD and vinyl; some examples include:

Related Research Articles

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<span class="mw-page-title-main">Extreme Smoke</span>

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<i>Death to Capitalist Hardcore</i> 1988 EP by Sore Throat

Death to Capitalist Hardcore is an EP by English grindcore band Sore Throat. It was originally released on 7" vinyl by Acid Rain Records in early 1988 to a pressing of 1000 copies, and has been bootlegged multiple times since. The cover artwork depicts a suited man being impaled on a spike, clutching what appears to be a record by Texan hardcore/crossover band Dirty Rotten Imbeciles who, at the time, were enjoying a brief period of commercial success.

References

  1. 1 2 Glasper, Ian (1 July 2012). ARMED WITH ANGER: HOW UK PUNK SURVIVED THE NINETIES. Cherry Red Books.
  2. LUEDTKE, CHRISTOPHER (7 March 2013). "Uncompromising Noise: the Legacy of SORE THROAT" . Retrieved 25 January 2020.
  3. Hoare, James (2009). "Essential Albums|Europe", Terrorizer Magazine 180, p. 55.
  4. Walker, Rich (2009). "Grindcore History: Oral History", Terrorizer Magazine 180, p. 45.